The Punisher

Daredevil’s second season was met with a more mixed reception than the first. There was criticism levied at the plot, which brought in more of the mystical elements from the comics, in contrast to a first season that was more realistic (realistic is relative with comic book adaptations). I personally detested the love story between Karen and Matt, which there was absolutely no indication of in the first season. One thing that many people loved, and probably wanted more of, was The Punisher.

The anti-hero featured heavily in the marketing and Jon Bernthal nailed his performance, before becoming more scarce in the latter half of the season. With the success (ratings wise) of DD season 2 and the reception for The Punisher it was obvious that he would likely get his own spinoff.

Today we got our first trailer for the show, a short but sweet teaser of what is to come. In short, I can’t wait for this show to come out and I am somewhat annoyed that Netflix has yet to reveal the exact release date. Fortunately, there isn’t that much time left in 2017 so it is coming out sooner, rather than later.

Firstly, this trailer doesn’t give away too much of the plot. DD season 2 introduced us to the conspiracy that Frank is a part of, a plan by government agencies to kill him so that certain secrets remain buried. As much as I am looking forward to Frank taking on the government, like some of the arcs in Punisher Max, I have to say this conspiracy is the one part of the Netflix punisher mythos I didn’t like. In the series, District Attorney Reyes admits that they were conducting a sting on a gang meeting in Central Park. Reyes chose not to clear the area in order to avoid tipping off criminals and this ultimately impacted Castle when the gangs caught on to the ruse.

The comics I’ve read so far that detail Frank’s origin, from Year One to the Max series (2004 and 2010), depict his family’s death as a simple issue of being in the wrong place at the wrong time. His family stumbles across a mob hit and the mob decides to eliminate witnesses. This sense of randomness and chaos is what made his family’s death so tragic. I think Frank’s vendetta against criminals as a whole makes more sense if he lost his family to something much more senseless than a sting gone wrong. However, Frank’s battles against other government agencies (from the looks of this trailer) could lead to some interesting overlap from the Punisher Max (2004) comics, which are gems for Punisher comics and comics as a whole.

With that said, the costume is actually my only other negative on display in this trailer. It doesn’t look terrible, and still gets the skull right, but I feel like the suit would look better with a different design for the vest itself. However, this is a relatively minor complaint since the show will hopefully have more to offer than a great wardrobe.

While Kevin Feige says the MCU films will never be dark, the Netflix shows have been a different story. The Punisher looks to continue that trend with the brutal headshots crammed into the two minutes of footage. I found some of the hand-to-hand fight scenes lacking in Iron Fist and Defenders, even for the characters who are supposed to be skilled martial artists. The choreography was weak and I’m hoping Frank’s style of combat will lend itself to some entertaining shootouts and some hand-to-hand fights as well. He is not as skilled a fighter as Daredevil but his fists are still deadly.

This trailer shows us a glimpse of Karen Page, who I feel has way more chemistry with Frank than she has with Daredevil.

Some of the most interesting subplots in the Punisher Max (2004) series was how the police reacted to Frank’s Killings. It is implied local police implicitly supported his actions, by never making serious moves to bring him in. Although they detested what he did on principle, they knew he was an unmatched deterrent against crime. The last scenes in the trailer, focusing on a group of detectives, makes me wonder if this series will also explore Frank’s actions from the other side.

Overall, this series is my most anticipated for the rest of the year and I have high hopes that it will deliver and possibly surpass Daredevil Season 1 as my favourite Marvel Netflix show.

Ozark Review

Anyone who’s on Netflix regularly knows that the site has pretty aggressive advertising for its newest series. Maybe you’ll just get the banner on the top of the site when you log in, or maybe you get a trailer up there too. Point being, that is how I was introduced to Ozark. I didn’t see any of the trailers prior to logging in to finally finish House of Cards but Jason Bateman’s more serious turn and a plot involving money laundering was enough to make me interested.

Firstly, the show draws a lot of comparisons to Breaking Bad. In reality, there aren’t that any similarities but people don’t need perfect comparisons to throw their own out. In Breaking Bad, a high school chemistry teacher (Walter White) is diagnosed with inoperable lung cancer and starts manufacturing crystal meth in order to make enough money to leave behind for his family.

Ozark follows Marty Byrde (Jason Bateman), a financial advisor and money launderer, who runs afoul of a Mexican cartel after his partner steals from them. Marty is able to convince the cartel boss, Camino Del Rio (Esai Morales) that he can launder the money to repay his debt. Without further ado, Marty moves his family to the cash-rich, tourist-rich area of Ozark, Missouri.

While Walter White started out as a moral man who initially engaged in crime out of economic desperation, Marty Byrde is a man whose greed and arrogance led him to believe he could engage in money laundering without any blowback.  As Bateman says, “Marty is not as smart as he thinks he is.” Marty doesn’t become more assertive as the season progresses, he is quickly established as an intelligent, if somewhat quiet person, who becomes a fast-talker when he needs to work himself out of a situation. His involvement in crime doesn’t change who he is.

Of course, there are some similarities but I believe that anyone who gives the show a chance will see there is plenty to differentiate it as well.

One great similarity is that the performances are outstanding. Bateman truly excels in the first non-comedic role I have seen him in. Of course, I was familiar with his relatively serious roles in comedies but here we see a stylistically unrecognizable Bateman who commands every scene. Bateman is also assisted well by Laura Linney (Wendy Byrde) and Skylar Gaertner (Jonah Byrde). Esai Morales is also a truly terrifying villain who owes a lot to the writing. His threat is established quickly and the actor is still able to exude charm and charisma that belies the acts of savagery he is capable of carrying out. Peter Mullan and Lisa Emery also have a memorable turn as the Snells, an Ozark crime family that Marty meet soon after the move. The list goes on and without spoiling too much of the plot, I will say that the story doesn’t have a slow start and genuinely didn’t have any moments that felt like they dragged. Even parts that I initially thought were unnecessary subplots all wound together well at the end. With maybe one exception.

Before I even finished watching the series, I had to vent about Charlotte Byrde, the worst character on the show. The character isn’t bad because she isn’t a good person. Very few of the main characters are truly good people. I was worried that as usual, the youngest character, would be the most annoying. Instead 13- year-old Jonah is played masterfully by Gaertner, best known as young Matt Murdock from Daredevil. His character development is also treated with a sensitivity that Charlotte does not get.

15-year-old Charlotte is small screen cancer. She is a stock character, the bratty teen who rebels and treats her family like garbage a lot of the time just because that is what older teenagers are supposed to do. Obviously a character may be upset that they have to leave their home, their friends etc. but Charlotte takes this to a whole other level. Minor spoiler, at one point she nearly boards a bus back to Chicago, without her parent’s knowledge. What stops her? Her mom finding out. It becomes hard to care for a character who repeatedly puts herself in dangerous situations and doesn’t seem to learn from her mistakes.  I can’t blame the actress too much since she does alright with what she’s given, but she is still the weakest out of the lot. Her character single-handedly brings the whole show down.

The only other complaint I truly have is that the death of a certain character came across as anti-climactic and an unfitting end. Aside from that, I can genuinely say that Ozark was engaging and well-written throughout.