Third Time The Charm for The Flash?

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The Flash (2018), starring Ezra Miller, was originally going to be directed by Seth Grahame-Smith. The Flash would have marked Smith’s directorial debut. Prior to his appointment as director, Smith served as a writer for the film adaptation of his novel Abraham Lincoln: Vampire Hunter. Smith seemed like an odd choice at the time but I didn’t want to worry too much since unlikely or unknown directors have made great films previously. A great recent example are the Russo Brothers and their work with Captain America: Winter Soldier and Civil War.

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Smith later left the project due to unspecified creative differences in late April. Five months ago, director Rick Famuyiwa (Dope) signed on to direct. This also seemed like an odd choice, since Rick’s latest work was far removed in terms of genre and scale. However, I realized that Dope‘s tone could work very well for a Flash film. Although Barry Allen’s stories are not always light-hearted a character as people may think (e.g. Flashpoint Paradox) there is still a lot of room for humour in the series. Out of all the upcoming solo films, humour belongs in The Flash the most. The Flash was also one of my most anticipated solo films, after The Batman and Wonder Woman.

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Today, Famuyiwa also left the project due to creative differences. I am sure there are other directors out there who can step up to the plate and do a great job. Having two directors drop out is worrisome, but I am more worried about what this can indicate. BatmanvSuperman and Suicide Squad both suffered from changes made by Warner Bros. in post production. The uncut version of BatmanvSuperman is much more coherent, and Suicide Squad had its first hour drowned in pop songs to make it more light-hearted.

I am now worried that the creative differences in both cases were due to ideas Warner Bros insisted on; ones that will bring the final film down yet again.  I am more worried about this since the creative differences pop up months after a new director is attached. It appears WB may like their original pitch but have more grievances as more directorial decisions come to light. I respect Smith and Famuyiwa for sticking to their vision and not becoming corporate slaves who simply want to make a blockbuster film for the exposure and money. I can’t imagine how hard that decision must be.

Another troubling aspect is that The Flash is set for a March 2018 release date. 2016 is nearly over and a director is not even signed on yet. Smith’s script is still being used but filming will obviously come to a halt without a director. The film will likely need almost a year to film, plus post-production. It is likely the release date could be pushed back at this point.

Let’s hope the third director is the final one. Will the studio opt for another unknown director, an indie one, or will they try to get a bigger name? The problem is that a bigger name may wish to stay clear of a project that two directors have already left. Any director may take two directors leaving as a bad sign. Plenty of fans do and events like this are also an early Christmas present for Marvel fans trapped in the “Marvel V DC” mentality.

Let’s see what happens.

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Kingdom Come: Gods and Humans

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Check out my latest post on comicommand.com or read it below:

Kingdom Come

Written by Cadeem Lalor

I started reading Mark Waid and Alex Ross’s Kingdom Come (1996) just earlier today. Kingdom Come follows an alternate reality where a new hero, Magog, became a revered figure after killing The Joker. Meanwhile, the public’s long gestating fatigue with Superman’s “boy scout” persona led him to go into exile. With Superman gone, the rest of the league followed. Ten years later, the world is overrun by a new legion of super-powered beings that lack the moral fortitude and care for human life that the Justice League had. It was a title that came with a lot of hype, but I believe it has managed to live up to expectations. Within five pages, it got me thinking about something.

In the story, Norman McCay acts as a vessel for the Spectre, and also serves as a narrator of sorts. As he ruminates on the past he remembers a friend who recently passed away. He remembers his friend missing the human desire for achievement, manifested through competitions such as the Nobel Prize or the Olympics. In this world, where people are surrounded by god-like beings, it makes sense that human achievement is no longer as valued. Yet I don’t believe the question has ever been approached in such a way. Many comic books and adaptations bring up the issue of humans admiring, mistrusting or fearing super-humans. Yet none of the ones I have read have examined how social and political institutions or functions could change due to a new breed of people. Humans are used to being the center of life on Earth. Our collective achievements are what give everyday life meaning. Would we be as motivated to work out, knowing that there is a race of people whose strength we can never attain. Would we be as motivated to achieve academically if we know that the end goal, a lucrative career or recognition likely won’t come?

Competitions like The Olympics and Nobel Prize can be mired by a host of issues, but they are fundamentally meant to celebrate competition and human skill. Each event is a testament to the will and training of the people competing. Meanwhile the Nobel Prize serves as a chronicle of scientific, economic and literary advancement. With these events, we see humans striving to understand more of their world and attempt to take away power from gods, giving more power to the people. In the world of Kingdom Come, humans have given up on deciding their own destiny. They are at the mercy of super-humans. Even when Superman and the Justice League return, the public does not immediately feel empowered, they only shift their burden to new figures. Perhaps one group of super-humans makes the issue more obvious, but the issues persist either way. While the humans seek hope, there is little to come.