First Factinate Article

As I’ve mentioned before, I recently started writing listicles for Factinate.

At the very least, the venture brings in some extra money but I am hoping I can leverage it for something greater. As of now, I at least have an article published on something other than my own blog. As they say, “progress, not perfection.”

25 Money-Making Facts About Hollywood Industry

 

Dark and Stranger Things

I recently finished watching Netflix’s “Dark”, knowing that it was drawing lots of comparisons to “Stranger Things”. After watching the show, I am reminded of the comparisons people made between IT (2017) and “Stranger Things”. Both involve kids, and both took place in the 1980s. That was pretty much it for the comparisons and that was enough for people to throw out words like “rip-off”.

With “Dark” and “Stranger Things”, both shows involve a missing kid and sci-fi elements. That is it for comparisons. The cast is mostly comprised of adults and teenagers, with a teenaged main character (as opposed to kids). There aren’t any sci-fi monsters in “Dark”, and the time travel theme is a far cry from what we got in “Stranger Things”.

If we always reduce a show or movie to its most basic elements, it is easy to compare just about any film to another one e.g. you can reduce The Dark Knight to a story about a man who lost his parents. Then you can compare it to a lot of other films that are actually nowhere near close. Although we have so much information available online people either don’t come across facts, or aren’t bothered to look up facts that clear up their ignorance. For example, all of the IT trailers (if I’m not mistaken) advertised the film as a Stephen King adaptation. Yet you still get idiots that said IT was inspired by “Stranger Things”, when in fact it is the other way around. Pacific Rim got compared to Transformers simply because they both have robots, even though the plots are actually very different, and the inspiration for Pacific Rim came from a 1958 anime called Tetsujin 28.

“Dark” is a strong show, with a somewhat unsatisfactory ending, that is a victim of the online sound chamber: People who parrot the criticisms that they hear online, refusing to think for themselves and viewing their entertainment through a lens that someone else placed on them. Any issues I have with “Dark”, have nothing to do with comparisons to “Stranger Things” or any other show.

Black Mirror: USS Callister-Bullied Becomes The Bully

Note: Happy New Year everyone.

The past week has been a dead zone with the holidays, but I am happy to return to this blog in 2018. As always, there are New Year’s Resolutions, but I intend to stick to these ones. I refuse to be like the horde of people who swarm the gym in January and February, before disappearing in March. Two of my biggest writing goals are to have something published in 2018, whether it’s an article or a poetry piece. The second is to complete my fourth book, Alive: Part II. I have already tried to get all of my previous works published but I realize now that it will likely be easier to get smaller pieces published, and use those to gain some traction for attempting to publish my novels.

Without further ado, I present some thoughts on Episode 4.1 of Black Mirror.

*******

I would be lying if I said that Black Mirror won me over instantly. While I was still enthralled by most of the first episode, the ending could have been a breaking point. I understood the purpose of the ending and the rationale but I could not help but be repulsed by it. Then again, that was the show’s intention. Black Mirror is this generation’s Twilight Zone and it would be a disservice to stop watching because it makes you squirm. At the most basic level, the show analyzes how technology affects the way we interact with each other. From my least favourite, The Waldo Moment (that stupid voice really got on my nerves) to Shut Up and Dance or White Christmas, technology is central to the stories.

Season 4 continues the trend with an episode that is dark but also lighter than many of the others. “USS Callister” is a story about wish fulfilment and escapism gone wrong, and those are the elements that I wanted to focus on in this piece. I wasn’t interested in doing a review, although I will say that the performances were great and that I loved the homage to Star Trek. The ending is meant to be happy but I can’t help but wonder if an infinity surrounded by online trolls is truly happiness.

I think anyone who has ever been bullied or ostracized could initially empathize with Daly. Of course, forcing the female members of Space Fleet to kiss him at the end of every game was undeniably creepy and I’m not going to defend that. What I could relate to more was a fantasy where you are a hero to your bullies. That is why I found it interesting that Daly is unquestionably a villain by the end.

In a sense, Daly’s escapism prevents him from asserting himself in real life. He hides behind technology to avoid confrontation. Many people do this, with the mentality that it is easier or more polite. Ghosting is just one of the many anti-social and spineless methods people now use in an attempt to avoid uncomfortable situations. However, uncomfortable situations are a part of life and it is impossible to mature without them. Instead of being more assertive in real-life, Daly goes to the other extreme in his modified version of Infinity. He goes from a pushover to a tyrant, when what he needed to become in the real-world was something in between.

His rejection by his peers guides him further away from them, and further into Infinity. As part of the vicious cycle, this only makes him more off-putting. The staring that causes Shania Lowry to avoid Daly, is implied to be part of his vetting process. He analyzes his potential subjects to see what objects he can steal in order to add them to his game. Of course, his staring is also a part of his fantasizing and the literal possessiveness that we see play out in Infinity. 

What I have always liked about Black Mirror and science-fiction as a whole is that it can use outlandish concepts to mask or examine relevant truths. “Hated in the Nation” attacks online mobs, “Men Against Fire” attacks prejudice and propaganda, “San Junipero” and “USS Callister” examine virtual realities.  Daly is no different than the online trolls who abuse others in order to feel a sense of power they likely don’t have in the real world, the supposed “Kings of Space”. As technology evolves, these trolls will evolve too. People will retreat further from the real, avoiding confrontation and the truth to hide deeper in their fantasies.

Del Toro Ago Exhibit

Note: Been a busy week starting a new job and looking for a place in a new city. I’ll also be celebrating the holidays over the weekend, but I should hopefully have another blog post up over the weekend.

I remember watching my first Guillermo Del Toro film, Blade II over ten years ago. I didn’t know it was a Del Toro film at the time but I remembered loving the story and the action.

I followed up Blade II with Hellboy. At the time, Hellboy was one of my favourite comic book films and although it may not be a top five, the Hellboy films and Blade II both stand as distinctive entries in the genre of comic book films. Blade II and Hellboy II also both contain great performances from Luke Goss as the villains Nomak and Prince Nuada respectively.

 

 

 

 

 

Nomak                                                                                                                  Prince Nuada

Pan’s Labyrinth was a masterpiece that combined historical fiction and fantasy seamlessly, combined with great performances and more of the stunning imagery and creature design I was introduced to in Hellboy. Finally, Pacific Rim gave me a live-action mecha film that I have been dreaming of seeing since I watched Gundam Wing as a child.

There are earlier works by Del Toro, such as The Devil’s Backbone that I have not yet seen. I have also missed newer releases such as Crimson Peak and The Shape of Water. After seeing the Del Toro exhibit at the Art Gallery of Ontario (AGO) I am making it a priority to travel through more of Del Toro’s filmography.

The exhibit “At Home with Monsters” began September 30th and will end on January 7, 2018. I caught the exhibit near the end of its run and I’m glad I didn’t miss it. The exhibit is not only a great tribute to Del Toro’s works, it is also an insight into his creative process and all of the influences that birthed his works. I don’t only recommend the exhibit to movie lovers or Del Toro fans, I believe it is also a must see for any creative mind.

“At Home with Monsters” uses real decorations and props from Del Toro’s own home (or one of them), which he refers to as the “Bleak House”. These props include life-size figures of characters from his movies, and my personal favourite, his “rain room”: a room with a simulated environment of a rainy day, where Del Toro likes to spend a few hours at a time writing. Many of the figures I follow, such as Ryan Holiday, will play one song on repeat in order to focus. I have adopted this strategy as well, playing a low-energy, repetitive song on a loop. After a few minutes, the song becomes part of the background noise but helps to block out other noises e.g. loud roommates. The rain room appears to have a similar effect, with the repetitive and consistent light drumming of rain on a window, complete with an artificial overcast sky outside.

Edgar Allan Poe and H.P Lovecraft emerged as two of Del Toro’s literary influences. While I read some of Poe’s works in school, I have yet to touch H.P Lovecraft’s works. This is not due to an unwillingness,  Lovecraft has been on my list for a while but this exhibit makes him a priority. Del Toro has expressed interest in adapting Lovecraft’s “At the Mountains of Madness”, going so far as to complete a screenplay for it. The exhibit featured a concept model of an ‘albino penguin’ for the film, which was basically a tall and pale penguin with puss infested eyes. Sweet dreams children.

I felt creatively motivated seeing Poe and Lovecraft represented. Both authors struggled to support themselves with their writing while they lived, but have since become legendary authors. I am not arrogant enough to assume the same fate will befall me, but their stories do give me motivation to continue working at my goal.

A theme of the exhibit, present in the Del Toro quotes plastered throughout, is that adulthood causes many people to lose their sense of wonder and creativity. Perhaps this is a cliche to some, but “At Home with Monsters” gives us a sense of what we can accomplish if we don’t let our curiosity die. A life-size statue of Poe reveals one inspiration, a wall of comics reveals another, a wall of novels reveals more… Del Toro’s works are the amalgamation of everything he consumed and continues to consume. His rain room is a childhood dream brought to life, the embodiment of someone who didn’t let go of what they wanted as a child. Del Toro didn’t only continue to dream, he continued to work at making his goal a reality, and that is what I intend to do as well.

Star Wars: The Last Jedi Review

Warning: This should be obvious but this review will have spoilers for previous Star Wars films

After seeing The Last Jedi yesterday, I am now ready to share my thoughts on one of my most anticipated films of 2017. While I believed The Force Awakens was a rehash of A New Hope, I still enjoyed the film and Rogue One also cemented my continuing interest in Star Wars lore.

I try to avoid reading or watching any reviews of a film before I see it, since I want to avoid going in with preconceptions. I also try to avoid social media as a whole since Han Solo’s death was spoiled for me by one of the attention-seeking denizens of YouTube. I wasn’t able to abstain completely prior to seeing The Last Jedi but I can only hope that I successfully subdue any preconceptions or at least acknowledge the impact they had on my viewing of this movie.

Episode VIII begins right where VII left off, cutting between the stories of Poe, Finn, Rey and Kylo Ren. I am happy to say that this film doesn’t come across as a complete rehash of Empire Strikes Back, although there are a few moments of similarity. The film’s strongest arc is definitely Kylo Ren’s, who is still dealing with the conflict of truly embracing the dark side. Rey and Ben shippers have a lot to moments to look forward to. Aside from the will they/won’t they moments, Episode VIII delves further into Ben’s past and his relationship with Luke Skywalker.

While the plot revolves around getting Luke to rejoin the Resistance, Luke is a reluctant mentor for Rey. He is a tragic figure whose past failures hinder his ability to move forward. There is plenty to love in the original Star Wars trilogy, but my enjoyment of them was always hampered by Mark Hamill’s subpar acting. Hamill has developed a lot as an actor since then, with a plethora of voice acting and live action roles separating his speaking roles as Luke in Return of the Jedi and The Last Jedi. Hamill is able to bring true vulnerability to the role, along with the wisdom expected from the last Jedi Master.

Aside from criticisms that may be reasonable, there is also a slate of alt-right vitriol since this movie has too many women and minorities for their liking. I always found it amusing that people who use the word “triggered” to insult others, are actually the most triggered. They will not be bothered by any of the issues present in “liberal propaganda” but it’s all hands on deck if a film set in another galaxy isn’t dominated by white males. I will ignore these people’s opinions, since they are no more valid than the thoughts of a flat-earther.

Andy Serkis puts in another great motion capture performance as Snoke, surrounded by a cast that delivers for the most part. Finn’s marketing bait and switch, from possible Jedi to bumbling comic relief, was one of my biggest criticisms for the previous film and I happy to see that remedied here. Finn has a meatier role this time around. Domhall Gleeson’s General Hux straddled the line between campy and intense in The Force Awakens, but he crosses that line here quite a few times. There are some weak performances from some minor characters; ones who only have a few lines. While this shouldn’t hamper a film too much it didn’t help that two such characters had the film’s first spoken lines, seemingly setting the tone for what was to come.

Rey’s character was met with a flurry of Mary Sue complaints and some fans will be happy to see some of their thoughts addressed here. One reviewer I follow said The Last Jedi is the Cabin in the Woods of Star Wars films, and I have to admit that this thought influenced my outlook on certain scenes. For example, in one scene Snoke criticizes Ben Solo for his lack of commitment to the dark side, noting that killing Han Solo must have broken his spirt since he lost a fight to a girl who had never wielded a lightsaber. With the Cabin in the Woods comparison in mind, I had to think that writer/director Rian Johnson was trying to address some of the previous film’s biggest criticisms. The film also takes this approach when it delves into Rey’s history, giving us a reveal that may be anti-climactic for some, but also helps to set it apart from other Star Wars films.

I think that some of these scenes help to account for the polarizing reception that The Last Jedi has among fans. While The Rotten Tomatoes critic score is 92%, the audience score is 54%. I am sure that this low rating is partly due to people bothered by too much colour and ovaries, but I won’t say that the alt-right is mostly to blame.

The Last Jedi is nearly three hours long, and its length was the main criticism from the friend I saw it with. While I didn’t feel like the film dragged, I will understand if people say it could have been shorter.  New characters are introduced, such as Rose Tico, Star War’s first Asian character and an easy target for the alt-right. She is paired with Finn for the majority of the film and I have to agree that this is a subplot that could have been condensed at the very least. This subplot leads to the infamous confrontation with Phasma that we saw in the first trailer, but one can’t help but wonder if we could have arrived at that moment differently. The subplot would not have been improved if Rose was white. I will say that like Rogue One, this subplot helps to bring in more moral ambiguity to the Star Wars characters. Instead of characters who are affiliated with light or dark, The Last Jedi shows us more who are simply looking out for themselves.

There are some moments of humour, or attempted humour, that do not work. However, I will say that the majority of jokes didn’t feel out of place. Aside from some flat jokes, there are also several scenes or moments that could have been cut to allow screen time to be used more efficiently. Yes, porgs are cute. After the film cut to them for the tenth time, I started to get annoyed. As a result of some unnecessary or dragged out scenes, we miss out on other moments that could have been expanded, such as the reunions of key characters. It would have been great to see more of Princess Leia, especially since this was Carrie Fisher’s last performance. Obviously she may have been written somewhat sparsely with more in mind for Episode IX, but a weak subplot just brings more attention to what else could have been presented. There are now more questions that will have to be answered by Episode IX. 

To end on a more positive note, The Last Jedi, has moments, whether dramatic or action-oriented, that I believe will become iconic parts of Star Wars lore. The action, at the very least, is sure to please fans, but I believe the film has more to offer as well. I honestly believe I may need to watch The Last Jedi again before I can give it a true rating. For the moment, I will say that I am looking forward to seeing it again.

Star Wars Film Rankings

Rogue One

A New Hope

The Empire Strikes Back

Return of the Jedi

The Last Jedi

The Force Awakens

Revenge of the Sith

“” Attack of the Clones

“” The Phantom Menace

Alexandra Shipp: Blackish

The Thursday announcement that Disney has acquired 21st Century Fox properties, including X-Men, led to a lot of speculation concerning the future of the X-Men film universe. I shared some of my own thoughts on this, and while sharing the link on Twitter I came across another conversation. There were retweets all over my feed revealing one post after another arguing that Alexandra Shipp, who portrays Storm in X:Men Apocalypse and the upcoming Dark Phoenix, is too light-skinned to play Storm.

I didn’t comment on the argument at the time because I wanted to let it develop more, so that more contextual info would be available before I shared my thoughts. Two days after the conversation began, it is now easy to trace its inception.

This debate began after a fan asked Shipp if she would like Storm to meet Thor, now that the universes would likely be merged. Shipp’s enthusiastic response was then met with criticism from one fan, “Disney is re-casting the whole team, boo. Sorry. Dark Phoenix will be your last. We getting a dark skinned non-racially Ambiguous Storm like we deserve.”

Shipp then retorted:

Presumably, the debate that I viewed on Thursday originated from this exchange. It is not confirmed if Disney will start fresh with X-Men and recast after Dark Phoenix but that isn’t really the point here.

Maybe Disney will re-cast, and also usher in a jarring tone change (as I suspect). However, I don’t think that Shipp’s skin tone should be an issue central to her potential re-casting. If a darker-skinned actor takes her place I have no problem with that, but I also don’t think that Shipp’s skin tone gives us a bastardization of the character.

Shipp’s response reminds me of statements Halle Berry made concerning her own racial identity. Like Shipp, Berry is mixed and chose to identify as black from a young age, because she knew that is how the world would perceive her. For example, a white guy who says he doesn’t date black girls, would still see Berry as a black girl, instead of a white one.

While Shipp says she has never been “treated white” it is a fact that there is pervasive colourism in the world and in Hollywood. Even in Jamaica, a country that is 90% black, dark-skinned black people are performing skin bleaching to lighten their skin because they realize lighter-skin is viewed as more attractive. In other areas, such as Latin America, South East Asia and the Middle East, lighter skin is inherently viewed as more attractive than darker skin. The preference for lighter skin often coincides with a preference for other features typically associated with whiteness, such as straighter hair, thinner lips and thinner noses. Light skin goes beyond the aesthetic, becoming a marker of status and privilege due to the legacy of slavery or colonialism. For someone like Shipp, she may benefit from this colourism in some situations, while also being subjected to racism like any other black person in other situations.

There is a trend in entertainment- whether it is music videos, television or film- to cast the lightest-skinned black people possible, especially if they are love interests or eye candy. After a while it isn’t simple happenstance that most of the attractive black women in entertainment have “sun-kissed skin”, it is a deliberate choice by casting executives. They can get people who are ethnic without being “too dark”. As Viola Davis says,  there is a pervasive conception that “If you are darker than a paper bag, then you are not sexy.” Of course, Hollywood sometimes graces us with an exception, but the word “exception” means that they are a minority within a minority. I have been over the “best actor for the part” argument, and the slate of talented black actors that seemingly come out of nowhere for productions like Luke Cage and Straight Outta Compton make it clear there is plenty of black talent out there, they just need opportunities for good roles.

Respect to Bad Boys II for its dark-skinned love interest

It is possible that I am setting the bar somewhat low for Storm since I am so used to roles being whitewashed anyway. Even films based on true stories, like 21, are not safe from Hollywood’s attempts to make it more “marketable”. Storm seems like one of the few untouchable characters, and this may be why fans are even more protective when it comes to her portrayal.

There were plenty of users arguing that the discussion of whether a black actress is black enough is divisive and racist in itself. I ignored most of these comments simply because this is the same logic used to shut down any discussion of racism nowadays. You complain about white supremacist marches in Charlottesville? You’re being divisive. You complain about another unarmed black kid getting killed? You’re divisive. You complain about a public figure saying something racist? You’re divisive.

In principle, I don’t think it is racist or “divisive” to complain about an actress’s skin tone. Especially since I am sure that many of the people using this “divisive” excuse routinely defend whitewashing in films, thereby enabling racist practices in Hollywood.

Now, there are also people who understand the implications of whitewashing in film, and genuinely just believe that there is nothing wrong with Shipp’s skin tone. The character is black, and Shipp is black as well. Shipp is mixed, but Apocalypse never states that the character is mixed, and Shipp is a visibly black individual. In terms of skin colour, she may not be Viola Davis or Lupita Nyong’o, but she definitely isn’t Paula Patton or Meghan Markle either.

All of this to say that while I don’t agree with the backlash against Shipp in this case, I can understand where the detractors are coming from. If Shipp did a poor job with the role I would probably be more likely to support them. However, I thought Shipp was great as Storm. Maybe I’m not the best person to judge but her accent also seemed a lot more authentic than whatever Halle Berry tried to do in X-Men 1 (2000). Although Apocalypse was a disappointing film I was looking forward to seeing more of this iteration of Storm and I hope that if she is recast, fans don’t cheer simply because she was too light-skinned for them.

Fox- A Disney Company

Today, Disney acquired 21st Century Fox for $52.4 billion. The deal comprises numerous properties, ranging from The Simpsons, to Avatar, but the biggest point of interest for me is that Disney now has the rights to X-Men.  The development is now confirmed but this is something that a lot of Marvel fans have been praying for for a long time, if online discussion is any indication. I remember entire threads on the Internet Movie Database’s (IMDB) forums where people would demand that the rights for the X-Men films go back to Marvel. People would argue that the series needed a fresh start under Marvel Studios because the X-Men films mishandled characters like Cyclops (fair enough) or because they didn’t like the buttons on a costume (seems unreasonable). Like I have mentioned before when discussing the DCEU, when people want something to fail they become more sensitive to any perceived shortcomings.

Aside from the fans that have been praying for this, there are more reasonable fans who simply wanted to see the X-Men in the Avengers universe. I can’t blame anyone for wanting to see Wolverine in the Avengers film, which likely will not happen. Hugh Jackman previously said that he would be open to returning in the role if he got to be a part of the Marvel Cinematic Universe (MCU) but he has said more recently that the “ship has sailed” for him. The scripts for Infinity War Part I and II are already written and being filmed, so normally I would say that the ship has sailed for seeing any former Fox properties in Infinity War. However, the rushed introduction of Spider-Man in Civil War does make me wonder if the filmmakers might be willing to squeeze something in for Part II.

One of my biggest worries was that darker and/or R-rated properties like Deadpool would be watered down to suit Disney’s “fun” and family-friendly silver screen image. Fortunately, Disney CEO Bob Iger has stated that Deadpool can remain R-rated at Disney. This is a step in the right direction, but it is still aligned with Marvel President Kevin Feige’s proclamation that the MCU will never be dark.

Deadpool had one noticeably dark segment, namely Wade’s time spent being tortured, but for the most part it still fits in with the “fun” tone that Feige is committed to.  In contrast, the X-Men films, especially X1, X2 and Days of Future Past (DOFP), are noticeably much darker than anything in the MCU’s films. The themes of prejudice from the comics are unashamedly fleshed out on screen, showcasing the violence and darkness that mutants experience. The opening scene of X1, where Magneto is separated from his parents in a concentration camp, is still one of my favourite openings in any film. I highly doubt we would see a scene like this if X1 was originally handled by Marvel Studios. Maybe most of the scene would be the same, and then a Stan Lee cameo would be used to alleviate the tension.

Now, the MCU has also given us properties like Jessica Jones and The Punisher, but I am not talking about Netflix here. I am talking about the big screen. When Disney originally acquired Marvel, people argued that imprints such as Touchstone would be used to distribute darker or R-rated material. However, we know now that any R-rated material so far has come from Netflix. Deadpool 3 will likely be the first R-rated X-Men film property that Disney gives us.

I think Disney will be willing to give Deadpool more R-rated sequels because they have already seen how successful his film was. The box office receipts are a testament to people’s love for the character in all his R-rated glory. In contrast, Disney might be more willing to take risks with X-Men since the most recent X-Men film, Apocalypse, underperformed (relative to previous entries) with critics and the box office. Additionally, Logan was a well received R-rated entry but marked the end of the X-Men film universe’s most popular character.

If darkness is viewed as the enemy, then “fun” will be viewed as the saviour. What about the rest of the films? Will X-Men be rebooted to offer more “fun” now? Will the themes of prejudice all be cut in order to make everything more family friendly? Will we get scenes like this one?

Or this one?

I doubt it.

Bates Motel Finale

Spoilers for Bates Motel

I started the fifth and final season of Bates Motel soon after its premiere in February but just finished the last episode this weekend. The delay was not due to a lack of interest in the series itself, but more of a lack of interest in Kodi. I used the streaming service for any show that either wasn’t available on Netflix or didn’t have its latest season there. After dealing with the crash of one Kodi add-on after another, I grew sick of Kodi and then retreated exclusively to Netflix offerings for a long time.

Since I finished watching the first season of Hemlock Grove and Big Mouth, I finally made time to wrap up one of my favourite shows. This piece isn’t necessarily a review, it’s just an offering of some of the things on my mind after finally finishing.

Bates Motel was marketed as a “contemporary prequel” to 1960’s Psycho, and like some intended prequels I didn’t expect the events to line up exactly. The original film doesn’t give us too much about Norman Bates’s background, except the fact that he killed his mom and her lover out of jealousy. Seasons 1-3 were untouched territory in terms of Norman Bates’s development, and his relationship with his mother and other women.

While I detested some of the subplots in these seasons, mainly due to the terrible acting on display from the high school girls, especially Nicola Peltz as Bradley Martin. This woman has the ability to ruin anything she touches, whether it’s bringing down Bates Motel or adding to the misery of The Last Airbender.

Pictured above: One great actor, along with a black hole of charisma and screen presence.

I digress.

While Peltz’s acting was awful, Norman’s relationship with her actually explained why he would grow even closer to his mother. After pursuing a girl he liked, he was rejected and used. Then Norma was quick to take advantage of that and reinforce all of the negative ideas swirling in Norman’s head about other women. While Norman had a good relationship with Emma Decody, she became his “good girl” in a sense: The sweeter girl who he ignored. By the time Norman moved on from Bradley, Emma was moving on from him.

Seasons 3, 4 and 5 got us closer to the formation of the Norman Bates we see in Psycho. While it was always implied that Norman’s blackouts were another personality taking over, season 4 gave us our first real glimpse of Mother taking over Norman. When Bradley dies, Norma isn’t represented as a figure alongside him. She literally embodies him. This is similar to a moment where Norman confronts his uncle, Caleb, in season 2, but Bradley’s death actually shows us Vera on camera in Freddie’s place.

Followed by Bradley’s death:

With Bradley’s death at the end of season 3, one of the worst actors in the show is removed and more importantly, we get closer to Psycho. Norma and Romero get married in season 4, starting off for financial purposes and then developing into real love. At this point, I wondered if Romero would be the lover that drives Norman to commit a double homicide.

Later in the season we find out that Norman doesn’t kill Romero and Norma at the same time, but mother dearest does meet death at her son’s hands. This was a change from the movie mythos but one change I did not expect was Norman’s death at the hands of his brother.

From the beginning I assumed that any character not referenced in Pyscho would be dead by the time the show ended. I imagined that Norman would remain the only main cast member alive, managing the motel by himself as the show ended. This theory got thrown out when a character from the original film, Marion Crane was introduced. Crane, the infamous 1960 shower victim, was the series’s biggest callback to the film. While Crane didn’t serve as the victim in the show, she still played a part in events that sent Norman into full on Psycho territory.

Crane is replaced by Sam Loomis, another person that I was very happy to be rid of.

As I mentioned in a previous post about Bates Motel,  I was happy the show didn’t use the iconic score from the film (good quality uploads are hard to find online). Episode 5.6 became one of my favourites simply for how it handled this scene and for all the possibilities it gave us in future episodes.

Like the movie, Norman has unearthed his mother’s body and brought it back home. He is starting to wear his mother’s clothes and wig when her personality takes over, and for a part of the season it looks like he might avoid punishment for any of his crimes. Norma’s downfall is all tied to a moment of self-awareness and empathy that allows him to confess to his crimes, forcing the police to look into the whereabouts of his victims. By the time Norma takes the reins again it is too late.

Romero dies, mainly because his grief causes him to turn his back on Norman. One of the toughest characters on the show ends up bludgeoned and shot by a kid who’s neck he should have snapped when he had the chance. It is actually my favourite character, Dylan, who ends up being the hero and delivers the biggest shock of the show.

Bates Motel branches off, carving its own path and killing off Norman Bates. Norman gets to be reunited with his mother, while Dylan is reunited with his family. While it was still sad to see Norman die, it was the only way to end his pain and to stop him from harming anyone else. If he was constrained to a mental institution away from his mother for the rest of his life, he would have been miserable. If he remained free, with periodic killings of any woman that “Mother” viewed as a threat, then other people would end up suffering.

The relationship between Dylan and Emma was strained following the confirmation that Norman killed Emma’s mom, but I was happy to see that they remained a couple. Perhaps it would be more realistic that Norman’s actions drove a wedge between them. Then again, it is not like Emma met Norman due to Dylan. It was the other way around. Dylan can’t be blamed for bringing Norman into their lives and he can’t be blamed for what Norman did. Norma is more to blame for refusing to get help for her son, but Emma’s visit to Norma’s grave shows that she still loves and respects Mother.

It’s been a long time coming but I am happy to wrap up one of the few shows that actually continued to get better with each season.

Avengers: Infinity War Trailer Thoughts

Yesterday I wasn’t that excited for Infinity War. Perhaps it was due to a case of MCU fatigue, or maybe the decision to change a doomsday story into a comedy left a bad taste in my mouth. One of my friends advised that I would enjoy Thor: Ragnarok if I treated it as a comedy, instead of a Thor movie. Hence my decision not to see it.

After seeing the trailer for May 2018’s biggest release, I am now firmly aboard the hype train. Simply seeing all of these Marvel characters on screen is its own treat. Captain America is back, with the beard that has been teased via concept art for quite some time now. Along with Cap comes the return of the Winter Soldier, with a new metal arm. I remember watching the Infinity War promo many months ago and hearing Kevin Fiege say that it was important to break the Avengers apart before introducing a threat like Thanos.

“Get this man a shield,” says T’Challa. It could be clever editing but I am sure that this line is directed to Captain America and this makes it likely that Cap and his fellow anti-registration heroes are still in Wakanda when Thanos invades.As a result, it looks like Black Panther and Wakanda will have a central role in the film.  This would make sense since they would still be fugitives of the American government and still at odds with Iron Man. Even though the relationship appeared to be healing at the very end of Civil War it was clear that Cap and Stark weren’t going to reunite as drinking buddies just yet.

Speaking of Iron Man, his gift to Spider-Man looks glorious.

I have been stalling on watching Spider-Man Homecoming, mainly because I was put off by the Iron Man 3.5 vibe. From what I understand Tony Stark has relatively little screen time but I didn’t like the fact that Spider-Man was now tied to Iron Man because of the latter’s rushed introduction and exit from Civil War e.g. “We just got the rights to Spider-Man so we’ve got to add him to the movie somehow.”

The special effects for some shots could use some work but we still have some time for post-production so I’ll reserve my judgment until then.

Despite all the eye candy on display one of my favourite parts of the trailer is actually right near the beginning, with the different members of the Avengers saying “There was an idea to bring together a group of remarkable people to see if we could become something more. So when they needed us, we could fight the battles that they never could.” This brings us back to a similar phrase being uttered by Nick Fury in the Avengers trailer in 2012.

Thanos’s few lines in this trailer leave me thinking that he can hopefully be a memorable villain for the MCU, in addition to Kilgrave and Loki. I have to say that Thanos looks better with the helmet. In my humble opinion, he simply looks incomplete without it. The lack of the helmet stands out more since we already saw the helmet in Guardians of the Galaxy.

In the comic, the conflict was focused on the heroes vs Thanos himself. The trailer shows the heroes also facing an army of minions and I am hoping that Thanos still has room to stand out and that this doesn’t end up as another situation where a sub-villain detracts from the main one e..g X-24 stealing Donald Pierce’s thunder in Logan.

I hate the Marvel/DC talk but I will say that Marvel’s format of having solo or even multiple solo films prior to a team up film can make the final product much more satisfying for fans. I was excited for Justice League as a fan of the comic books and tv shows, but Infinity War is now anticipated by the casual fans who probably still make fun of comic book readers. Additionally, we don’t have to worry as much about characters lacking development since they already got the bulk of their development from their solo films.  The majority of characters are not being introduced here. They are only being developed further as they adapt to a new situation. With that said, the film still runs the risk of having some characters fall by the wayside since there are simply so many. Another risk is handling the switch of tones between characters who are coming off of different storylines. The cast of Civil War had a relatively dark storyline, while Guardians of the Galaxy 2 and Thor: Ragnarok  were full on comedies.

Despite these worries, I am a believer again. The Winter Soldier is my favourite MCU film and I am hoping the Russo Brothers can bring all of these characters together for something that has the “fun” so many people crave these days, while also giving us something that is truly epic.