Joker Origin Movie

Art by Bosslogic

Yesterday it was announced that Martin Scorsese will produce a Joker origin film.  Todd Phillips (The Hangover) will direct and co-write with Scott Silver (8 Mile, The Fighter).  The role of the Joker will be recast, with a different and likely younger actor portraying The Clown Prince of Crime.

Firstly, I have to say that Jared Leto’s portrayal of The Joker in Suicide Squad has not held up with repeat viewings. In terms of his mannerism and speech, his Joker comes across as a more muted version of Jim Carrey in Ace Ventura. The laugh was pretty good and the look grew on me, but aside from that I no longer look on his portrayal as favourably as I once did. This assessment isn’t in relation to Heath Ledger, Jack Nicholson or any other portrayal. It is just my subjective assessment of one actor’s performance.

Due to my critique of Leto’s performance I am more than happy to see someone else portray the character. Scorsese’s name is being used to hype this project, but I don’t want to get too excited about that since he is only a producer. Let’s not forget that Steven Spielberg produced Transformers. However, I am hoping that the film does take more cues from Scorsese since the filmmakers are apparently aiming to capture the gritty, hard-boiled feel of 80’s Scorsese classics like Taxi Driver. Let’s hope Scorsese actually has a more hands on role as producer if the film is actually inspired by his work.

I can already hear people complaining about the tone the film is aiming for, especially since a Deadline reporter has labelled it as “dark and gritty”. The “make it fun” mentality affect all characters, even ones where darkness is appropriate.  The Joker isn’t meant to be Tony Stark funny. Let’s ignore those people. I remember people saying Ben Affleck’s Batman looked too depressed when the first picture was released.

Now let’s move on Phillips, who seems like an odd choice. Aside from The Hangover trilogy, his most recent work is War Dogs (2016). I have not seen the film yet but I understand that it does delve into a more serious arena,  unlike some of his other work, such as Starsky and Hutch (2004) and Old School (2003). Now, I don’t want to judge a director just by his previous work but if War Dogs is Phillips’ most serious film to date, it makes me wonder why he was selected. Hopefully he is a fan of the material or is excited about who he gets to work with, which could give him the motivation to make something special. Some of Peter Jackson’s work prior to Lord of the Rings would probably have lead most people to think the (original) trilogy would be awful but Jackson created modern classics. I am hoping we can get some of the same magic here. Silver’s writing should also help the transition if The Fighter is any indication.

I have already seen some terrible fan castings for this film, including Taylor Lautner as the Joker. Everyone assumes that since Heath Ledger surprised us with his performance, ANY actor will do the same. Ledger was the exception to the rule. Don’t throw out awful choices and keep appealing to the same logic. One fan casting that I actually agree with is Jake Gyllenhaal. If you have not seen Nightcrawler, do yourself a favour and watch it right now. Gyllenhaal’s character isn’t as psychotic as The Joker is but the ingredients are definitely there. Aside from that, the film also demonstrates Gyllenhaal’s range as an actor. If the film is using The Killing Joke as its source material, or inspiration, then Gyllenhaal’s range can also bring Jack Napier to life. Alan Moore’s graphic novel gave us the most popular Joker origin story, showing us how Jack Napier, a failing comedian with a pregnant wife, had one bad day changed his life. The Killing Joke, aside from being popular source material, can work well with the hard-boiled crime film the filmmakers are aiming for.

What are your thoughts on this project?

Who would you love to see as The Joker?

Wonder Woman Review

Wonder Woman is an origin story of sorts for Diana Prince a.k.a Wonder Woman (Gal Gadot), the Amazon who leaves her home island of Themyscira to venture to aid the Allies in World War II. She is accompanied on her journey by Steve Trevor (Chris Pine), an American spy who crash landed in Themyscira after escaping from the Germans with information on their new super weapons.

I originally planned to see Wonder Woman on Tuesday, and after some delays I finally got around to it last night. The film made headlines for being the first DC Extended Universe (DCEU) film to get good reviews, currently sitting at 92% on Rotten Tomatoes. I’m not one to blindly follow reviews, but I know a lot of other people do. Relatively poor reviews for Man of Steel and horrendous ones for BatmanvSuperman led Warner Bros to force changes onto Suicide Squad that ultimately made that film worse e.g. cut out the abusive Joker and Harley Relationship, overload the film with songs to lighten the tone.

With that said, I realized that Wonder Woman was carrying the DCEU on its shoulders. This film needed to rekindle hope for the studio executives and the general audience. Did the film live up to the hype? I will say that it wasn’t amazing, but it was pretty good.

Firstly, any regular readers will know that I despise the obsession with “fun” that is rampant these days, especially when it comes to comic book films. The Marvel Cinematic Universe has a whole is committed to keeping the films light, with Kevin Feige saying the films will never be dark. There is no better example of this than Thor: Ragnarok (the Asgardian term for Doomsday) being rewritten just to lighten the tone. I have no problem with levity and fun, but it is always better when it actually fits the situation and the characters. It gets tiresome when every serious moment or line is undercut by a one-liner.

Wonder Woman definitely has more levity and “fun” than MOS and BvS, but is darker than Suicide Squad. Yet it is still better than Suicide Squad. Point being,  “fun” is not a guarantee of good, “dark” is not a guarantee of bad, and I hope studio executives don’t see Wonder Woman’s success as the sole result of its lighter tone.

The humour does work well in the film, mainly playing off Diana as a fish out of water in “Man’s World”. Gal Gadot truly shines when portraying Diana’s childlike curiosity and innocence as she learns more about Man’s World. Her performance is weaker when the script asks more of her. Fortunately, she is assisted by Chris Pine. After seeing Pine as Captain Kirk in the new Star Trek films I knew he would be great in this role and he didn’t disappoint. The character of Steve Trevor has often been used as comic relief and Pine nails that, while also deftly handling the more serious moments. Pine and Gadot are also assisted by their own rag-tag group, amongst which Sameer (Said Taghmaoui) is the stand out.

One issue that the DCEU, like the MCU has had, are its villains. The MCU has Loki as its standout, and the DCEU is still trying to find its own. On repeat viewings, The Joker is underwhelming (not just due to his screen time), Doomsday’s weak CGI and tacked on introduction didn’t help his case, and Lex Luthor…they should have cast someone else. General Zod is one of the DCEU’s better contenders, a competent villain but not a very memorable one.

Wonder Woman fights against the Nazis here, with the main focus on General Erich Ludendorff (Daniel Huston) and Isabel Maru a.k.a Doctor Poison (Elena Anaya). Although Ludendorff has more screen time, Doctor Poison was more memorable. Her mask probably helped to add to her screen presence, and I’d much rather see a slew of Doctor Poison costumes for Halloween this year than the Harley Quinn epidemic of last year. Not to take anything away from Huston either, his German accent is a bit hokey at times but overall he was enjoyable, with he and Doctor Poison forming a Joker/Harley dynamic.

Diana also has a more personal villain in the film. Many people may already know the villain I’m referring to, but I won’t delve into him too much to avoid giving too much away. Overall, the final villain’s reveal and the final fight scene could have been handled better.

A consistent issue with the DCEU has been its third act. Man of Steel still offers the best third act fight scene in my opinion, with Wonder Woman coming in second. Let’s not talk about Suicide Squad. Like BatmanvSuperman and MOS, WW’s last fight scene is somewhat hampered by some cartoonish effects. The effects in this sequence were more jarring since the visuals and action were pretty impressive up to this point. We don’t truly see Diana fight as Wonder Woman for at least fourty minutes into the film, but the fight is well worth it. I also didn’t feel like the film dragged up until this point or any other in the film.  Aside from some poor effects, my only issue with the fight scenes is that slow-motion is overused at times. Otherwise, the action is fast-paced and well-choreographed. Let’s not forget the score, with the Wonder Woman theme being reminiscent of the Donner Superman one in terms of the excitement it generates.

Wonder Woman offers action, levity and some great performances. Wonder Woman also doesn’t shoehorn in any links to other DC characters. The only reference to another member of the Justice League is an organic one that helps to tie the story together and give an ending that has all the “hope” so many people say the DCEU is lacking. I walked out of the theater more excited about Justice League and the other DCEU films, while also hoping that the stories don’t end up being hampered by the “fun” mentality. WW’s tone was a great mix of dark and light, not afraid to show the dark side of human nature while also countering with a level of optimism that befits the character. Superman helped to counter the darkness in Batman, and Wonder Woman helps to counter the darkness in both.

Wonder Woman- Saving The DCEU

Reviews have started pouring in and Wonder Woman looks like it is the DC Extended Universe’s (DCEU’s) first critical darling.

I have never been one to follow critics blindly, but this is still news that I am happy to hear. In my opinion, Man of Steel was a decent (7/10) film hampered by some weak acting and some pacing issues. Batman v Superman came across as a rushed buildup to the Justice League, with a terrible portrayal of Lex Luthor and a weak third act. Suicide Squad… let’s just move on.

Box office success is always imprtant to fans since a film is more likely to spawn a franchise if it is financially successful. If a film is not intended to be a franchise, financial success can still be good for fans since it is validation that other people watched something they enjoy. This is easy to understand but people often seem confused about why fans care abor critics. While the reviews may not impact my own enjoyment of a single film, they can have implications for a franchise. Batman v Superman nearly grossed one billion dollars but was still considered a box office disappointment rellative to expectations. Suicide Squad was a success financially but was critically panned. A string of films like this can cause studios to lose faith in directors or an entire film universe e.g. all the fanboys crying for the X-Men rights to back to Marvel after X:Men Apocalypse.

Wonder Woman is a chance to prove that a female led superhero film can be a critical and financial success, and that the DCEU ship can right itself. People who may have lost interest in the DCEU before, will be more likely to see Wonder Woman. If they like Wonder Woman, they’ll be more likely to see The Justice League, and so on. The DCEU can’t really be considered a failure prior to Wonder Woman, but it didn’t appear to be headed in the right direction.

One of my worries is that the good reviews are attributed SOLELY to the lighter tone. Wonder Woman‘s “fish out of water elements lend itselt to comedy; and Steve Trevor has always been depicted as comic relief as well. I have no problem with humour, but hate when it becomes part of a formula that ultimately waters down an entire world. The mentality that the DCEU films just need more “fun” is rampant online. Even The Rock expressed this mentality when discussing bringing Black Adam to the big screen. “Fun” does not fit Black Adam at all, so now we’ll likely get a bastardized version of the character. MOS and BvS are always criticized for their “depressing” tone but let’s not forget that the lighter Suicide Squad was an even worse film (according to RT).  “Fun” is not the only ingredient for good, and also does not have to be an ingredient for good. The Justice League trailers feature some humour that comes across as a cheesy response to all the MOS and BvS criticisms: “We added jokes. People will love it now.” Let’s hope the desire to add “fun” doesn’t overshadow other issues the previous DCEU films had.  There is a tendency now to tie unrelated elements of the writing back to “fun”. “Fun” becomes the root that all quality springs from in some people’s minds.

With that said, I am eager to see if Wonder Woman lives up to its hype.

Justice League Trailer Thoughts

Geoff Johns was kind enough to share the new Justice League trailer with twitter this morning.

So let’s get this out of the way. I am not a Marvel v DC person. Obviously I realize there is competition between the two brand and their related movie studios. However,  I do not condone the childish mindset that I can only like the movies from one group. My favourite comic book films include DC and Marvel properties, ranging from The Dark Knight, X:Men DOFP to Captain America: The Winter Soldier.

With that said, I am cautiously optimistic about Justice League. I love the characters, especially Batman, but BatmanvSuperman and Suicide Squad have left a bad taste in my mouth. Don’t get me wrong, both films had great pieces and great moments. Overall. they felt short. Both had weak villians and weak third acts, along with some other issues.

As I watched this trailer I forgot about that for a moment. There is still no sign of Superman but I’m sure we’ll see him in the film. I am glad this film didn’t reveal too much about the plot or reveal the villain yet. We know it will be Darkseid’s uncle, Steppenwolf, and we get some glimpses of parademons (presumably) in this trailer.

From what I understand, Cyborg’s armour is derived from alien technology in the newer comics. It looks like his armour comes from a motherbox, a teleportation device Darkseid’s forces use. This motherbox appears to be the gateway that allows the parademons to reach earth. If this is the case, Cyborg could have a central role in the film and I am hoping the script and the actor can deliver.

To start, there is a lot of CGI in this trailer. Obviously that has to be the case for the visuals this story needs. The Flash looks amazing so far and his scenes are some of my favourites from the trailer. However, this trailer reminds me of 300 with the amount of computer generated backgrounds and surroundings. The scene with Batman fighting a parademon sticks out in my mind as one of the worst offenders. Maybe I wouldn’t notice as much if some of the effects looked better. Hopefully the effects are cleaned up by the time the film begins. Cyborg looks better than he did in the comic-con footage so I am hoping there is still time to improve the visuals.

With that being said, the visuals weren’t my greatest concern going into the film. Steppenwolf will hopefully provide a better villain than Doomsday, Luthor or Enchantress. This should help to strengthen the third act but won’t necessarily be enough. If the third act is just a fight filled with poor special effects, that can also cause the audience to lose interest, like I did with the last fight in BvS.

I am also hoping the desire to add more “fun” doesn’t ruin the script entirely. Obviously some characters are more light-hearted than others. However, Barry Allen has pretty much been turned into Wally West in terms of their personalities. Meanwhile it looks like they are trying to turn Bruce Wayne into Tony Stark. Obviously Bruce Wayne has the carefree, obnoxious playboy persona but the real Bruce Wayne has a drier sense of humour than the one we’ve seen so far.

Okay, time to be more positive.

Aquaman is one of my favourite superheroes, and is severely underrated by the general audience and even some comic book readers. Jason Momoa, as well as the writers, look like they’ll remedy that. I am sure that Aquaman or Flash will end up being the breakout stars of this film and possibly even the franchise. My only worry is Momoa’s acting skill, which isn’t that great from what I have seen so far. That doesn’t detract from my man crush, but it does bring up a possible issue with the film. We’ll see how he does.

In general, the action looks pretty awesome. Looking past the issue of the CGI, it looks like we’ll see some creative and memorable action sequences. It was great to see our first glimpse of J.K Simmons as Commissioner Gordon, and hear a reference to Robin since Batman is “playing well with others” again.

I can’t deny my excitement at seeing my favourite superheroes on screen together and I hope Zack Snyder delivers a film that lives up to the hype.

 

Matt Reeves To Direct The Batman

Note: For an abridged version of this post, check out my YouTube video.

About a month ago, Ben Affleck stepped down from directing The Batman, which does not yet have a release date. Matt Reeves (Dawn of the Planet of the Apes) was circling the role for a few weeks and it is now confirmed that he will direct, using a script from Chris Terrio. There  were reports that Geoff Johns and Affleck wrote the script but there has been no mention of that in recent reports concerning Reeves. However, Affleck and the studio apparently approved Terrio’s script. The new script is likely a composite of Johns, Affleck and Terrio’s work.

Ben Affleck made it no secret that he detested all the questions he received about The Batman while promoting other films, such as Live By Night. There was a lot of speculation that he would leave the directing role, and his role as Batman due to the pressure to please a horde of nitpicking comic book fans. For now, Affleck is still signed on to produce and act, and I hope it stays that way. Some reviews of Live By Night say that the film suffered from Affleck trying to do too much as an actor, writer and director. I can’t help but notice his original decision to step down coincided with the flood of negative reviews for Live By Night. Hopefully stepping down from directing The Batman as a move that is meant to alleviate some stress, but also ensure a better film.

The Batman is still my most anticipated DC solo film, and I hope it delivers the quality film that DC fans have been waiting for. Hopefully some of the other projects deliver that prior to The Batman as well. Man of Steel was decent, and BatmanvSuperman had the potential to be amazing. Instead, we get a terrible portrayal of Lex Luthor and a rushed version of Doomsday. Suicide Squad gave us some things to love, like Deadshot and Harley Quinn, and a lot to hate as well. I’m looking at you Enchantress, Incubus, most of the third act etc. Each film had great moments, and even stretches of excellence, that couldn’t elevate the entire film.

One of my favourite scenes from BatmanvSuperman

As I’ve said many times before, the DC Extended Universe (DCEU) has issues, but the tone of their films is not one of them.  Reeves last few films demonstrate that he knows how to handle a dark tone. People can complain about the need for more “fun” in the DC Universe, thanks Dwayne Johnson, but I think we can all agree that darkness fits a batman film. Aside from Dawn of the Planet of the Apes, Reeves also masterfully wrote and directed Let Me In (2010). The film is based on a revered book, but we have all seen great source material turned into subpar films. While Apes was also amazing, I think Let Me In is a better example of Reeve’s creative skill since it addresses a big issue I have had with some DC films and films as a whole.

When a great director creates a poor film people are quick to argue that the director was hampered by a poor script. From what I understand, the director can override the writer. The director shouldn’t be a drone mindlessly translating a script to film. he is supposed to utilize his own discretion to oversee what he films. Zack Snyder has numerous “story by” credits on IMDB, which is the same credit given to Christopher Nolan for Man of Steel. From what I have researched, “story by” is just a credit given to someone who came up with the basic plot of the film:

Superman’s fight with Zod makes people distrust and fear him, including Batman. Batman then forms a plan to take him out, but Lex Luthor has his own plans as well.

This basic plot could be conveyed in some form other than the screenplay, such as a “treatment” or short story.

In comparison, the screenplay credit goes to the person who actually crafts the dialogue and fleshes out the characters. Snyder’s only two “screenplay” credits are for Sucker Punch (2011) and  300: Rise of an Empire (2014). I tried watching Sucker Punch, I couldn’t finish it and I have consistently heard that Rise of an Empire is dramatically inferior to the original film. I don’t like to base my opinions solely on the opinions of others, since I would have avoided BatmanvSuperman like the plague if I did. If you believe that I am mistaken about Rise of an Empire, let me know. My point, is that a director who is also a strong writer should be able to expertly exercise his own discretion with the material he is given in order to create a great film.

While the director can override the writer, the studio can override the director. This has already happened with Bvs and Suicide Squad. The uncut version of BvS helps to flesh out Clark and Bruce more, while also clearing up some elements of the plot that didn’t make as much sense in the theatrical film. Meanwhile, the abusive Joker and Harley relationship was removed from Suicide Squad because the studio was worried it made things too dark (among other changes). The films aren’t perfect without these changes, but they are definitely better.

I am hoping that Reeves was able to negotiate for creative control over this project, so that the real filmmakers can craft something for the big screen that DC fans can be truly proud of. There are several other projects I am excited for in the meantime, especially Aquaman and I hope that The Batman doesn’t end up being one of the last hopes for a consistent and well crafted DCEU film.

Ben Affleck Will No Longer Direct The Batman Solo Film

It would be an understatement to say that BatmanvSuperman got mixed reviews from professional critics and fans upon its release. Some argued it was one of the best comic book films ever made, others regarded it as a cinematic travesty. Personally, I found the film to be average. Jesse Eisenberg’s performance as Lex Luthor and the film’s third act were its greatest weaknesses in my opinion. The film asked interesting questions and had some amazing scenes, which made it even more frustrating that the entire film couldn’t be as powerful.

One thing that many people agreed on, whether they liked the film or not, is that Ben Affleck’s performance as Batman was amazing. Of course, there are some haters but many negative and positive reviews single out Affleck as a redeeming factor.

After Affleck’s portrayal many fans were excited to hear that he would be behind the camera and in front of it for the Batman solo film. Unfortunately, that dream will not come true. Perhaps we should have seen this coming. There was meme after meme making fun of Affleck’s apparent irritation with being asked about Batman, and even Affleck’s own statement that constant questions about the film are a “pain in the ass”.

Affleck says he is still committed to the film as an actor and producer, but feels like he would be unable to handle all three aspects well. Some may think this decision is tied to the recent box office and critical disappointment of Live By Night, but I believe that the attention this film received may have made Affleck hesitant to take on all the key responsibilities.

Now the question is who will direct this film. I feel that if Snyder were to direct, it would get a poor reception from the film geeks simply due to his name being attached. If IMDB is any indication, many people consider him one of the weakest cogs of the entire DC Extended Universe. It’s true that he is mainly a visual director, but I think he can do a great job if he also has a great script.

Earlier reports indicated Affleck and DC Comics Geoff Johns were writing the script for the film. While Live By Night may have faced less critical adoration that Gone Baby Gone, The Town or Argo I still like the odds of getting a good script from Affleck. Geoff Johns’s work with the New 52 has faced some mixed reviews but I am willing to give him the benefit of the doubt for this script as well.

Off the top of my head, I would love to see what Denis Villeneuve would do with a Batman film. This is pretty much a pipe dream but I had to share it. I have not see Arrival yet, but Sicario and Prisoners, and love how he handles morally grey characters. Not to mention that his cinematography is amazing and is what made me think of him directing a Batman film.

Many of the best films I have seen relatively recently have not been from directors I knew or expected much from, with Deadpool and Ex-Machina being the best examples. Maybe Affleck’s decision is a blessing in disguise. Some new blood could be exactly what the DCEU needs.

The Rock Will Lead a Black Adam Solo Film

Deja Vu

As I discussed recently, Dwayne “The Rock” Johnson had a meeting with DC Entertainment to discuss the upcoming Shazam film slated for a 2019 release.  Years ago, The Rock was cast as Black Adam, the film’s villain. Little was heard about the project until The Rock’s meeting with DC, and today we have even bigger news.

Black Adam will get his own solo film, prior to the introduction of Captain Marvel (a.k.a Shazam) in a later film. Some people love this idea, I am not one of them.

I don’t believe that The Rock is a great actor, but he is still one of my favourites. His charisma is off the charts and Ballers shows that he is also developing as a more serious, dramatic actor. I follow his Instagram religiously and respect his work ethic above all else. With that said, this move comes across as one fuelled solely by Johnson’s star power. The official reason provided for the solo film is that Black Adam has a very interesting backstory that the film-makers want to have room to tell. Johnson also says that is the main reason he wanted to play Black Adam, as opposed to Captain Marvel (he was offered both parts).

However, that reason seems like a smoke screen used to rationalize a move made with star power in mind. Some people argue that it doesn’t make sense for Johnson to play a villain opposite another actor, instead of a lead. Maybe they would have a point if we weren’t living in the golden age of comic book films. Big name actors (measured by pedigree or box office power) have all had relatively small parts in comic book films, compared to relative new comers. Spoilers for The Winter Soldier: Chris Evans gets his Captain America franchise while Robert Redford plays a villain who gets killed off at the end of the film. Jamie Foxx played Electro in The Amazing Spider-Man 2. No one said Scarlett Johansson’s star power warranted her getting a Black Widow solo film before The Avengers, and Black Widow’s backstory is also very interesting.

Black Adam may have a great backstory and he may be a great character, but he was a character created for a hero. The Joker is my favourite villain and while I love his origin in The Killing Joke, I wouldn’t want to see a Joker solo film before a Batman film. Part of what makes many villains so great is their interaction with the hero. The push and pull between different conceptions of right and wrong, the way that the characters provide foils for one another.

Additionally, The Rock emphasized that DC films would now be bringing more “optimism, hope and fun”. That does not fit with Black Adam’s backstory or his persona as a whole. If this will be a story about a slave rising to power, I hope the writers don’t throw in one-liners simply to add some “fun” in.

The Rock and DC Comics- Tonal Change

Two days ago, The Rock posted to Instagram about a meeting he had with DC Comics concerning the DC Extended Universe (DCEU). The Rock was announced as a lead for the DCEU’s Shazam (yes, the hero is actually called Captain Marvel but due to copyright issues he is just Shazam at the moment) adaptation, playing the role of the villain Black Adam.

However, there has been little word on the project since then. Henry Cavill posted a picture of he and the Rock sharing a drink in late December, fueling speculation that The Rock would make an appearance in the next Superman solo film, especially since Cavill hinted at bright things for the future.

The Rock is one of the few stars who can engage audiences off charisma alone. He is not the greatest actor, but his work on Ballers shows that he is developing. I am excited to see that the project is coming together slowly but The Rock’s summary of the meeting leaves me slightly worried.

“Had a very cool and strategic meeting with the heads of DC about their entire universe. As a hard core DC fan, to get a real sense of the tonal shifts and developments coming in these future movies has me fired up. Something we, as DC fans have all been waiting for for a very long time.

Hope, optimism & FUN.

Even when talking about the the most ruthless villain/anti-hero of all time finally coming to life. Prepare yourselves DC Universe.”

I have discussed the obsession with making comic book films “fun” before and how this belief is founded on nonsensical assumptions.

“I am not anti-fun or anti-humour. I simply do not like it when the device is overused. While some Marvel films have juggled it well, such as The Winter Soldier (2014), the Thor series has been severely brought down by terrible and consistent one-liners imho. While Loki’s humour is handled well, Jane’s (Natalie Portman) and Darcy’s (Kat Dennings) end up being the Jar Jars of the franchise. My problem is not only the overuse of humour, but how Marvel has successfully conditioned people to believe that this humour is the mark of a good comic book movie. Nowadays, any film that lacks the same level of levity is deemed too “dark”, “gritty”, “depressing, “brooding” or “pretentious”. A lot of the criticism levied towards Man of Steel (MOS) before it was even released came from this misconception. The trailers were serious in tone, nothing about them screamed “dark” or “brooding”, but people were so used to Marvel’s marketing by this point. The MOS trailers did not have enough one-liners, enough levity in comparison to Marvel’s trailers, so people were thrown off. Everything is relative, and since the MOS trailers were found to be lacking in humour, they were immediately deemed too dark.

This brings up another issue I have with Marvel’s brainwashing. I often hear people throw around the word “dark” like it is an insult in itself. As if saying a film is dark is as bad as saying the acting was terrible, the writing was terrible etc. A film can be “dark” and also be good… While Marvel has darker material in some of its films, and has Netflix shows with much darker tones (Daredevil, Jessica Jones) it appears that Marvel’s status gives it more room to experiment than any other property has. Marvel’s trailers, films and tv shows can have darker tones without people complaining about them trying to “copy Christopher Nolan”, “not being fun” etc. While Marvel is allowed to experiment, change and adapt, DC is now forced to appeal to Marvel sensibilities in order to be less divisive among audiences.”

You don’t have to tell me that BatmanvSuperman (Bvs) of Suicide Squad (SS) had issues. The villains and third act for both films sucked. Some dialogue was weak, some acting was weak, Eisenberg was a terrible Luthor etc. I am not a DC “fanboy”. I don’t think that DC can do no wrong. I just hate the fact that people believe that the solution to these films is to make them more “fun”. Some of the things added to SS to make it more fun, actually made it worse, such as the overly abundant musical segways. The emphasis on adding more “fun” in could cause the writers, directors, studios etc. to overlook other issues, such as a weak villain or weak storytelling (which is not always tied to tone). Like this writer says, “‘Justice League’ Is Reportedly “A Mess” & That’s Fine, As Long As It’s a Fun Mess.” Words can not describe how much I detest this mentality. Sadly critics and audiences will probably love the film more for its tone even if everything else is terrible.

The Justice League trailer already had me worried that the studio is putting even more pressure on the directors and writers to lighten things up. Bruce Wayne seems completely out of character, and so does Barry Allen. Wally West (Allen’s nephew-in law) is the version of The Flash that is known for being comic-relief. Allen is a more serious character, but it seems like the writers have just changed Allen completely in order to get more room for humour. Wayne can be funny as well, but I find his humour is best when it is done similarly to the dry humour we’re familiar with from Alfred.

One of the best examples of Batman’s humour, in my opinion, comes from the animated film Superman/Batman Apocalypse. After a newly arrived Supergirl damages $50,000 worth of batcave equipment, Superman asks Batman to send him the bill.  Batman then says: “On a reporter’s salary, right.”

That kind of humour adds levity, without coming across as out of character. Unlike the “more or less” exchange in The Justice League. That is the issue I have with some of the “fun” people insist on, especially because people normally ask for fun because DC is dark relative to the Marvel Cinematic Universe (MCU). When there is an insistence on having “fun” in every scene it can just kill dramatic tension. As Jeremy Jahns said in his review of Doctor Strange, “Sometimes I want an epic moment instead of a funny one.”

 

 

 

Third Time The Charm for The Flash?

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The Flash (2018), starring Ezra Miller, was originally going to be directed by Seth Grahame-Smith. The Flash would have marked Smith’s directorial debut. Prior to his appointment as director, Smith served as a writer for the film adaptation of his novel Abraham Lincoln: Vampire Hunter. Smith seemed like an odd choice at the time but I didn’t want to worry too much since unlikely or unknown directors have made great films previously. A great recent example are the Russo Brothers and their work with Captain America: Winter Soldier and Civil War.

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Smith later left the project due to unspecified creative differences in late April. Five months ago, director Rick Famuyiwa (Dope) signed on to direct. This also seemed like an odd choice, since Rick’s latest work was far removed in terms of genre and scale. However, I realized that Dope‘s tone could work very well for a Flash film. Although Barry Allen’s stories are not always light-hearted a character as people may think (e.g. Flashpoint Paradox) there is still a lot of room for humour in the series. Out of all the upcoming solo films, humour belongs in The Flash the most. The Flash was also one of my most anticipated solo films, after The Batman and Wonder Woman.

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Today, Famuyiwa also left the project due to creative differences. I am sure there are other directors out there who can step up to the plate and do a great job. Having two directors drop out is worrisome, but I am more worried about what this can indicate. BatmanvSuperman and Suicide Squad both suffered from changes made by Warner Bros. in post production. The uncut version of BatmanvSuperman is much more coherent, and Suicide Squad had its first hour drowned in pop songs to make it more light-hearted.

I am now worried that the creative differences in both cases were due to ideas Warner Bros insisted on; ones that will bring the final film down yet again.  I am more worried about this since the creative differences pop up months after a new director is attached. It appears WB may like their original pitch but have more grievances as more directorial decisions come to light. I respect Smith and Famuyiwa for sticking to their vision and not becoming corporate slaves who simply want to make a blockbuster film for the exposure and money. I can’t imagine how hard that decision must be.

Another troubling aspect is that The Flash is set for a March 2018 release date. 2016 is nearly over and a director is not even signed on yet. Smith’s script is still being used but filming will obviously come to a halt without a director. The film will likely need almost a year to film, plus post-production. It is likely the release date could be pushed back at this point.

Let’s hope the third director is the final one. Will the studio opt for another unknown director, an indie one, or will they try to get a bigger name? The problem is that a bigger name may wish to stay clear of a project that two directors have already left. Any director may take two directors leaving as a bad sign. Plenty of fans do and events like this are also an early Christmas present for Marvel fans trapped in the “Marvel V DC” mentality.

Let’s see what happens.

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Deathstroke

Hello everyone,

Maybe this blog post is a little late but I figure better late than never. Two days ago, Ben Affleck posted this video on twitter. From what we get, it appears to be legit footage of someone in a Deathstroke costume.

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It appears to be footage from one of the cameras a director would use to review a shot. Additionally, the footage coincides with reports that Deathstroke would be the primary villain in the solo Batman film slated for a 2018 or 2019 release. It is unlikely that the film has started filming yet but perhaps the Deathstroke footage could be test shots or maybe Deathstroke has a small part in other DC projects, like The Justice League.

My first exposure to Deathstroke was in Teen Titans, where the mercenary was re-imagined as a criminal mastermind. It has already been revealed that the solo Batman film will feature numerous villains and that it will partially takes place inside Arkham Asylum. If so, it is likely that Deathstroke could be the main villain in the same sense that The Winter Soldier was the main villain in Captain America: The Winter Soldier: While the Winter Soldier is the greatest physical threat, he is ultimately a henchman of the film’s real antagonist. Perhaps Lex Luthor or The Joker employs Deathstroke to take out Batman.

The glimpse of the costume we see does look impressive and BatmanvSuperman already demonstrated that the fight choreography for this version of Batman is much more fluid than what we saw from Christian Bale’s version. This will undoubtedly lead to some impressive combat between Batman and Deathstroke. This is not to say that hand-to-hand fight scenes guarantee a good movie, but it is something that I am excited about.

Aside from the fight choreography, I also enjoy the DCEU’s depiction of an older, more cynical Batman. In many ways, this version of Batman was saved by Superman: showing signs of hope and faith in humanity again. My only worry, which was stoked by the Justice League trailer, is that subsequent DCEU films are all watered down in terms of tone and seriousness to avoid being called too dark. Suicide Squad already suffered from this and I am hoping that one of the most promising DCEU films isn’t brought down by this mentality as well.