I gave my thoughts on season 1 of Netlix’s “Sense8” a while ago and was happy to see that some of the gripes I had about the first season were addressed: “Whispers” received more development and so did the Biological Preservation Organization (BPO), the organization that is hunting the sensates. In addition to that, we also got more development for the sensates and got to continue the stories we loved from the first season. Sense8 continued with its emotional gravity and action, while also offering more of the unmatched feel good moments that fans fell in love with in the first season.
Even better, the second season also managed to tackle its themes of discrimination and acceptance without being as preachy as the first season, or even the Christmas special were at times. The action scenes were better, not just bigger and the season left us with a cliffhanger that raised questions and excitement for season 3. I finished the series about two weeks ago, feeling like Sense8 had potential to become something truly iconic. Then a co-worker told me it was cancelled.
I have been meaning to share my thoughts on this development for a while and I figure later is better than never. The main reason cited by Netflix executives and even actor Brian J. Smith (Will) is the issue of return on investment (ROI). Unlike many shows and films, Sense8 shot all of its scenes on location. Production involved filming in eight different countries, which lent more authenticity to the show but also drives up the production costs. Along with The Get Down, Sense8 becomes one of the first notable Netflix original cancellations (at least in a while). The streaming service doesn’t release viewership data, so cancellation is sadly one of the few indicators audiences get of a show’s viewership. This is not to say that Sense8 necessarily resulted in a loss for Netflix. CEO Reed Hastings said the streaming service had too many hits competing with one another. Perhaps Sense8 didn’t make a profit with its last season. Or perhaps it made profit but not enough to justify its budget, in the eyes of Netflix executives. In such a situation, profitable and well-loved shows can end up getting pushed aside for ones that are even more profitable. We are living in a golden-age of television, with a diverse and critically lauded slate of tv shows that is arguably more enticing than what Hollywood offers. Even Hollywood A-listers understand the power of the “small screen”, from Kevin Spacey, to Dwayne Johnson to Matthew McConaughey. Competition is fierce on cable and especially on Netflix due to its smaller stable of original programming. A passionate fan base isn’t enough to bring it back with its cries or petitions, and it appears Sense8 is simply a casualty of entertainment economics.
A part of me holds on the hope that the show will return at some point, similar to how Young Justice is now slated for a third season, three years after its cancellation. When asked why Young Justice was returning, the president of Warner Bros. Animation said that “The affection that fans have had for Young Justice, and their rallying cry for more episodes, has always resonated with us”. I want to believe Netflix could have a similar change of heart but I don’t want to indulge false hope.
Sense8‘s cancellation is all the more upsetting because of season two’s improvement, and the epic season that it was building up to. Now, fans can only imagine what would come next. Maybe that will have to enough.