Black Panther: Wakanda Forever

T’Challa a.k.a Black Panther was introduced to the Marvel Cinematic Universe (MCU) in Captain America: Civil War, originally serving a role similar to the one Spider-Man played in the comics (the figure who joins Iron Man’s side but then changes his mind). Once Marvel were able to secure the rights for Spider-Man again, Tom Holland’s version of the character was hurriedly fit into the film. Spider-Man was brought in, but Black Panther remained and I think many people would agree that he shined in his debut.

The writing, the suit, the fighting and Chadwick Boseman’s portrayal all introduced the new King of Wakanda, and Black Panther picks up shortly after, where T’Challa is returning to Wakanda to be crowned king.

Firstly, there has bee a lot of excitement about this film because it is one of the first mainstream Hollywood films with a black director and a mostly black cast. Additionally, it is also one of the first movies in a while focusing on a black superhero. Inevitably, people’s excitement at these developments is also being met with the “colour-blind” or outright racist resentment.

  1. You don’t see me cheering for a new movie with a white cast.

It wouldn’t make sense for you to. There is an endless parade of films with white main characters and supporting characters. Your characters have a wide range of traits and professions. They are not often portrayed as thugs, or streetwise comic relief. The numerical representation of white people on screen far outstrips their representation in America, with over 70% of speaking roles in Hollywood films going to white actors (Sept. 2014- to August 2015). You are so used to this now that you have become blind to it.

Whiteness is the most desired commodity in Hollywood. It is why many stories focusing on black heroes are not viewed as “marketable”, despite successes like Straight Outta Compton and Hidden Figures. Studio heads are more willing to bank on white actors. This is why they favour adaptations of properties with white characters. This is why a character can be whitewashed when Hollywood adapts a story, because they view it as marketable. Then audiences start to internalize the same excuse, and get to the point where they genuinely support the idea that a movie loses interest for them if the protagonist isn’t white.

Consider this, even with the Marvel brand and Black Panther’s introduction in Civil War, it was still considered a “risk” to give $200 million to a black director whose previous work was critically lauded and profitable. There is a long-standing belief that black doesn’t sell as well as white, especially overseas, and Black Panther is challenging the dogma with its empathic opening weekend.

Don’t accuse black people or minorities as a whole of being racist here. Black people and Hispanics generally see more movies than white people do, meaning that a lot of them shell out money to watch (or even repeatedly watch) movies with characters that may not look like them. If minorities can do it, why can’t white people? We can appreciate a good story regardless of race, but we can also be appreciative when we get a great story and great film with actors that represent our population.

In short, if you go into this movie and carry your resentment with you, it is likely to influence your rating of the film.

Moving on…

Firstly, I have to say that this film did an amazing job of bringing Wakanda to life. Everything from the costumes, customs and music transports you to the fictional country that was never colonized. Its technology and clothing blend traditional and futuristic, borrowing inspiration from existing African countries to create something that is truly afrofuturistic.

Second, Black Panther actually gives us a good villain. Michael B. Jordan’s portrayal of Killmonger gives us a villain with a tragic backstory and a mission that is more unique than a lot of others you will see. Essentially, he wants to take over the world, but the nuances and motive behind his aspirations are what makes him and the film special. Jordan can be charismatic, intelligent, empathetic, but also threatening. Other villains have also been physically threatening, such as Ronan in Guardians of the Galaxy, but without good writing they end up as generic placeholders. In terms of the entire MCU, Kilgrave from Jessica Jones may still have Killmonger beat. However, I have to place Killmonger above Loki as the MCU films’ #1 villain. Black Panther doesn’t shy away from exploring issues of racial identity and racism, and that was a pleasant surprise coming from the same company that turned a doomsday story into a buddy comedy (Thor: Ragnarok). Killmonger’s last line in particular, is one that left me speechless.

Speaking of comedy, it’s generally handled well in this film. I have previously ranted on YouTube and this blog about Marvel’s insistence on humour in their films. The Thor films as a whole are the worst offenders, giving us sloppy writing that regularly fails to build tension because we always know a joke is soon to follow, usually from the most annoying characters (looking at you Kat Dennings). Black Panther has one or two moments where I felt like a joke could have been cut, but overall I believe it is one of the MCU films that has the most balanced humour. There is nothing wrong with humour in itself, but it must fit the characters and the storyline.

In terms of jokes that could have been cut, one of the most notable comes from Andy Serkis as Ulysees Klaue a.k.a Klaw. Reprising his role from Avenvers: Age of Ultron, Klaw serves as an ally to Killmonger. If you have seen the trailers you know there is a scene where Killmonger frees Klaw from captivity, so what I am about to say won’t be too much of a spoiler. During Klaw’s interrogation, he is randomly singing What is Love. I guess the “don’t hurt me, no more” part is meant to be funny because Klaw wants to avoid torture, but the scene also comes across as really random and very Marvel-esque in terms of sloppy humour.

Most of the humour comes from Shuri, T’Challa’s sister. Letitia Wright previously portrayed Nish in season 4 of Black Mirror and she is also able to shine here with the lighter material and the more intense moments. Shuri’s rapport with her brother is one of the highlights of the film and is a perfect example of a more organic approach to comedy, where it flows from a character naturally and doesn’t feel like it was forced in to keep things “fun”.

Alongside Boseman, Wright and Jordan we also have a host of other talented actors and actresses. Danai Gurira, best known as Michonne on The Walking Dead, makes Michonne look like Elsa in this movie. Daniel Kaluuya also plays an important role but he does get outshined by Winston Duke’s M’Baku. Martin Freeman also returns from Civil War as agent Everett Ross, and is yet another talented cast member and Lupita N’yongo rounds it out. For those who have seen the movie, you know her character is the real MVP.

The action in the film is at its best when the hand-to-hand choreography is on display. Some of the larger scenes do feature some shoddy CGI but thankfully these scenes aren’t prevalent enough to ruin the film. The Black Panther shines in his action scenes but Boseman also brings a great presence and power to the character, building off what we saw in Civil War. He is someone who is torn between tradition and change, past and future.

I know that the hype or the outright anti-black animosity will affect some people’s views of this film. Some might say it is overhyped. I was pleasantly surprised not to feel that way. It is my new favourite MCU film, beating out The Winter Soldier.

Go see the film for yourself, and hopefully you can enjoy the film simply as a film, while also appreciating everything else that comes with it.

Black Panther and the Triggered Right

As I’ve discussed before, the term “triggered’ is often used by the right-wing to criticize people who get worked up about an issue that the right views as invalid. The use of “triggered” also implies that the right doesn’t have any issues that they care about, implying that they don’t worry about the trivial things the rest of us “snowflakes” do.

Which is why I find it so amusing to point out the double standard in this world view. For the newest exhibit, I present Black Panther. Like Star Wars: The Force Awakens and The Last Jedi, Black Panther is the target of a barrage by the alt-right. The alt-right takes credit for The Last Jedi’s Rotten Tomatoes score, saying they used bots to create fake reviews. Now they have their sights set on a upcoming superhero film.

Aside from giving us a heroic black main character, Black Panther will introduce Wakanda, a fictional African nation untouched by colonialism. It is wealthy, technologically advanced and has little to no contact with the outside world.

There was a mob of people got angry when they saw John Boyega in a stormtrooper costume for five seconds in the first trailer for The Force Awakens, so I knew it was a matter of time before Black Panther got heat for positive portrayals of black characters. People are always quick to argue that online discussion doesn’t matter. Yes, there are some people who make inflammatory comments that they don’t genuinely support. They do it for the purpose of attention and we call them trolls. It is convenient to think that every racist comment you read online is the work of a troll, but that mindset is not just delusional, it is downright dangerous. Steve Bannon, the Breitbart editor who was temporarily the White House Chief Strategist, said that online hate is an “army”.

“You can activate that army,” Bannon stated. “They come in through Gamergate* or whatever and then get turned onto politics and Trump.”

Gamergate, in short, was an online hate campaign that targeted Anita Sarkeesian for speaking out on misogyny in the video game industry. What some people ignore as a bunch of trolls, became a weaponized force that helped to put Trump and his ilk in office. These aren’t just words. These aren’t a few harmless comments. They are the child of a much larger issue in society, a growing resentment and outright hate of minorities that is further emboldened by all the hate the commander in chief spews.

When the left complains about whitewashing in films, we’re told we’re being divisive. We’re focusing on race too much and not letting talent breathe. Now we get a talented black director, directing a large cast of talented black actors. We have black actors doing more than playing thugs, comic relief or supporting characters. Black Panther is like most of Hollywood’s films, where one race of people get the privilege of most of the roles and the roles with the most variety.

However, some people are ignoring the talent in the cast or the interesting story that the trailers hint at. They see too much blackness. Specifically, they see too much black greatness. These people would complain about a film where we’re slaves as well, since say they see that as an attempt to make them feel guilty or to stir up conflict (instead of simply seeing it as a history film). It turns out these people don’t like the other end of that extreme too.

  1. I don’t see my race represented enough! (although there are plenty of other films where you will see it disproportionately represented).
  2. It makes my people look bad. (For all we know it won’t. If it does, welcome to our world. We’re always told just to suck it up because it’s just a movie.)
  3. It’s wrong that black people are so proud of themselves. (Aren’t you the people that argue that the marches in Charlottesville were just a little racial pride? You have your free speech, we have ours.)

I’m looking forward to seeing Black Panther and there’s nothing the alt-right and their bots can do about it.

Metalhead: Black Mirror

Note: Just some quick thoughts motivated by a podcast I was listening to. The @decipherscif podcast was going through the second half of season 4 of Black Mirror, breaking down the science in episodes like Black Museum. Interestingly, when the conversation moved to “Metalhead” the podcasters pretty much skipped the episode, criticizing its plot.

For anyone who’s been reading the blog, you’ll know Black Mirror is one of my favourite tv shows. I recommend it to people anytime the topic of tv pops up. When I heard about a fourth season on Netflix I completely forgot about wrapping up season 5 of Samurai Jack and moved on to Black Mirror. The season has birthed some new favourites for myself and other fans, such as “Black Museum” and “USS Callister”. It has birthed some episodes that might land in the middle, such as “Crocodile” or “Arkangel”. Season 4 has also birthed an episode that I personally believes gets an unfair helping of hate, “Metalhead”.

Now, it is easy for me to see why the hate exists, but I don’t think the hate exists simply because the episode is poorly done television. For many, “Metalhead” was likely just an unwelcome deviation from what they expected in a Black Mirror episode. The philosophical underpinnings weren’t as salient, and the episode doesn’t offer any of the twists or turns fans came to expect. Instead, “Metalhead” offered a simple chase sequence that has drawn comparisons to Mad Max and Terminator. Compared to the episodes that came before, “Metalhead” was a drastic shift.

Personally, I still put “The Waldo Moment” at the bottom of my list, and people may consider my reasoning shallow, but I could not stand the voice the actor used for the cartoon character. The messages were good and turned out to be quite relevant (cough, Trump) but it is an episode I refuse to revisit.

I have always loved post-apocalyptic stories, and although the Skynet-esque trope of technology hunting down humankind has been done, I still found the episode very engaging. It is not the type of scenario that can ask the same type of questions about topics like consciousness or reality, but “Metalhead” did leave me speculating what led to the world we see in the episode. We can guess the dogs were a military weapon that either went rogue, or may be hunting a certain segment of the population. I liked the fact that we were left to speculate about the details surrounding the character’s predicament. I also thought it was amusing to see a more literal representation of technology leading to death. While some may criticize the subtlety of this episode, I also think there is a segment of fans who like to feel smart because they watch the show, just like the denizens of Rick and Morty fans who claim you have to be pretty smart to “get it”.  An episode like “Metalhead” breaks the illusion of philosophical theater.

Maybe “Metalhead” was a bad Black Mirror episode but it certainly wasn’t bad tv.

First Factinate Article

As I’ve mentioned before, I recently started writing listicles for Factinate.

At the very least, the venture brings in some extra money but I am hoping I can leverage it for something greater. As of now, I at least have an article published on something other than my own blog. As they say, “progress, not perfection.”

25 Money-Making Facts About Hollywood Industry


Starting my “Commonplace Book”

Ryan Holiday is one of my favourite authors, penning books such as The Obstacle is the Way and Ego is the Enemy. His blog and his books introduced me to the concept of stoic optimism, which I try to apply to my daily life as much as possible.

While reading through his blog I came across a post discussing a “commonplace book“, a single repository of all the info collected from reading. For the past year I have read more non-fiction, while also marking pages of interest. The pages of interest sometimes apply to anecdotes or random facts but sometimes they are simply quotes or pieces of advice I want to remember. I realized (too late) that all this reading wasn’t resulting in as much retention or action as I hoped. Due to this, I wanted to try starting my own commonplace book.

The commonplace book is something I have put off for a while now, and as Holiday says in the linked post, the longer you put it off the harder it is to start. It is intimidating to look at all the books and marked pages I have, and know I have to transcribe them now. Holiday uses 4×6 index cards and categorizes them by themes e.g writing, books, education. I was tempted just to type out my notes, but I do remember all the lessons The Shallows taught me, analyzing how writing helps retention. This is part of the reason I never used a laptop to take notes in college.

Although the scope of this project makes me want to just type everything out, I want to try committing to writing everything instead. As time goes on, storage may be an issue, and maybe at some later time I’ll decide to just type everything out. For now, I want to stick to writing it out. I have already copied over notes from three books, and have decided I will try to do more on saturday. Afterwards, I will try to add notes from at least one new book every week. Trying to copy everything over at one time is an intimidating project, and I don’t want the dread of taking that project on to dissuade me from doing anything.

Aside from retention, writing out the notes also forces me to be more selective with what I transcribe. I can make quick references to anecdotes (e.g. Mastery, page 30) but I only choose to write out the words that will give me the most value if I skim through my commonplace book.

Dark and Stranger Things

I recently finished watching Netflix’s “Dark”, knowing that it was drawing lots of comparisons to “Stranger Things”. After watching the show, I am reminded of the comparisons people made between IT (2017) and “Stranger Things”. Both involve kids, and both took place in the 1980s. That was pretty much it for the comparisons and that was enough for people to throw out words like “rip-off”.

With “Dark” and “Stranger Things”, both shows involve a missing kid and sci-fi elements. That is it for comparisons. The cast is mostly comprised of adults and teenagers, with a teenaged main character (as opposed to kids). There aren’t any sci-fi monsters in “Dark”, and the time travel theme is a far cry from what we got in “Stranger Things”.

If we always reduce a show or movie to its most basic elements, it is easy to compare just about any film to another one e.g. you can reduce The Dark Knight to a story about a man who lost his parents. Then you can compare it to a lot of other films that are actually nowhere near close. Although we have so much information available online people either don’t come across facts, or aren’t bothered to look up facts that clear up their ignorance. For example, all of the IT trailers (if I’m not mistaken) advertised the film as a Stephen King adaptation. Yet you still get idiots that said IT was inspired by “Stranger Things”, when in fact it is the other way around. Pacific Rim got compared to Transformers simply because they both have robots, even though the plots are actually very different, and the inspiration for Pacific Rim came from a 1958 anime called Tetsujin 28.

“Dark” is a strong show, with a somewhat unsatisfactory ending, that is a victim of the online sound chamber: People who parrot the criticisms that they hear online, refusing to think for themselves and viewing their entertainment through a lens that someone else placed on them. Any issues I have with “Dark”, have nothing to do with comparisons to “Stranger Things” or any other show.

Bates Motel Finale

Spoilers for Bates Motel

I started the fifth and final season of Bates Motel soon after its premiere in February but just finished the last episode this weekend. The delay was not due to a lack of interest in the series itself, but more of a lack of interest in Kodi. I used the streaming service for any show that either wasn’t available on Netflix or didn’t have its latest season there. After dealing with the crash of one Kodi add-on after another, I grew sick of Kodi and then retreated exclusively to Netflix offerings for a long time.

Since I finished watching the first season of Hemlock Grove and Big Mouth, I finally made time to wrap up one of my favourite shows. This piece isn’t necessarily a review, it’s just an offering of some of the things on my mind after finally finishing.

Bates Motel was marketed as a “contemporary prequel” to 1960’s Psycho, and like some intended prequels I didn’t expect the events to line up exactly. The original film doesn’t give us too much about Norman Bates’s background, except the fact that he killed his mom and her lover out of jealousy. Seasons 1-3 were untouched territory in terms of Norman Bates’s development, and his relationship with his mother and other women.

While I detested some of the subplots in these seasons, mainly due to the terrible acting on display from the high school girls, especially Nicola Peltz as Bradley Martin. This woman has the ability to ruin anything she touches, whether it’s bringing down Bates Motel or adding to the misery of The Last Airbender.

Pictured above: One great actor, along with a black hole of charisma and screen presence.

I digress.

While Peltz’s acting was awful, Norman’s relationship with her actually explained why he would grow even closer to his mother. After pursuing a girl he liked, he was rejected and used. Then Norma was quick to take advantage of that and reinforce all of the negative ideas swirling in Norman’s head about other women. While Norman had a good relationship with Emma Decody, she became his “good girl” in a sense: The sweeter girl who he ignored. By the time Norman moved on from Bradley, Emma was moving on from him.

Seasons 3, 4 and 5 got us closer to the formation of the Norman Bates we see in Psycho. While it was always implied that Norman’s blackouts were another personality taking over, season 4 gave us our first real glimpse of Mother taking over Norman. When Bradley dies, Norma isn’t represented as a figure alongside him. She literally embodies him. This is similar to a moment where Norman confronts his uncle, Caleb, in season 2, but Bradley’s death actually shows us Vera on camera in Freddie’s place.

Followed by Bradley’s death:

With Bradley’s death at the end of season 3, one of the worst actors in the show is removed and more importantly, we get closer to Psycho. Norma and Romero get married in season 4, starting off for financial purposes and then developing into real love. At this point, I wondered if Romero would be the lover that drives Norman to commit a double homicide.

Later in the season we find out that Norman doesn’t kill Romero and Norma at the same time, but mother dearest does meet death at her son’s hands. This was a change from the movie mythos but one change I did not expect was Norman’s death at the hands of his brother.

From the beginning I assumed that any character not referenced in Pyscho would be dead by the time the show ended. I imagined that Norman would remain the only main cast member alive, managing the motel by himself as the show ended. This theory got thrown out when a character from the original film, Marion Crane was introduced. Crane, the infamous 1960 shower victim, was the series’s biggest callback to the film. While Crane didn’t serve as the victim in the show, she still played a part in events that sent Norman into full on Psycho territory.

Crane is replaced by Sam Loomis, another person that I was very happy to be rid of.

As I mentioned in a previous post about Bates Motel,  I was happy the show didn’t use the iconic score from the film (good quality uploads are hard to find online). Episode 5.6 became one of my favourites simply for how it handled this scene and for all the possibilities it gave us in future episodes.

Like the movie, Norman has unearthed his mother’s body and brought it back home. He is starting to wear his mother’s clothes and wig when her personality takes over, and for a part of the season it looks like he might avoid punishment for any of his crimes. Norma’s downfall is all tied to a moment of self-awareness and empathy that allows him to confess to his crimes, forcing the police to look into the whereabouts of his victims. By the time Norma takes the reins again it is too late.

Romero dies, mainly because his grief causes him to turn his back on Norman. One of the toughest characters on the show ends up bludgeoned and shot by a kid who’s neck he should have snapped when he had the chance. It is actually my favourite character, Dylan, who ends up being the hero and delivers the biggest shock of the show.

Bates Motel branches off, carving its own path and killing off Norman Bates. Norman gets to be reunited with his mother, while Dylan is reunited with his family. While it was still sad to see Norman die, it was the only way to end his pain and to stop him from harming anyone else. If he was constrained to a mental institution away from his mother for the rest of his life, he would have been miserable. If he remained free, with periodic killings of any woman that “Mother” viewed as a threat, then other people would end up suffering.

The relationship between Dylan and Emma was strained following the confirmation that Norman killed Emma’s mom, but I was happy to see that they remained a couple. Perhaps it would be more realistic that Norman’s actions drove a wedge between them. Then again, it is not like Emma met Norman due to Dylan. It was the other way around. Dylan can’t be blamed for bringing Norman into their lives and he can’t be blamed for what Norman did. Norma is more to blame for refusing to get help for her son, but Emma’s visit to Norma’s grave shows that she still loves and respects Mother.

It’s been a long time coming but I am happy to wrap up one of the few shows that actually continued to get better with each season.

Deadpool 2 Teaser Thoughts

You likely remember Deadpool’s  “No Good Deed” spot but we now have our first official teaser.

Like the first teaser, this one doesn’t show us too much and I don’t mind that at all. The majority of the time is actually occupied by a Bob Ross parody. I didn’t know the name of the painter but I immediately recognized the reference from Deadpool’s tone of voice and the wig. Like the first film, I am glad that Deadpool 2 embraces cross generational pop culture references, ranging from Aliens 3 to Hugh Jackman’s Wolverine. I also want to thank Ryan Reynolds for introducing me to the term “holy f***knuckles”.

The actual film footage gives us brief glimpses of Domino, Vanessa and most importantly, Dopinder. Deadpool’s conversations with Dopinder are some of my favourite moments so I am eager to see more.

Negasonic is back and looks better than ever. The colours in the costume from the first movie hinted at a classic X-Men costume but now it looks like we’ll get the real thing.

I know a lot of people though that the classic X-Men costumes couldn’t work on screen. I was one of them at but X-Men First Class changed my mind and this costume just affirms my belief that there isn’t anything wrong with some more colour. It’s a great nod to the classics, that also doesn’t come across as cheesy on screen. Since this film has a bigger budget I am also wondering if there will be more X-Men cameos or if there will be any reference to recent X-Men films like Apocalypse or Logan.

We also get a superhero landing in the film clips. There is plenty more material ripe for parody in the superhero genre so I’m hoping Deadpool makes use of all its ammunition. Since David Leitch (co-director of John Wick) is in the chair, I am sure the action will deliver so that is actually the least of my worries. The pessimist in me worries that since this film is no longer just a passion project with a (relatively) small budget, it might not have the same magic as the first. However, I am hoping it delivers.

Stranger Things Season 2 Review

Warning: Spoilers Ahead

Following up on my YouTube review, it’s time to share a more in depth review of Stranger Things‘s second season.

Season 2 picks up almost a year after the first. The lab and the upside down are still active. The gang (almost called them the Losers Club) are moving on in the absence of Eleven, although Mike is still struggling with the concept. Will is still haunted by visions of the Upside Down and it soon becomes clear that his visions aren’t all in his head. Meanwhile, Eleven has returned but is confined to one of Hopper’s cabins, for her own safety.

As with season one, the performances are one of the show’s most consistent and powerful redeeming qualities. Winona Ryder and our new Hellboy, David Harbour, return stronger than ever but the kids (or teenagers) continue to shine here. Millie Bobby Brown deservedly gets a lot of attention for her role as Eleven in season 1. Although her lines were limited she was still able to convey great emotion.

In season 2, Hopper has been teaching Eleven more english so the character gets to be more verbally expressive. We still have the facial expressions and other cues from season 1 combined with a character arc that sees Eleven acting on her desire to be free. She has gone from a system with no freedom (the lab), to more freedom with friends, and now she must try to adjust to Hopper as a parental figure who is trying to protect her from men who still want to find her. The relationship between Hopper and Eleven is actually one of my favourite parts of this season and their fight in episode four is one of my favourite moments. It is a conflict where you can empathize with both characters. Eleven understands why she must be kept hidden but after almost a year she is wondering when she will finally be free, and vague declarations of “soon” start to wear thin. Meanwhile, Hopper realizes the danger she places them in by leaving the cabin. His attempts to discipline her are met with pushback that makes you realize how dangerous Eleven could be without a conscience.


Despite my love for Eleven, Noah Schapp steals the show here as Will. Although the first season revolved around Will’s disappearance, Will had few lines and relatively little screen time. Here, Will is truly part of the group. For lack of a better term, Will is possessed and his conflict with the monster inside him is a lynchpin of the plot but also allows him to shine. I don’t think people are exaggerating when they say he deserves an Emmy nomination.

Let’s move on to some of the show’s weaker points.

Episode seven, which focuses on Eight and her gang, gets a lot of hate and I can understand why. The episode comes after a cliffhanger in the previous episode, serving as a full 40 minute cutaway that takes us away from Hawkins and the approaching demo-dogs. Due to its timing, the episode can almost come across as filler. Filler is exactly what made me stop watching The Walking Dead. 

I don’t consider episode seven filler, but I must say that it would likely have been better received if Eight was mentioned or referenced a few more times before episodes six and seven. We see Eight in episode one and then she is pretty much MIA until episode seven. I liked the episode itself since it offered a great view of what Eleven could have become. Eight never found the same type of friends and family Eleven did. Eight found other outcasts who stay on the fringes of society, sticking to a limited circle either out of choice or necessity. Eight is guided purely by vengeance, while Eleven’s search was about finding family and getting closure.

Aside from the lesson of the episode I found the episode itself entertaining. I will say that Eight’s gang wasn’t as interesting as Eleven’s. Of course I could be biased since we don’t get as much time with them, but even for an episode the characterization seemed paper thin e.g. the big one, the crazy one etc.

I remember watching season 1’s sensory deprivation scene and thinking that Barb’s death was somewhat glossed over, “gone”. It was great to see the impact her death continues to have on Nancy and Barb’s parents. Barb’s death also provides the plot lynchpin for the group to attack the lab publicly, without having to mention the upside down or anything else that might make them look insane.

For the people who hated that Nancy and Steve stayed together at the end of season one, your prayers were answered this season. I was actually happy that Nancy and Steve were still together at the start of this season. It would have been far too cliched for Nancy to switch that quickly from the jock to the quiet, nerdy guy the jock picked on. Steve was a tool at times in season 1 but he proved himself to be a good person by the end of it. Season 2 gives Steve more heartbreak but also lets his character develop more. Like Will, he is one of the biggest benefactors of this season.

An even weaker point of this season?

Now, the Duffer Bros. said they wanted to introduce a new human villain who wasn’t connected to the lab. Okay, but I think this kind of conflict works best if it also drives the plot forward. For example, perhaps Eleven could have come across someone who begins to threaten her anonymity. Max and Billy’s actors are competent enough, but their impact on the plot is miniscule. The love triangle that started early on in the season between Max, Dustin and Lucas fizzled out pretty early. Billy’s conflict with Steve culminates in the fight at the house, and the ultimate outcome of that fight is that Steve is forced to escort the kids into the tunnels. Steve could have been forced into this some other way. Originally I thought that Max and Billy may be Soviet spies, since Cold War conflict was hinted at throughout the season. If season 3 offers no further revelations about their characters then it seems like their characters were truly random editions.

Their screen time also detracts from more screen time for other characters. Lucas was defined by his relationship with Max this season and it would have been nice to see more of the group together helping Will.

The climax wasn’t boring but I would actually argue that it wasn’t the season’s most exciting point. No main characters died throughout the show’s run so it was clear that Sean Astin’s Bob would likely be a red shirt. Sorry superhero.

Thankfully, Barb’s death was enough to get the lab shut down.

Although Joyce Byers has her boys back, looks like she still needs some luck with men.

Watching Hopper mow down demo-dogs was pretty awesome and Eleven’s brief moment of “flying” made me wonder if she’ll go full Neo in season 3.

We’ll see I guess.

While Max and Billy are proof that more is not always better, season 2 delivers for the most part. It builds on threads from the previous season, develops characters more, answers more questions, raises more questions, and offers more thrills.

Alive: Part II

For any new readers or those who haven’t trawled the archives, I have begun working on my fourth book again. It is a continuation of the werewolf story I told in the third, “Alive”.

Due to numerous things I am looking into at the moment, especially hunting for a new place, my time has become more limited and I’ve had some trouble writing one page a day as I originally intended. Now I aim to write an extra page a day for everyone missed (e.g. miss 5 days, write 5 pages the next day). I began working on “Alive: Part II” months ago, beginning with writing 500 words a day. I continued with this pace for a few weeks until I eventually stopped, due to a tighter schedule and excuses on my part. I realize that I can’t use a busy schedule as an excuse not to write. One week without writing can quickly morph into months. I originally intended to finish a draft of Part II  by the end of this year, but that will likely have to be moved to March 2018. I now realize that committing to a smaller amount and staying consistent can still pay bigger dividends than aiming higher and falling off earlier.

I began watching Hemlock Grove recently, mainly because I wanted to see more of Bill Skarsgard after his performance in It.  The plot involving a vampire (Skarsgard) and a werewolf teaming up to investigate a series of grisly murders was also appealing. Basically, it seemed like an awesome concept that Twilight could have been if it wasn’t bogged down by teen love and Mormon wish fulfillment.

I nearly gave up on the show, mainly due to the acting. Skarsgard has apparently developed a lot as an actor since the show’s first season at least. Famke Janssen’s performance is hampered by an English accent that either comes and goes, or is just overdone. Four episodes in, and one of the strongest actors is the actor who plays the werewolf, Landon Liboiron. Hearing about the mythos again actually motivated me to make sure that I stick to the task of completing Alive: Part II. The transformation scene is also a memorable and painful looking one that makes me wish I could have thought of it first.

Hemlock Grove fortunately is focusing on its fantasy mythos early on in the series instead of the high school drama that the character’s ages lends itself to. I’ll stick with the series and see how it goes, and will probably revisit for inspiration as I try to craft a werewolf story that someone aside from myself will also read and enjoy one day.