Archer: Dreamland Season Premiere Review

When it was announced that Archer’s eighth season would move transplant all of the beloved characters into a different time, fan theories were rife with the belief that the eighth season would be Sterling’s coma-induced dreams. Of course, the season’s title, “Dreamland” also made it a very compelling theory.

The creators didn’t waste anytime confirming what many people thought, offering a brief fakeout as we see the gang at a funeral for Woodhouse. Woodhouse’s voice actor passed away in 2015 and the character was understandably absent from the show afterwards. This episode finally resolves the issue of Woodhouse’s disappearance in a way that pays respect to George Coe. In this case, I am glad the character gets to pass along with his voice actor.

Once the funeral is wrapped up, we see Archer, and his five o’clock shadow resting in a hospital dead. Three months after getting shot by Veronica Deane. I was originally upset that Archer’s life could potentially end at the hands of a starlet, especially after all the other threats he’s faced. However, I realized that such a fate would actually fit Archer’s personality and history. Archer has always let his guard down, thinking with the head below his waist instead of in his brain, whenever a beautiful woman comes along.

While I loved seasons 1-3 as a whole, 4- 7 have been weaker entries in the series. There have been some good episodes throughout the show’s run, but seasons 1-3 offer the most consistently entertaining episodes. Season 7 was an improvement over 5 and 6 in my opinion, and season 8 looks like it is also getting closer to the standard of the first few seasons.

The noir setting offers a fresh take that is stunningly appropriate for Archer, and has also been used to offer brilliant alterations of the supporting cast. All of the main characters have been re-introduced in one way or another, while also maintaining parallels to their original selves. Cyril is still a dick to Archer and vice-versa, Lana is still a love interest who knows how to Archer in his place, Krieger still deals in illegal goods, Pam is still badass, Mallory is still a domineering boss, Cheryl is still crazy, Barry is still an arch-nemesis etc.

In terms of humour, this episode holds promises for a season that could potentially usurp number four as my fourth favourite, and maybe even go higher.

Superman and The Old School

As I was scrolling through Twitter this morning and came across this gem:

I knew I had to talk about it, even if only briefly, because it captures an argument I have made time and time again. So @CaptainMarvelTalk hates the art on the right (which is just fan art if I’m not mistaken) because it makes Superman too “dark”, “gritty”, “intimidating”.

I have previously noticed that people tend to have very static fews of certain characters. Superman does typically have a boy scout persona, the typical nice guy. Does that mean every single piece of art has to depict him smiling and happy? He can’t look intimidating in a single art piece?

When I raised this point to @CaptainMarvelTalk he said that intimidation is out of character for Superman.

I then responded with this:

An iconic scene from Mark Waid’s Kingdom Come where Superman angrily bursts into a political meeting. Of course, he doesn’t kill anyone, but he is undoubtedly intimidating here. Then @CaptainMarvelTalk argues that Superman is “angry” here, not intimidating. The two can obviously overlap, and are clearly affected by audience interpretation. In the original fan art, and in Kingdom Come, Superman is floating with his eyes glowing red. If the fan art counts as intimidating, the Kingdom Come piece undoubtedly does too.

Clearly, @CaptainMarvelTalk just hates newer artistic interpretations of Superman, in favour of the old school. Instead of saying that, he nitpicks and shuts out common sense and reasoning, contradicting himself time after time during our debate. I think this is a solid example of the bias that also fuels the Marvel v DC debate and the never-ending debate about how DC is “too dark” and doesn’t have enough “fun”.

 

Bates Motel: The Scene We’ve Been Waiting For

Warning: Spoilers will ensue for Bates Motel up until this point, which is episode 6 of season 5.

I remember watching Psycho (1960) years ago, mainly to see the film that birthed the most iconic shower scene in cinema history.

The music, the scream, the knife-wielding silhouette…it’s perfect. Maybe it comes across as cheesy now but I think the context has to be considered here. At this time, Psycho was breaking new ground in the horror genre, inspiring numerous other aspiring writers and directors, while also making people scared to take a shower.

Bates Motel could have turned out to be a terrible attempt to try to rehash, or cash in on a classic, but it has been able to truly become its own beast. It has carved out its own mythos, while also respecting and paying tribute to its source material: the 1960 film and the book that preceded it.

These past two seasons of Bates Motel have improved greatly by removing strenuous subplots and focusing on the Bates family. More specifically, the show became a lot more interesting as it focused on Norman’s descent into madness.

This season brought up a significant character from the old movie, Marion Crane, the victim of the famous shower scene. I was worried that Rihanna would ruin this season with her presence, but she was surprisingly competent in the role. I’m not going to say she was great, but she wasn’t atrocious and didn’t ruin the show. Maybe I was setting the bar low for her.

I was sure the show would have their own version of the shower scene, but I wasn’t sure how they would approach it. Would they try to do a carbon copy of the scene? Probably not a good idea since the original is so iconic. Instead, we get a genius twist on the scene, with the show’s biggest douchebag getting carved up instead.

The choice of music was perfect, with the lyrics and the tone matching the footage of Norman embracing his other half. The music was also vastly different from the original, creating a scene that is a homage to Pyscho but can still stand by itself. I like the fact that his alternate persona is portrayed as being self-aware of its own existence, acknowledging that it is a coping mechanism, but arguing it is still a necessary piece of Norman’s mind.The show was even brazen enough to tease us with the possibility of Marion’s death earlier in the episode.Marion lives another day, but Riri will likely not return to the show (which is okay with me).

Freddie Highmore has been a true powerhouse over these past few seasons, and Vera Farigma continues to kill it as Norma (or pretend Norma). This dynamic duo has the rest of this season to bring Bates Motel home and I am looking forward to seeing how this series ends.

 

Spider-Man Homecoming Trailer Thoughts

I initially avoided watching this trailer because I was worried it would give too much away. Overall, my wariness appears to be justified.

Tom Holland was a highlight of Captain America: Civil War, even though the character was clearly rushed into the film after Marvel obtained the rights (or technically leased them from Sony). Although I have previously ranted about the MCU obsession with light-heartedness and fun, I wasn’t as worried about that obsession ruining a Spider-Man film. Peter Parker’s wisecracking is a key part of the character and Holland mastered that element, as well as capturing a more serious moment when he referenced Uncle Ben’s death with Tony Stark.

Although plenty of people saw The Amazing Spider-Man series as being too dark, the tone wasn’t an issue for me. With that said, the second film was bogged down with too many villains and some pretty hammy performances from the likes of Paul Giamatti and Dane Dehaan.

Since Spider-Man is one of my favourite comic book characters, probably just behind Batman, Wolverine and The Punisher, I was excited for Homecoming.

Now…this trailer. The YouTube comments make it clear a lot of people disagree, but I think I have Tony Stark fatigue.  However, there is a silver lining. It looks like Stark steps back from supporting Peter after the incident on the ship, leaving the film to hopefully focus on our favourite wall crawler.

I am just worried the film might reach this point halfway through, which is too late in my opinion. The character of Peter Parker got anchored to Stark due to his rushed introduction in Civil War, and now the writers are doing their best to keep that thread alive and also find a coherent reason to cut it. Meanwhile, marketers are also pimping Tony Stark out to the audience.

The high school setting for Spider-Man worked surprisingly well in The Spectacular Spider-Man, since the show avoided becoming 90210 featuring Spider-Man. I am hoping this film has a good balance as well. Zendaya’s one line in this trailer already leaves me worried about her acting skills. She says “my friends are up there” with the same enthusiasm she would say “I broke a nail”.

On a positive note, the trailer doesn’t spoil too much of Michael Keaton as The Vulture. So far, he seems the best kept secret and also seems like he may be a highlight of the film. The new costume is awesome and I have renewed faith in Keaton after watching Birdman and Spotlight.

Additionally, a lot of the humour in this trailer was actually good. My favourite parts were the interactions between Peter and his friend. My least favourite ones, you guessed it, anything with Tony Stark.

What are your thoughts on the new Spider-Man Homecoming trailer?

Justice League Trailer Thoughts

Geoff Johns was kind enough to share the new Justice League trailer with twitter this morning.

So let’s get this out of the way. I am not a Marvel v DC person. Obviously I realize there is competition between the two brand and their related movie studios. However,  I do not condone the childish mindset that I can only like the movies from one group. My favourite comic book films include DC and Marvel properties, ranging from The Dark Knight, X:Men DOFP to Captain America: The Winter Soldier.

With that said, I am cautiously optimistic about Justice League. I love the characters, especially Batman, but BatmanvSuperman and Suicide Squad have left a bad taste in my mouth. Don’t get me wrong, both films had great pieces and great moments. Overall. they felt short. Both had weak villians and weak third acts, along with some other issues.

As I watched this trailer I forgot about that for a moment. There is still no sign of Superman but I’m sure we’ll see him in the film. I am glad this film didn’t reveal too much about the plot or reveal the villain yet. We know it will be Darkseid’s uncle, Steppenwolf, and we get some glimpses of parademons (presumably) in this trailer.

From what I understand, Cyborg’s armour is derived from alien technology in the newer comics. It looks like his armour comes from a motherbox, a teleportation device Darkseid’s forces use. This motherbox appears to be the gateway that allows the parademons to reach earth. If this is the case, Cyborg could have a central role in the film and I am hoping the script and the actor can deliver.

To start, there is a lot of CGI in this trailer. Obviously that has to be the case for the visuals this story needs. The Flash looks amazing so far and his scenes are some of my favourites from the trailer. However, this trailer reminds me of 300 with the amount of computer generated backgrounds and surroundings. The scene with Batman fighting a parademon sticks out in my mind as one of the worst offenders. Maybe I wouldn’t notice as much if some of the effects looked better. Hopefully the effects are cleaned up by the time the film begins. Cyborg looks better than he did in the comic-con footage so I am hoping there is still time to improve the visuals.

With that being said, the visuals weren’t my greatest concern going into the film. Steppenwolf will hopefully provide a better villain than Doomsday, Luthor or Enchantress. This should help to strengthen the third act but won’t necessarily be enough. If the third act is just a fight filled with poor special effects, that can also cause the audience to lose interest, like I did with the last fight in BvS.

I am also hoping the desire to add more “fun” doesn’t ruin the script entirely. Obviously some characters are more light-hearted than others. However, Barry Allen has pretty much been turned into Wally West in terms of their personalities. Meanwhile it looks like they are trying to turn Bruce Wayne into Tony Stark. Obviously Bruce Wayne has the carefree, obnoxious playboy persona but the real Bruce Wayne has a drier sense of humour than the one we’ve seen so far.

Okay, time to be more positive.

Aquaman is one of my favourite superheroes, and is severely underrated by the general audience and even some comic book readers. Jason Momoa, as well as the writers, look like they’ll remedy that. I am sure that Aquaman or Flash will end up being the breakout stars of this film and possibly even the franchise. My only worry is Momoa’s acting skill, which isn’t that great from what I have seen so far. That doesn’t detract from my man crush, but it does bring up a possible issue with the film. We’ll see how he does.

In general, the action looks pretty awesome. Looking past the issue of the CGI, it looks like we’ll see some creative and memorable action sequences. It was great to see our first glimpse of J.K Simmons as Commissioner Gordon, and hear a reference to Robin since Batman is “playing well with others” again.

I can’t deny my excitement at seeing my favourite superheroes on screen together and I hope Zack Snyder delivers a film that lives up to the hype.

 

Iron Fist Thoughts

Hello everyone,

I know I haven’t been too active on the blog over this past week but I’m back to it now, and plan to keep uploading new content at least three times a week.

Warning: Spoilers Ahead.

I finished watching Iron Fist earlier in the week and while it isn’t as bad as some of the critics make out, it is definitely one of the weaker Marvel Netflix shows. Overall, the acting is some of the weakest we’ve seen. Luke Cage was also hampered by Mike Colter’s abilities, but fortunately he was the only real weak link in terms of the acting. Shades was a cheesy character but I believe Theo Rossi did the best he could with the role. With Iron Fist, we get some weak or inconsistent performances from the main character, and supporting cast such as David Wenham and Sacha Dhawan.

There is one issue that is the elephant in the room, so I guess I’ll get into that issue too. When the first promotional material aired many people complained about Danny Rand being white, even though he is also white in the comics. Rand was seen as another example of cultural appropriation or the white savour dynamic that we see in The Great Wall and earlier works like The Forbidden Kingdom (2008). I was quick to defend Rand’s race since the show was being true to the comics but I’ve also tried to be open-minded and see where detractors are coming from.

Some may view it as a stereotype if we get another martial artist who is Asian or Asian-American, but some people have pointed out that Rand could be different. He could have been a three-dimensional, wealthy, main character with martial art prowess. Instead we get another story where the white lead takes on scores of foreign Asian enemies. Of course we have Colleen as well, but she can basically be the one “Asian friend” that detracts from all the other problematic issues in the show. I am not saying you all have to buy this narrative, but it is something to think about. Of course, you can also feel free to just throw out right-wing buzzwords like “social justice warrior’ instead, talking about how you’re colour-blind and then support the whitewashing of movies like Ghost in the Shell.

Speaking of martial arts, the fight scenes in this show were underwhelming to say the least. I started watching Into The Badlands and I immediately saw what Iron Fist should have given us.

After Daredevil I was hoping to see amazing choreography and fluid action. Especially since Iron Fist, like Daredevil, is supposed to be one of the best fighters in the Marvel universe. Instead we get actors awkwardly working their way through their choreographed steps, giving no impression of real experience and training (for the most part). The Into The Badlands stars underwent three months of training prior to filming. In comparison, Finn Jones underwent three weeks. Then he only got to practice the choreography for specific fight scenes 15 minutes before they were filmed. Since the show’s writing is weaker, I was at least hoping to see some of the best action to date.

The “White Saviour” argument did pop back in my head after seeing Zhou Cheng (Lewis Tan) fight Danny. Tan, a martial artist in his own right, is also able to give us an interesting character with his few minutes of screen time. I can’t fault people for saying he should have received the role of Iron Fist instead.

Another issue with the show is that the most interesting parts of Danny’s backstory are only shown in very brief flashbacks, or are recited to us. I suspect that the show’s budget is the main culprit for this. Instead of a few more minutes of Danny’s training in K’un-Lun, we get more corporate espionage.

I thought the show was strongest mid-season, building up the mystique of the Hand and Madame Goa, demonstrating their hold over Harold Meachum. Speaking of Harold Meachum, Wenham’s performance went from great to hammy scene by scene. Don’t even get me started on his return from the dead (after Ward murders him), where he’s apparently brain-damaged and stumbles around New York like a crackhead. I blame that one on the writers though.

There is another issue I blame on the writers as well. It seems like a small one but almost ends up causing a plot hole. We see Gao use some sort of power on Danny when he confronts her after completing his challenges in the warehouse. Then she never uses this power again. It is never explained why she can’t use it again either. 

I love Claire Temple but I felt like this show could have used less of her. Obviously she is the bridge between all four Defenders characters, but did she really have to go to China with Danny and Colleen? Actually, I can understand her going to China. Did she have to specifically go to Gao’s hideout? She is the weakest fighter and if the writing was consistent, probably would have been killed. Finn Jones filmed Iron Fist back to back with The Defenders so that answers the question of why Jones got less time to prepare for his fights and why Claire was in most of the episodes. 

Aside from Claire, references to other characters were handled more smoothly. Claire is still reading Luke Cage’s letters from prison. Hogarth’s involvement makes more sense and her introduction into the show doesn’t rely on coincidence (like Claire training at Colleen’s dojo). Joy Meachum references hiring Jessica Jones as a private investigator; at least that is who I assume she referred to when talking about PI who’s good “when they’re sober”. As always, there are also references to “the incident”, which is the name used to refer to Loki’s attack on Manhattan and the Avengers subsequent defence of the city.

Jones and Colter are definitely the weaker actors from the Defenders troupe, with Charlie Cox and Krysten Ritter providing strong performances as Daredevil and Jessica Jones. I am excited to see the characters together and am hoping that their collective strength can make up for the deficiencies that each actor and show had.

Logan Thoughts (Spoilers)

Click here for a spoiler-free review of the film.

After seeing Logan and having some more time to think about it, I wanted to share more thoughts on it without having to worry about spoiling any plot details.

First I have to address one of my biggest gripes. This is my first time seeing Boyd Holbrook in anything and I have to say I am more motivated to check out Narcos after seeing his performance. Do I have a man-crush? Maybe. From the first line of his first scene, I was enthralled. His performance initially hid the fact that the character, and the villains as a whole, were poorly developed. We know Transigen experiments on children and wants to weaponize mutant genes. It is obvious that an army of mutant children would be a terrifying weapon for their enemies, but the head figure (Zander Rice) also explains they created a virus that resulted in the lack of mutant births for the past 25 years. This is one of the most interesting machinations and is glossed over with a few lines of dialogue. It would have been interesting to see more of Rice’s role in this, and Pierce’s role in the curation of X-23 as the chief of security.

This brings up the issue of screen time. The film is 137 minutes, but didn’t feel that long to me, despite a late show time. I think an extra 15 minutes could have done wonders for fleshing out Transigen, Rice and Pierce. We wouldn’t need one solid chunk of exposition that drags the film down. I thought it would have been interesting to see X-23’s flashbacks, the same way we saw Logan’s in the original X-Men trilogy. These could have served the same purpose as the videos from X-23’s adoptive mother, and could have been more interesting.

Next, I just have to reiterate that Stephen Merchant is the man. Caliban had relatively little screen time compared to the main trio of Wolverine, Professor X and X-23, but he still held his own. Fear the light.

The death of the family during the farm scene came as a surprise. I had a feeling that something bad would happen once Professor X decided to stay the night. It came across as a careless move on his part but makes more sense analyzing the move from his character’s perspective. Westchester is where the X-Mansion is located and it is implied that he killed most of the X-Men in the “Westchester incident”. This also adds more reason why Charles says he “doesn’t deserve” a happy day like the one they had. He believes he deserves to be punished but he also wants to enjoy the company of other people before his death. He had years of isolation and is now somewhat carefree in his desire to enjoy life. Although it comes across as selfish, it is somewhat understandable.

However, the death of the family does make Charles’s decision tougher to cope with. Of course, he pays for the mistake as well when X-24 shows up. At first I thought Charles was having a flashback and was thinking they were adapting the X-Mansion incident from Old Man Logan, where Wolverine is tricked by Mysterio into killing the X-Men.

Instead, Charles dies, possibly thinking Wolverine killed him. Then the son, wife and dead get slaughtered. I was thinking that they would be saved at the last second, like most Hollywood films. Although their deaths were brutal, it was also good to see that the film truly wasn’t pulling any punches.

Some members of my audience audibly gasped when X-24 descends the stairs to meet Logan for the first time. For many people, it was a genuine “oh s***” moment. We know X-23 is a clone, now we see one that is Logan at his physical prime. These shots make use of digital faces but the effects are much more seamless than the version of **spoilers for Rogue One– Princess Leia in Rogue One of Clu in Tron: Legacy.

Although X-24 was an amazing physical threat, I feel as if his inclusion hampered the development and threat that could have come from Pierce. Like Zander, Pierce is mainly an overseer, managing the work of people underneath him. There is nothing wrong with villains like that, but maybe it comes across as more jarring, since he and The Reavers were marketed as the main, direct threat. Obviously X-24 would have been too big a reveal for the trailers and commercials, but it still brings up the issue of what audiences expected from Pierce.

Seeing Logan go near-berserk in the forest was an absolute treat. The roar after he takes the serum, followed by his sprint through the forest was cinematic gold.

 

Some people didn’t understand why an R-Rating was a big deal for this final film. Hopefully Logan shows why. Wolverine’s main weapon are metal claws he sinks into people, an R-rating works perfectly, for a solo film especially.  We don’t see stuntmen fall to the ground as Jackman swings his arms. For once, we get to see unadulterated carnage that truly immerses us in the experience. The casino scene, where Logan pushes his slaws, in semi slow-motion, through one man’s head after another is something we couldn’t have in a PG-13 film. The camera would have had to cut away with each stab.

The forest scene is something I’ve been wanting to see for a while and was delivered beautifully. Yet again. I have to comment on X-23. Many films are guilty of showing a woman with Angelina Jolie proportions knocking out 250 pound guys with one punch (looking at you Colombiana). X-23’s claws avoid that issue. We don’t see her overpower men for the most part. The flip she performs on the gas station attendant is the only example I can think of. Otherwise, she uses her size to her advantage, relying on stealth and agility to kill her enemies.

One thing that bothered me was that her transition from a borderline-feral mute to a more well-adjusted human seemed a little too fast. She nearly kills the gas station attendant because he tried to take her goods from her. At first I tried to rationalize that by saying that she interpreted his hands on her as a deadly threat, but her relationship with the Eden children contradicts that. Although the children were collectively treated as products by Transigen it is implied they had a pretty strong relationship with one another before they escaped. Since X-23, or Laura, is able to socialize with them normally when she arrives her reaction to the gas station attendant seems out of character. Then again, we didn’t get to see her interact with the group much. Most of the film from that point on focused on her interacting with Logan and their fight with Transigen. It would have been interesting to see how they all reacted to being together again.

P.S- Some people might laugh at the fat kid running, but that kid was hauling ass.

 

Logan Review

Entertainment Value: 10.10

Critical Value: 7.5/10

It is the end of an era. After 17 years, Hugh Jackman presents us with his last outing as Wolverine. After the first two Wolverine films many fans, myself included, initially approached another one with a healthy dose of skepticism. Then the first trailer dropped and skepticism gave way to hype for many people.

Then the second trailer dropped, confirming that Dafne Keen would be playing X-23. The film was flooded with good reviews from Rotten Tomatoes and one of my favourite YouTube reviewers also gave the film his highest rating. Needless to say, I expected a lot from this film, and for the most part, it delivered. I won’t say that the film is on the same level as The Dark Knight (it got a lot of comparisons to it) but it is undoubtedly the best Wolverine film and one of the best films in the X-Men Universe.

Logan introduces us to a bleak(er) future where most mutants are now dead. Twenty five years have passed without a mutant birth, most of the X-Men are dead, and Logan is slowly dying as his healing factor burns out. He is aging more noticeably, healing slower and the adamantium in his body is now poisoning him. Meanwhile, Charles Xavier is suffering from a mental disorder. Early plot summaries said the disease was Alzheimer’s but it is never actually confirmed in the film. Either way, he is prone to fits of dementia and seizures, which have devastating effects on the people around him.

Logan now works as a chauffeur and is content to save money so that he and Charles can buy a boat and live on the sea. Logan is tracked by a Mexican nurse who eventually convinces him to escort Laura Kinney (X23) to a mutant safe haven and evade The Reavers, cycber-netically enhanced soldiers tasked with bringing X23 back.  Firstly, I have to say that X23 was insanely badass in this film, showcasing an agile fighting style that is in contrast to the brute force on display from Wolverine. Although Wolverine is feral in his own way, Laura shows us what could have become of him if he was raised as a weapon. Dafne Keen doesn’t have many lines for most of the film, relying on facial expressions and body language to create the character.

The makeup department did a great job in creating a weathered Logan, whose body tells it own story. Jackman is able to exude anger, coldness,sensitivity, love and caring seamlessly. Although his character seems to shy from caring or helping others, it is easy to see that he is only putting up a wall to protect himself from the pain of losing more people he cares about.

Charles Stewart brings us a different version of Charles Xavier. Although Charles still houses some of the wisdom we associate with the character, his disease has resulted in forced isolation. We see a Charles who knows his time is coming and is eager to enjoy the rest of his time, coming across as more carefree than any other version of Xavier we’ve seen on screen. The closest comparison is to his younger, broken self in Days of Future Past. 

Jackman, Stewart and Keene are the film’s center and their scenes stand out as my favourite emotional moments. At its core, the film is about family and it great to see the family grow stronger as the film progresses. Although he is not necessarily a part of the family, Caliban (Stephen Merchant) assists Wolverine in taking care of Xavier and his performance is another stand out in the film. He has a relatively small role but succeeds in picking away at Logan to reveal his mindset as they try to navigate the dangerous world they live in.

Needless to say, the action is amazing, giving us the R-Rated glory we’ve been waiting to see for a while. People don’t just fall down when Wolverine swings his arms, they die in spectacular, gory fashion. There were many scenes that genuinely gave me chills. The film does feature some spotty CGI in parts. Fortunately, most of the effects are practical.

One of the weakest parts of the films, in my opinion, are the villains. Don’t get me wrong, Boyd Holbrook was enthralling as Donald Pierce. The issue is that it felt like he had little screen time. He and the man he answers to, were not developed very well in contrast to the other characters. There is one interesting goon that adds a new level of threat to the film, and the goon’s introduction is one of the most memorable in the film. However, I feel as if this mute goon could have been substituted for a stronger Donald Pierce.

While the film was not perfect, or as even as I would have liked, it was a solid end to Wolverine’s story. The ending, for lack of a better world, is poetic. Jackman has implied that he would be open to playing the role again if it existed in a different universe e.g. the MCU. However, he has also said that “This is it. This is the last one.

It is sad to see Hugh Jackman end the role, but I am happy that this is the film he did it with.

Edit: After more thought, had to bump up my ranking of Logan.

X Men Universe Film Rankings

Days of Future Past

X2

Logan

Deadpool

First Class

X-Men 1

Apocalypse

X3

The Wolverine

Origins

Matt Reeves To Direct The Batman

Note: For an abridged version of this post, check out my YouTube video.

About a month ago, Ben Affleck stepped down from directing The Batman, which does not yet have a release date. Matt Reeves (Dawn of the Planet of the Apes) was circling the role for a few weeks and it is now confirmed that he will direct, using a script from Chris Terrio. There  were reports that Geoff Johns and Affleck wrote the script but there has been no mention of that in recent reports concerning Reeves. However, Affleck and the studio apparently approved Terrio’s script. The new script is likely a composite of Johns, Affleck and Terrio’s work.

Ben Affleck made it no secret that he detested all the questions he received about The Batman while promoting other films, such as Live By Night. There was a lot of speculation that he would leave the directing role, and his role as Batman due to the pressure to please a horde of nitpicking comic book fans. For now, Affleck is still signed on to produce and act, and I hope it stays that way. Some reviews of Live By Night say that the film suffered from Affleck trying to do too much as an actor, writer and director. I can’t help but notice his original decision to step down coincided with the flood of negative reviews for Live By Night. Hopefully stepping down from directing The Batman as a move that is meant to alleviate some stress, but also ensure a better film.

The Batman is still my most anticipated DC solo film, and I hope it delivers the quality film that DC fans have been waiting for. Hopefully some of the other projects deliver that prior to The Batman as well. Man of Steel was decent, and BatmanvSuperman had the potential to be amazing. Instead, we get a terrible portrayal of Lex Luthor and a rushed version of Doomsday. Suicide Squad gave us some things to love, like Deadshot and Harley Quinn, and a lot to hate as well. I’m looking at you Enchantress, Incubus, most of the third act etc. Each film had great moments, and even stretches of excellence, that couldn’t elevate the entire film.

One of my favourite scenes from BatmanvSuperman

As I’ve said many times before, the DC Extended Universe (DCEU) has issues, but the tone of their films is not one of them.  Reeves last few films demonstrate that he knows how to handle a dark tone. People can complain about the need for more “fun” in the DC Universe, thanks Dwayne Johnson, but I think we can all agree that darkness fits a batman film. Aside from Dawn of the Planet of the Apes, Reeves also masterfully wrote and directed Let Me In (2010). The film is based on a revered book, but we have all seen great source material turned into subpar films. While Apes was also amazing, I think Let Me In is a better example of Reeve’s creative skill since it addresses a big issue I have had with some DC films and films as a whole.

When a great director creates a poor film people are quick to argue that the director was hampered by a poor script. From what I understand, the director can override the writer. The director shouldn’t be a drone mindlessly translating a script to film. he is supposed to utilize his own discretion to oversee what he films. Zack Snyder has numerous “story by” credits on IMDB, which is the same credit given to Christopher Nolan for Man of Steel. From what I have researched, “story by” is just a credit given to someone who came up with the basic plot of the film:

Superman’s fight with Zod makes people distrust and fear him, including Batman. Batman then forms a plan to take him out, but Lex Luthor has his own plans as well.

This basic plot could be conveyed in some form other than the screenplay, such as a “treatment” or short story.

In comparison, the screenplay credit goes to the person who actually crafts the dialogue and fleshes out the characters. Snyder’s only two “screenplay” credits are for Sucker Punch (2011) and  300: Rise of an Empire (2014). I tried watching Sucker Punch, I couldn’t finish it and I have consistently heard that Rise of an Empire is dramatically inferior to the original film. I don’t like to base my opinions solely on the opinions of others, since I would have avoided BatmanvSuperman like the plague if I did. If you believe that I am mistaken about Rise of an Empire, let me know. My point, is that a director who is also a strong writer should be able to expertly exercise his own discretion with the material he is given in order to create a great film.

While the director can override the writer, the studio can override the director. This has already happened with Bvs and Suicide Squad. The uncut version of BvS helps to flesh out Clark and Bruce more, while also clearing up some elements of the plot that didn’t make as much sense in the theatrical film. Meanwhile, the abusive Joker and Harley relationship was removed from Suicide Squad because the studio was worried it made things too dark (among other changes). The films aren’t perfect without these changes, but they are definitely better.

I am hoping that Reeves was able to negotiate for creative control over this project, so that the real filmmakers can craft something for the big screen that DC fans can be truly proud of. There are several other projects I am excited for in the meantime, especially Aquaman and I hope that The Batman doesn’t end up being one of the last hopes for a consistent and well crafted DCEU film.