Alexandra Shipp: Blackish

The Thursday announcement that Disney has acquired 21st Century Fox properties, including X-Men, led to a lot of speculation concerning the future of the X-Men film universe. I shared some of my own thoughts on this, and while sharing the link on Twitter I came across another conversation. There were retweets all over my feed revealing one post after another arguing that Alexandra Shipp, who portrays Storm in X:Men Apocalypse and the upcoming Dark Phoenix, is too light-skinned to play Storm.

I didn’t comment on the argument at the time because I wanted to let it develop more, so that more contextual info would be available before I shared my thoughts. Two days after the conversation began, it is now easy to trace its inception.

This debate began after a fan asked Shipp if she would like Storm to meet Thor, now that the universes would likely be merged. Shipp’s enthusiastic response was then met with criticism from one fan, “Disney is re-casting the whole team, boo. Sorry. Dark Phoenix will be your last. We getting a dark skinned non-racially Ambiguous Storm like we deserve.”

Shipp then retorted:

Presumably, the debate that I viewed on Thursday originated from this exchange. It is not confirmed if Disney will start fresh with X-Men and recast after Dark Phoenix but that isn’t really the point here.

Maybe Disney will re-cast, and also usher in a jarring tone change (as I suspect). However, I don’t think that Shipp’s skin tone should be an issue central to her potential re-casting. If a darker-skinned actor takes her place I have no problem with that, but I also don’t think that Shipp’s skin tone gives us a bastardization of the character.

Shipp’s response reminds me of statements Halle Berry made concerning her own racial identity. Like Shipp, Berry is mixed and chose to identify as black from a young age, because she knew that is how the world would perceive her. For example, a white guy who says he doesn’t date black girls, would still see Berry as a black girl, instead of a white one.

While Shipp says she has never been “treated white” it is a fact that there is pervasive colourism in the world and in Hollywood. Even in Jamaica, a country that is 90% black, dark-skinned black people are performing skin bleaching to lighten their skin because they realize lighter-skin is viewed as more attractive. In other areas, such as Latin America, South East Asia and the Middle East, lighter skin is inherently viewed as more attractive than darker skin. The preference for lighter skin often coincides with a preference for other features typically associated with whiteness, such as straighter hair, thinner lips and thinner noses. Light skin goes beyond the aesthetic, becoming a marker of status and privilege due to the legacy of slavery or colonialism. For someone like Shipp, she may benefit from this colourism in some situations, while also being subjected to racism like any other black person in other situations.

There is a trend in entertainment- whether it is music videos, television or film- to cast the lightest-skinned black people possible, especially if they are love interests or eye candy. After a while it isn’t simple happenstance that most of the attractive black women in entertainment have “sun-kissed skin”, it is a deliberate choice by casting executives. They can get people who are ethnic without being “too dark”. As Viola Davis says,  there is a pervasive conception that “If you are darker than a paper bag, then you are not sexy.” Of course, Hollywood sometimes graces us with an exception, but the word “exception” means that they are a minority within a minority. I have been over the “best actor for the part” argument, and the slate of talented black actors that seemingly come out of nowhere for productions like Luke Cage and Straight Outta Compton make it clear there is plenty of black talent out there, they just need opportunities for good roles.

Respect to Bad Boys II for its dark-skinned love interest

It is possible that I am setting the bar somewhat low for Storm since I am so used to roles being whitewashed anyway. Even films based on true stories, like 21, are not safe from Hollywood’s attempts to make it more “marketable”. Storm seems like one of the few untouchable characters, and this may be why fans are even more protective when it comes to her portrayal.

There were plenty of users arguing that the discussion of whether a black actress is black enough is divisive and racist in itself. I ignored most of these comments simply because this is the same logic used to shut down any discussion of racism nowadays. You complain about white supremacist marches in Charlottesville? You’re being divisive. You complain about another unarmed black kid getting killed? You’re divisive. You complain about a public figure saying something racist? You’re divisive.

In principle, I don’t think it is racist or “divisive” to complain about an actress’s skin tone. Especially since I am sure that many of the people using this “divisive” excuse routinely defend whitewashing in films, thereby enabling racist practices in Hollywood.

Now, there are also people who understand the implications of whitewashing in film, and genuinely just believe that there is nothing wrong with Shipp’s skin tone. The character is black, and Shipp is black as well. Shipp is mixed, but Apocalypse never states that the character is mixed, and Shipp is a visibly black individual. In terms of skin colour, she may not be Viola Davis or Lupita Nyong’o, but she definitely isn’t Paula Patton or Meghan Markle either.

All of this to say that while I don’t agree with the backlash against Shipp in this case, I can understand where the detractors are coming from. If Shipp did a poor job with the role I would probably be more likely to support them. However, I thought Shipp was great as Storm. Maybe I’m not the best person to judge but her accent also seemed a lot more authentic than whatever Halle Berry tried to do in X-Men 1 (2000). Although Apocalypse was a disappointing film I was looking forward to seeing more of this iteration of Storm and I hope that if she is recast, fans don’t cheer simply because she was too light-skinned for them.

Fox- A Disney Company

Today, Disney acquired 21st Century Fox for $52.4 billion. The deal comprises numerous properties, ranging from The Simpsons, to Avatar, but the biggest point of interest for me is that Disney now has the rights to X-Men.  The development is now confirmed but this is something that a lot of Marvel fans have been praying for for a long time, if online discussion is any indication. I remember entire threads on the Internet Movie Database’s (IMDB) forums where people would demand that the rights for the X-Men films go back to Marvel. People would argue that the series needed a fresh start under Marvel Studios because the X-Men films mishandled characters like Cyclops (fair enough) or because they didn’t like the buttons on a costume (seems unreasonable). Like I have mentioned before when discussing the DCEU, when people want something to fail they become more sensitive to any perceived shortcomings.

Aside from the fans that have been praying for this, there are more reasonable fans who simply wanted to see the X-Men in the Avengers universe. I can’t blame anyone for wanting to see Wolverine in the Avengers film, which likely will not happen. Hugh Jackman previously said that he would be open to returning in the role if he got to be a part of the Marvel Cinematic Universe (MCU) but he has said more recently that the “ship has sailed” for him. The scripts for Infinity War Part I and II are already written and being filmed, so normally I would say that the ship has sailed for seeing any former Fox properties in Infinity War. However, the rushed introduction of Spider-Man in Civil War does make me wonder if the filmmakers might be willing to squeeze something in for Part II.

One of my biggest worries was that darker and/or R-rated properties like Deadpool would be watered down to suit Disney’s “fun” and family-friendly silver screen image. Fortunately, Disney CEO Bob Iger has stated that Deadpool can remain R-rated at Disney. This is a step in the right direction, but it is still aligned with Marvel President Kevin Feige’s proclamation that the MCU will never be dark.

Deadpool had one noticeably dark segment, namely Wade’s time spent being tortured, but for the most part it still fits in with the “fun” tone that Feige is committed to.  In contrast, the X-Men films, especially X1, X2 and Days of Future Past (DOFP), are noticeably much darker than anything in the MCU’s films. The themes of prejudice from the comics are unashamedly fleshed out on screen, showcasing the violence and darkness that mutants experience. The opening scene of X1, where Magneto is separated from his parents in a concentration camp, is still one of my favourite openings in any film. I highly doubt we would see a scene like this if X1 was originally handled by Marvel Studios. Maybe most of the scene would be the same, and then a Stan Lee cameo would be used to alleviate the tension.

Now, the MCU has also given us properties like Jessica Jones and The Punisher, but I am not talking about Netflix here. I am talking about the big screen. When Disney originally acquired Marvel, people argued that imprints such as Touchstone would be used to distribute darker or R-rated material. However, we know now that any R-rated material so far has come from Netflix. Deadpool 3 will likely be the first R-rated X-Men film property that Disney gives us.

I think Disney will be willing to give Deadpool more R-rated sequels because they have already seen how successful his film was. The box office receipts are a testament to people’s love for the character in all his R-rated glory. In contrast, Disney might be more willing to take risks with X-Men since the most recent X-Men film, Apocalypse, underperformed (relative to previous entries) with critics and the box office. Additionally, Logan was a well received R-rated entry but marked the end of the X-Men film universe’s most popular character.

If darkness is viewed as the enemy, then “fun” will be viewed as the saviour. What about the rest of the films? Will X-Men be rebooted to offer more “fun” now? Will the themes of prejudice all be cut in order to make everything more family friendly? Will we get scenes like this one?

Or this one?

I doubt it.

The Punisher Review

After introducing the character in season 2 of Daredevil, Netflix was kind enough to give us a series dedicated to war veteran Frank Castle. The Punisher was my favourite part of Daredevil‘s second season, with the script and Jon Bernthal’s performance helping to humanize the character while also showing how deadly he is.

Before I can review the series itself I have to mention one aspect of this Punisher’s origin that I had a problem with when it was first explained in season 2 of Daredevil. Depending on the line of comics, Frank Castle’s family is either murdered by the mob because they happened to witness a mob hit (e.g. Year One) or because they were collateral damage from a shootout between rival gangs in Central Park (e.g 2004 Punisher Max).

Daredevil reimagined their deaths as collateral damage that was due to a shootout, but a shootout that was the result of a failed sting by District Attorney Samantha Reyes. Frank’s story then became tied to a government cover-up that dominated the plot.

This season continues with more government cover ups, making the plot line seem somewhat stale in comparison to all the material that myself and other comic readers were hoping to see on screen. There are references or nods to characters and arcs from the Max and Year One comics, and we even get a version of Agent William Rawlins from the comics as well. However, anyone hoping for more than that may be disappointed. This is another rendition of The Punisher where the villains are tied intimately to his past, instead of offering a new threat. Now, on with the show.

After killing all of the gang members tied to the Central Park Massacre, Castle fashions a simple new life as construction worker, Pete Castiglione. Frank burns his Punisher vest early in the first episode, symbolizing the end of his war, but it is obvious something will drag him back in. The Punisher’s re-emergence is a short, but bloody and glorious fight that is enhanced with the accompanying music. Speaking of music, Tyler Bates did a masterful job for the show’s soundtrack and the show’s opening is narrowly beaten out by Daredevil’s in my opinion.

Like the first season, this season further explores Frank’s mental state and his view on the world. Like the comics, I am happy to see the show didn’t shy away from being political at times. Some people on YouTube, the bastion of online intellectual discourse, are complaining that the show should “stick to entertainment”. Firstly, these people don’t realize that all shows aren’t obligated to be mindless entertainment. Secondly, the “stay away from politics” talk is usually code for “don’t express views I disagree with”. Final point, people who complain about The Punisher being too political have clearly not read any of the comics.

Frank was a former soldier and the military does play a part in many of the 2004 Max comics. While Frank respects veterans as a whole for their service and sacrifice, he does not respect the institution of the military.

“Fighting for the people who run the world gets you stabbed in the back. You fight the wars they start and feed. You kill the monsters they create…. I’m not going back to war so colt can sell another million M-16s.”

Frank Castle- Punisher Max, Issue #4.

If you think this is a “liberal talking point” as someone else put it, then the character isn’t for you.

The season deals with issues ranging from Post-Traumatic Stress Disorder to the US involvement in Afghanistan, just like some of the comics do. While Frank re-emerges as the Punisher, Homeland Agent Dinah Madani also begins digging into Frank Castle’s past as a way to investigate the death of a policeman she worked with while stationed in Afghanistan. “Agent Orange” also develops an interest in Castle since Castle was involved in an illegal military operation that a mysterious hacker named “Micro” has video evidence of.

Jon Bernthal joins the Marvel stable of actors who excel in their character’s skin. He is joined by a capable cast, with Micro (Ebon-Moss-Bachrach) being the standout since the relationship between the two forms the backbone of the story. In this continuity, Micro’s family is still alive but Micro was forced to fake his own death after being framed by Homeland Security. When Micro attempts to reach out to Frank, Frank finds Micro’s family as a way to gain leverage on him. The interactions between Frank and Micro’s wife, Sarah (Jaime Ray Newman) were interesting at first, since they both lost loved ones and bonded over that. Then the interactions continued, and included more screen-time from Sarah’s bratty son who is also one of the weakest actors in the show. A love triangle quickly developed and this entire subplot was one of my biggest gripes about the show. The chemistry on display between Frank and Karen Page was far better and didn’t leave me wanting to skip certain scenes.

Fortunately, this season also gives us some more memorable villians such as Billy Russo (Ben Barnes) and Lewis Wilson (Daniel Webber). Barnes’s role in Westworld showed that he can play a smug douche pretty well but he gets to do more with the script here, playing a friend turned foe who has profited off his evils.

The action itself integrates good hand-to-hand choreography (looking at you Iron Fist), gunfights and stealth kills that would make Batman proud. The fights weren’t actually that plentiful but the show does a great job of building the tension between the bursts of action (minus the Lieberman house visits).

Overall, I will rank the punisher third among all the Marvel Netfix seasons, behind Jessica Jones and Daredevil Season 1.

Current Ranking.

  1. Daredevil
  2. Jessica Jones
  3. The Punisher
  4. Daredevil Season 2
  5. The Defenders
  6. Luke Cage
  7. Iron Fist

Deadpool 2 Teaser Thoughts

You likely remember Deadpool’s  “No Good Deed” spot but we now have our first official teaser.

Like the first teaser, this one doesn’t show us too much and I don’t mind that at all. The majority of the time is actually occupied by a Bob Ross parody. I didn’t know the name of the painter but I immediately recognized the reference from Deadpool’s tone of voice and the wig. Like the first film, I am glad that Deadpool 2 embraces cross generational pop culture references, ranging from Aliens 3 to Hugh Jackman’s Wolverine. I also want to thank Ryan Reynolds for introducing me to the term “holy f***knuckles”.

The actual film footage gives us brief glimpses of Domino, Vanessa and most importantly, Dopinder. Deadpool’s conversations with Dopinder are some of my favourite moments so I am eager to see more.

Negasonic is back and looks better than ever. The colours in the costume from the first movie hinted at a classic X-Men costume but now it looks like we’ll get the real thing.

I know a lot of people though that the classic X-Men costumes couldn’t work on screen. I was one of them at but X-Men First Class changed my mind and this costume just affirms my belief that there isn’t anything wrong with some more colour. It’s a great nod to the classics, that also doesn’t come across as cheesy on screen. Since this film has a bigger budget I am also wondering if there will be more X-Men cameos or if there will be any reference to recent X-Men films like Apocalypse or Logan.

We also get a superhero landing in the film clips. There is plenty more material ripe for parody in the superhero genre so I’m hoping Deadpool makes use of all its ammunition. Since David Leitch (co-director of John Wick) is in the chair, I am sure the action will deliver so that is actually the least of my worries. The pessimist in me worries that since this film is no longer just a passion project with a (relatively) small budget, it might not have the same magic as the first. However, I am hoping it delivers.

Black Panther Trailer

Another distraction from my horror fixation has come along, in the form of another trailer for Marvel’s Black Panther.

As I’ve said in my YouTube video I believe that Black Panther got a strong introduction in Civil War, even though his character was only brought into to replace Spider-Man (who Marvel didn’t have the rights to when they began writing the script).  Ignoring the copyright issues that birthed him, Chadwick Boseman breathed life into the first black superhero in mainstream comics. The suit, the dialogue, the fighting style, the accent, were all handled well and made Black Panther a standout. Black Panther was also a standout since he was one of the few characters who was allowed to remain serious for more than three minutes at a time.

Building off the last trailer, this one still does not reveal too much about the plot or the villain. We know that T’Challa (Chadwick Boseman) is still adjusting to his new role as King, following the death of his father. Additionally, we see more of Michael B. Jordan’s villain, Erik Killmonger.

Firstly, I will say that I don’t like the song choice for this trailer as much as the one in the first. Some viewers are voicing complaints about the lack of any African influences in the score, but it’s too early to complain about that. Let’s wait until we see the film and then judge the score. The trailers are only using music mean to appeal to audiences. Unlike “Legend Has It“, I don’t feel like this song meshed with the video as well.

With that gripe out of the way let’s move on to the positives.

The set and costume design for Wakanda looks amazing, a mesh of something futuristic and traditional. Wakanda is  an advanced nation untouched by colonialism and I am very happy to see that the filmmakers are not shying away from the world’s African roots. It may seem obvious that an African nation should have African influence in its clothing and architecture, but you never know with Hollywood. Fortunately, it looks like the director of Fruitvale Station hasn’t sold out just yet.

Continuing with the trend to embrace real African culture and rituals, Killmonger also sports scarification that is used as a form of body art by some ethnic groups. Online info about Killmonger shows that he is a foe who wishes to overthrow T’Challa. Jordan has compared Killmonger to this movie’s version of Magneto, a anti-hero who wants to do what he believes is best for his people, even if it means overwhelming death and loss along the way.

That seems interesting but we get some more generic lines from Killmonger in this trailer, and the line delivery wasn’t too impressive. Hopefully the lines sound better in context. Let’s also hope that we get a good villain (Marvel’s kryptonite) to go along with a unique world and a hero who has potential to become of Marvel’s biggest.

I hate to end with a negative, but I must say that some of the special effects also need work. There are a few cartoonish looking ones throughout the trailer, but there are also some more photorealistic ones. Since the film comes out February I am hoping that post-production will works its magic.

I give you CGI backgrounds, with real faces.

Although I have some reservations about the villain and the special effects, there is still plenty to look forward to. The cast and the world are both amazing. If my reservations prove to be unfounded,  I am sure that this could end up being one of Marvel’s best films.

Thor: Ragnarok Thoughts

I have previously discussed my refusal to see Thor: Ragnarok due to Marvel’s insistence on bringing a comedy writer onboard to rework the film only because they worried the film was too dark.

Of course, I wouldn’t want a film to be dark if the tone doesn’t fit the characters or story. This argument can be a can of worms since many characters have stories that are uncharacteristically dark or light (e.g. The Flash with Flashpoint Paradox). The Barry Allen version of The Flash isn’t all sunshine and rainbows, but Flashpoint Paradox still took the darkness to a whole other level.

But I digress.

The previous Thor films had plenty of comic relief, or attempts at it. These included one painful line after another from the likes of Kat Dennings and Natalie Portman. One of the few good things to come out of the Thor series has been Loki. Ragnarok refers to Asgardian doomsday, so a dark tone seemed appropriate. Even if the film wasn’t going to adapt the mythical Ragnarok events, a title referencing doomsday still implies some level of darkness. Darkness would fit the story, and it could therefore fit the character. If a film is overhauled only to lighten the tone, regardless of whether the tone fits the character or story, that is a travesty. People complain about film’s being “dark” for no reason, but very few people have a problem with more “fun”.

What bothers me the most about the decision to change the film is that this demonstrates how the need for “fun” overrides other artistic considerations. The previous Thor films have other issues, such as a love story lacking chemistry,  and some weak villains (looking at you dark elves). All those issues were overlooked previously, but bring on some darkness, and it’s all hands on deck to make another film.

I still refuse to see the film in theatres but I must say that this first trailer has some great moments. More Loki is always a good thing, and I love the new look, which is partially inspired by his look in the Young Avengers.

Hela looks like she might give us another good villain. Her helmet has drawn a lot of comparisons to Aku, but since the helmet originates from the older comics, seems like Aku was inspired by Hela.

 

 

 

 

 

 

 

 

 

The Hulk doesn’t look as convincing (CGI wise) as he did in The Avengers film but the film still has more post-production to go. I actually didn’t mind the “he’s a friend from work” line since it actually seems in character for Thor. However, it still sucks that just about every epic moment is likely to be undercut by a one-liner that the fun-addled masses will eat up.

I’ve been told my writing is quite depressing, so perhaps I hate the Marvel “fun mania” since it clashes with my own creative proclivities. As Jeremy Jahns said sometimes I would prefer an epic moment, to a funny one. Likewise, sometimes I would prefer an epic movie to a “fun” one.

Spider-Man Homecoming Trailer Thoughts

I initially avoided watching this trailer because I was worried it would give too much away. Overall, my wariness appears to be justified.

Tom Holland was a highlight of Captain America: Civil War, even though the character was clearly rushed into the film after Marvel obtained the rights (or technically leased them from Sony). Although I have previously ranted about the MCU obsession with light-heartedness and fun, I wasn’t as worried about that obsession ruining a Spider-Man film. Peter Parker’s wisecracking is a key part of the character and Holland mastered that element, as well as capturing a more serious moment when he referenced Uncle Ben’s death with Tony Stark.

Although plenty of people saw The Amazing Spider-Man series as being too dark, the tone wasn’t an issue for me. With that said, the second film was bogged down with too many villains and some pretty hammy performances from the likes of Paul Giamatti and Dane Dehaan.

Since Spider-Man is one of my favourite comic book characters, probably just behind Batman, Wolverine and The Punisher, I was excited for Homecoming.

Now…this trailer. The YouTube comments make it clear a lot of people disagree, but I think I have Tony Stark fatigue.  However, there is a silver lining. It looks like Stark steps back from supporting Peter after the incident on the ship, leaving the film to hopefully focus on our favourite wall crawler.

I am just worried the film might reach this point halfway through, which is too late in my opinion. The character of Peter Parker got anchored to Stark due to his rushed introduction in Civil War, and now the writers are doing their best to keep that thread alive and also find a coherent reason to cut it. Meanwhile, marketers are also pimping Tony Stark out to the audience.

The high school setting for Spider-Man worked surprisingly well in The Spectacular Spider-Man, since the show avoided becoming 90210 featuring Spider-Man. I am hoping this film has a good balance as well. Zendaya’s one line in this trailer already leaves me worried about her acting skills. She says “my friends are up there” with the same enthusiasm she would say “I broke a nail”.

On a positive note, the trailer doesn’t spoil too much of Michael Keaton as The Vulture. So far, he seems the best kept secret and also seems like he may be a highlight of the film. The new costume is awesome and I have renewed faith in Keaton after watching Birdman and Spotlight.

Additionally, a lot of the humour in this trailer was actually good. My favourite parts were the interactions between Peter and his friend. My least favourite ones, you guessed it, anything with Tony Stark.

What are your thoughts on the new Spider-Man Homecoming trailer?

Logan Review

Entertainment Value: 10.10

Critical Value: 7.5/10

It is the end of an era. After 17 years, Hugh Jackman presents us with his last outing as Wolverine. After the first two Wolverine films many fans, myself included, initially approached another one with a healthy dose of skepticism. Then the first trailer dropped and skepticism gave way to hype for many people.

Then the second trailer dropped, confirming that Dafne Keen would be playing X-23. The film was flooded with good reviews from Rotten Tomatoes and one of my favourite YouTube reviewers also gave the film his highest rating. Needless to say, I expected a lot from this film, and for the most part, it delivered. I won’t say that the film is on the same level as The Dark Knight (it got a lot of comparisons to it) but it is undoubtedly the best Wolverine film and one of the best films in the X-Men Universe.

Logan introduces us to a bleak(er) future where most mutants are now dead. Twenty five years have passed without a mutant birth, most of the X-Men are dead, and Logan is slowly dying as his healing factor burns out. He is aging more noticeably, healing slower and the adamantium in his body is now poisoning him. Meanwhile, Charles Xavier is suffering from a mental disorder. Early plot summaries said the disease was Alzheimer’s but it is never actually confirmed in the film. Either way, he is prone to fits of dementia and seizures, which have devastating effects on the people around him.

Logan now works as a chauffeur and is content to save money so that he and Charles can buy a boat and live on the sea. Logan is tracked by a Mexican nurse who eventually convinces him to escort Laura Kinney (X23) to a mutant safe haven and evade The Reavers, cycber-netically enhanced soldiers tasked with bringing X23 back.  Firstly, I have to say that X23 was insanely badass in this film, showcasing an agile fighting style that is in contrast to the brute force on display from Wolverine. Although Wolverine is feral in his own way, Laura shows us what could have become of him if he was raised as a weapon. Dafne Keen doesn’t have many lines for most of the film, relying on facial expressions and body language to create the character.

The makeup department did a great job in creating a weathered Logan, whose body tells it own story. Jackman is able to exude anger, coldness,sensitivity, love and caring seamlessly. Although his character seems to shy from caring or helping others, it is easy to see that he is only putting up a wall to protect himself from the pain of losing more people he cares about.

Charles Stewart brings us a different version of Charles Xavier. Although Charles still houses some of the wisdom we associate with the character, his disease has resulted in forced isolation. We see a Charles who knows his time is coming and is eager to enjoy the rest of his time, coming across as more carefree than any other version of Xavier we’ve seen on screen. The closest comparison is to his younger, broken self in Days of Future Past. 

Jackman, Stewart and Keene are the film’s center and their scenes stand out as my favourite emotional moments. At its core, the film is about family and it great to see the family grow stronger as the film progresses. Although he is not necessarily a part of the family, Caliban (Stephen Merchant) assists Wolverine in taking care of Xavier and his performance is another stand out in the film. He has a relatively small role but succeeds in picking away at Logan to reveal his mindset as they try to navigate the dangerous world they live in.

Needless to say, the action is amazing, giving us the R-Rated glory we’ve been waiting to see for a while. People don’t just fall down when Wolverine swings his arms, they die in spectacular, gory fashion. There were many scenes that genuinely gave me chills. The film does feature some spotty CGI in parts. Fortunately, most of the effects are practical.

One of the weakest parts of the films, in my opinion, are the villains. Don’t get me wrong, Boyd Holbrook was enthralling as Donald Pierce. The issue is that it felt like he had little screen time. He and the man he answers to, were not developed very well in contrast to the other characters. There is one interesting goon that adds a new level of threat to the film, and the goon’s introduction is one of the most memorable in the film. However, I feel as if this mute goon could have been substituted for a stronger Donald Pierce.

While the film was not perfect, or as even as I would have liked, it was a solid end to Wolverine’s story. The ending, for lack of a better world, is poetic. Jackman has implied that he would be open to playing the role again if it existed in a different universe e.g. the MCU. However, he has also said that “This is it. This is the last one.

It is sad to see Hugh Jackman end the role, but I am happy that this is the film he did it with.

Edit: After more thought, had to bump up my ranking of Logan.

X Men Universe Film Rankings

Days of Future Past

X2

Logan

Deadpool

First Class

X-Men 1

Apocalypse

X3

The Wolverine

Origins

Netflix’s Punisher

With Iron Fist and The Defenders coming out later this year it can be easy to forget about the Netflix series that follows.

After seeing him in The Walking Dead and Fury (2014) I thought Bernthal’s casting as Frank Castle a.k.a. The Punisher was perfect. He went on to become the best thing about Daredevil’s second season, providing a deadly foil to Matt Murdock. After watching the season and reading The Punisher Max and War Journal, the Punisher quickly became one of my favourite comic book characters.

While the Marvel Cinematic Universe is (MCU) is sometimes hampered by the desire to remain family-friendly, the Netflix shows capture a more adult world that is also not afraid to embrace the more fantastical elements of the comics. Many people didn’t like the mystical aspects of Daredevil’s second season, probably due to the contrast with the gritty first season. However, I didn’t mind these additions. My biggest gripe was the love story between Matt and Karen, which wasn’t foreshadowed at all with the previous season. This season began and they were suddenly in love.

With that said, The Punisher is a series that might work better (at least for the first season) with more grounded villains. Most of the villains in the aforementioned comics were figures involved in crime syndicates such as the mafia or IRA. While The Punisher obviously lives in the same universe as Thor and The Hulk, and has fought some of these figures in the comics, I hope the solo series starts with his work on the streets. Daredevil ended with Castle donning his costume as he continued his personal war on crime. I want to see that story expanded, as Castle continues to target criminal enterprises.

While Daredevil emphasized Castle’s pursuit by law enforcement, the Max comics frequently imply that the police tolerate his presence. There is a story arc where corrupt policemen frame him for the murder of one of their own, but for the most part the police realize he makes their jobs easier and scares some people off the streets. It would be interesting to see this dynamic in the series as well. I have heard the series will be inspired by the Max run, and I am especially hoping that the “Slavers” arc is adapted.

Set pictures have revealed that Karen Page will appear in the series. She tried to act as Castle’s voice of reason in Daredevil, creating a character dynamic that had far more chemistry than her and Murdock’s. It is likely she will be trying to steer him away from vigilantism, or a less violent alternative. If the character’s written properly he won’t be changing his mind, but their conversations could lead to more interesting insights about how Castle views the world e.g. the rooftop conversation in Daredevil.

One of my main worries is the length of the seasons. Every Marvel Netflix show is thirteen episodes, which feels like too much at times. Luke Cage was a good show, but I feel like it was hampered by the length. Shortening the series by an episode or two could have led to some more concise storytelling. Since the series needed to be padded to 13 episodes I feel like all of the legal wrangling in the last few episodes was added to get the series to the necessary length. Since The Punisher kills his enemies there will be definitely be less police and courtroom proceedings to worry about. However, some other plot twists could be utilized to pad the series unnecessarily. Until the thirteen episode rule changes we’ll have to hope the writers adapt to give us 13 episodes that don’t feel bloated or stretched out.

Besides that concern, this series has a lot to offer. The few comics I’ve read present a swath of interesting supporting characters and villains that will help to support one of my favourite anti-heroes as he makes his solo tv debut. What is your most anticipated Marvel Netflix show of 2017?