Star Wars: The Last Jedi Review

Warning: This should be obvious but this review will have spoilers for previous Star Wars films

After seeing The Last Jedi yesterday, I am now ready to share my thoughts on one of my most anticipated films of 2017. While I believed The Force Awakens was a rehash of A New Hope, I still enjoyed the film and Rogue One also cemented my continuing interest in Star Wars lore.

I try to avoid reading or watching any reviews of a film before I see it, since I want to avoid going in with preconceptions. I also try to avoid social media as a whole since Han Solo’s death was spoiled for me by one of the attention-seeking denizens of YouTube. I wasn’t able to abstain completely prior to seeing The Last Jedi but I can only hope that I successfully subdue any preconceptions or at least acknowledge the impact they had on my viewing of this movie.

Episode VIII begins right where VII left off, cutting between the stories of Poe, Finn, Rey and Kylo Ren. I am happy to say that this film doesn’t come across as a complete rehash of Empire Strikes Back, although there are a few moments of similarity. The film’s strongest arc is definitely Kylo Ren’s, who is still dealing with the conflict of truly embracing the dark side. Rey and Ben shippers have a lot to moments to look forward to. Aside from the will they/won’t they moments, Episode VIII delves further into Ben’s past and his relationship with Luke Skywalker.

While the plot revolves around getting Luke to rejoin the Resistance, Luke is a reluctant mentor for Rey. He is a tragic figure whose past failures hinder his ability to move forward. There is plenty to love in the original Star Wars trilogy, but my enjoyment of them was always hampered by Mark Hamill’s subpar acting. Hamill has developed a lot as an actor since then, with a plethora of voice acting and live action roles separating his speaking roles as Luke in Return of the Jedi and The Last Jedi. Hamill is able to bring true vulnerability to the role, along with the wisdom expected from the last Jedi Master.

Aside from criticisms that may be reasonable, there is also a slate of alt-right vitriol since this movie has too many women and minorities for their liking. I always found it amusing that people who use the word “triggered” to insult others, are actually the most triggered. They will not be bothered by any of the issues present in “liberal propaganda” but it’s all hands on deck if a film set in another galaxy isn’t dominated by white males. I will ignore these people’s opinions, since they are no more valid than the thoughts of a flat-earther.

Andy Serkis puts in another great motion capture performance as Snoke, surrounded by a cast that delivers for the most part. Finn’s marketing bait and switch, from possible Jedi to bumbling comic relief, was one of my biggest criticisms for the previous film and I happy to see that remedied here. Finn has a meatier role this time around. Domhall Gleeson’s General Hux straddled the line between campy and intense in The Force Awakens, but he crosses that line here quite a few times. There are some weak performances from some minor characters; ones who only have a few lines. While this shouldn’t hamper a film too much it didn’t help that two such characters had the film’s first spoken lines, seemingly setting the tone for what was to come.

Rey’s character was met with a flurry of Mary Sue complaints and some fans will be happy to see some of their thoughts addressed here. One reviewer I follow said The Last Jedi is the Cabin in the Woods of Star Wars films, and I have to admit that this thought influenced my outlook on certain scenes. For example, in one scene Snoke criticizes Ben Solo for his lack of commitment to the dark side, noting that killing Han Solo must have broken his spirt since he lost a fight to a girl who had never wielded a lightsaber. With the Cabin in the Woods comparison in mind, I had to think that writer/director Rian Johnson was trying to address some of the previous film’s biggest criticisms. The film also takes this approach when it delves into Rey’s history, giving us a reveal that may be anti-climactic for some, but also helps to set it apart from other Star Wars films.

I think that some of these scenes help to account for the polarizing reception that The Last Jedi has among fans. While The Rotten Tomatoes critic score is 92%, the audience score is 54%. I am sure that this low rating is partly due to people bothered by too much colour and ovaries, but I won’t say that the alt-right is mostly to blame.

The Last Jedi is nearly three hours long, and its length was the main criticism from the friend I saw it with. While I didn’t feel like the film dragged, I will understand if people say it could have been shorter.  New characters are introduced, such as Rose Tico, Star War’s first Asian character and an easy target for the alt-right. She is paired with Finn for the majority of the film and I have to agree that this is a subplot that could have been condensed at the very least. This subplot leads to the infamous confrontation with Phasma that we saw in the first trailer, but one can’t help but wonder if we could have arrived at that moment differently. The subplot would not have been improved if Rose was white. I will say that like Rogue One, this subplot helps to bring in more moral ambiguity to the Star Wars characters. Instead of characters who are affiliated with light or dark, The Last Jedi shows us more who are simply looking out for themselves.

There are some moments of humour, or attempted humour, that do not work. However, I will say that the majority of jokes didn’t feel out of place. Aside from some flat jokes, there are also several scenes or moments that could have been cut to allow screen time to be used more efficiently. Yes, porgs are cute. After the film cut to them for the tenth time, I started to get annoyed. As a result of some unnecessary or dragged out scenes, we miss out on other moments that could have been expanded, such as the reunions of key characters. It would have been great to see more of Princess Leia, especially since this was Carrie Fisher’s last performance. Obviously she may have been written somewhat sparsely with more in mind for Episode IX, but a weak subplot just brings more attention to what else could have been presented. There are now more questions that will have to be answered by Episode IX. 

To end on a more positive note, The Last Jedi, has moments, whether dramatic or action-oriented, that I believe will become iconic parts of Star Wars lore. The action, at the very least, is sure to please fans, but I believe the film has more to offer as well. I honestly believe I may need to watch The Last Jedi again before I can give it a true rating. For the moment, I will say that I am looking forward to seeing it again.

Star Wars Film Rankings

Rogue One

A New Hope

The Empire Strikes Back

Return of the Jedi

The Last Jedi

The Force Awakens

Revenge of the Sith

“” Attack of the Clones

“” The Phantom Menace

The Killing Joke Review


While DC is struggling to get critical approval with its live-action films, as the (partly) undeserved roasting of BatmanvSuperman and Suicide Squad demonstrate, they have an impressive record of success with their animated features. In my opinion, the quality of the DC Universe Animated Original Movies (DCUAOM) has declined in recent years with Justice League: War and Son of Batman. However, there have been some bright spots such as Gods and Monsters, Assault on Arkham and Batman vs. Robin. I was hoping that The Killing Joke would continue that trend. It isn’t a bad film, but as a whole, it does not measure up to some of the aforementioned bright spots.

As a spoiler- free summary, this story involves The Joker escaping from Arkham Asylum and kidnapping Barbara Gordon (Batgirl). There will be some relatively minor spoilers throughout this review. I haven’t read the graphic novel in years and I wanted to do so before seeing this film. However, I ended up rushing ahead and watching the film first. For that reason, I won’t be able to compare this film to the finer details of the comic.

I was told by friends that the film added a prelude that explained more of Barbara Gordon’s backstory, prior to her kidnapping. A little research online also showed that this section also resulted in most of the criticism for the film. I tried to ignore these critiques and form my own opinions so that I wouldn’t unfairly bash the film. I have to say that some of the criticism is justified.

The most valuable insights that come from this prelude are:

  • Barbara still views crime-fighting as a thrill, not an unhealthy obsession the way Batman does
  • Conflict over this issue is what led to Barbara ending her role as Batgirl

These two insights are valuable, but my issue is some of the execution. The Batgirl prelude centers around a single criminal, Paris Franz, who becomes obsessed with Batgirl. However, Franz’s obsession is more like a delusional and arrogant fanboy, as opposed to the twisted dependency we see with The Joker and Batman. Franz ends up being a very forgettable villain and the writing for his character is mainly what makes the prelude unwelcome.


Another issue, is the infamous sex scene. Sorry if it is a spoiler but it is a part of the story that I can’t review this film without mentioning. If I simply said there is a sex scene, then it would still be pretty easy to figure out which characters I am referring to. Although I am not personally a fan of a Batman/Batgirl relationship, I know it exists in some of the comics. What annoys me most about the sex scene isn’t the fact that a relationship I like to think of as father-daughter is changed; I just hated the fact that it was precipitated by a slap-slap-kiss trope. I didn’t even know that this was a trope until a year ago, but seeing it time after time led me to believe that other people must have noticed how often it pops up in romantic situations. Two people are fighting; they often start pushing or come to blows. Then they suddenly stop, stare into each other’s eyes, and kiss. It is hack writing at its best.

With that said, the rest of The Killing Joke is much better. Firstly, we have a better villain. Mark Hamill plays The Prince of Crime, and also plays The Joker in flashbacks that reveal how he became The Joker. The graphic novel is famous partly for introducing a tragic Joker origin story and the transformation from Jack Napier to the Prince of Crime is one of the film’s most haunting.


The Joker’s actions in this film make you hate him, but you also can’t deny his charisma and his skills as a wordsmith. I enjoyed John DiMaggio as The Joker in Under the Red Hood but it is great to have Hamill back for this role, alongside Kevin Conroy. One of my favourite parts of the film is a Batman monologue near the beginning. While Conroy is famous for portraying Batman’s menace, his ability to convey the character’s (often hidden) warmth was also a treat to watch.

Joker’s kidnapping of Barbara is the central crux of the story, and the scene is a tough one to watch. The animation, the music (or lack thereof) and the voice acting make it one of my favourite scenes among all the DC animated films. Hamill brings a blend of menace and humour to the role, while navigating his way through one of the most pivotal moments in Batman’s history.


The kidnapping also represents a high-point in the film, which is followed by the final showdown between Batman and The Joker. From what I remember, the kidnapping of Commissioner Gordon was more enthralling in the graphic novel. Here, the voice acting from Gordon and Joker’s gang of freaks brought this section of the film down.

Overall, I enjoyed The Killing Joke. However, the faults I’ve mentioned prevent it from being among the top-tier of the DCUAOM films. As it stands, it is a decent entry that had a lot of potential.