The Dark Knight III: The Master Race

Note: The below article is one that I intended to upload to comicommand back in March. Since comicommand is not being updated for the moment (but will be soon), I have decided to post this article on my site instead.

I heard mixed things about The Dark Knight: Master Race but my love of Batman eventually persuaded me to check out Frank Miller’s latest foray into the character’s mythos. This series is also co-written by Brian Azzarello (100 Bullets) and follows three years after The Dark Knight Strikes Again.

In this continuity, Ray Palmer (The Atom) is successfully able to free the inhabitants of the miniaturized, bottled Kryptonian city Kandor. Not only does he free them, but he also returns them to full size. Once free, these new inhabitants set out to create a society where the strongest, their own people, rule.

Although I also have mixed thoughts about this series, which shifts from amazing to mediocre within one issue, its exploration of Superman and his people is enough to keep me reading.

One of my biggest issues with the new 52, at least as portrayed in animated films like Justice League: War, was the relationship between Superman and Wonder Woman. When together, they are like the captain of the football team and the head cheerleader. Lois Lane wasn’t just a love interest to me. She was one of the key figures, along with Superman’s adoptive parents, that literally and figuratively kept Superman grounded. While Superman was more physically separated from his parents, Lois was a constant thread that enabled him to value human life. Growing up among humans also developed Superman’s respect for them.

In contrast, the daughter that he had with Wonder Woman grew up among Amazons and sees humans as “ants”. When the inhabitants of Kandor make their intentions clear, Lara is eager to follow them and shun her father, who she sees as a traitor to his people. She has grown up with the power granted by two of the world’s greatest heroes, along with the isolationist mindset of the Amazons.

The Kandorian leader, Quar, is a twisted version of what Superman could have been. While enemies like Zod desired the annihilation of humans, Quar expresses a paternalistic mindset that undermines human agency. In his own view, humans need to be ruled. They are the savage slaves that he wishes to civilize. Superman recognizes his power, and the advantages it gives him over the people of Earth, but he also recognizes the strength and free will of its people. Although he is better than Quar in many ways, he is not far removed from him.

 

Teen Titans: The Judas Contract Review

It is an understatement of epic proportions to say that the post-Flashpoint DC Animated Films have not lived up to their predecessors. Flashpoint, my favourite DC Animated film, was followed by Warwhich had very little going for it. Weak voice acting from a lot of the cast, weak dialogue, terrible characterizations for some characters (Wonder Woman especially) etc. The list of negatives goes on and the subsequent films did little to raise my hopes. Batman v Robin and Gods and Monsters were bright spots, which gave me hope that DC were climbing the ladder back to greatness. Then Justice League vs. Teen Titans came along, and sent my hopes spiralling into the abyss. The Killing Joke was a little disappointing, and could have cut the batgirl prelude, but was a pretty good film overall. Then we got a pretty forgettable Justice League Dark, not terrible, but nothing special earlier compared to works like Under The Red HoodSuperman vs The Elite, First Flight or even Assault on Arkham.

All of that to say, I made sure not to get my hopes up about this film.The Judas Contract (TJC) is an adaptation of the comic storyline of the same name, which I have not read. I can’t judge the film based on it’s accuracy to the comic since I have not read the comic yet and don’t want to simply Google comparisons since they’ll contain spoilers for the comics.

Overall, the film is a definite improvement over JL vs Teen Titans and War. Since the latter two films are my most hated DC animated films to date, that compliment isn’t saying much.

The most notable improvement in this film was the handling of Damian Wayne’s character. Since his introduction in Son of Batman Damian Wayne has been abrasive, stubborn, arrogant…in short, bratty. In Son of Batman, Batman vs. Robin and Bad Blood his more undesirable characteristics were also balanced out to create an anti-hero that was annoying at times, but not insufferable. Then JL vs Teen Titans undid any development the character previously received and pretty much made him Bart Simpson in a Robin suit. All improvements in terms of social skills, self-awareness, respect etc. were gone.

Spoiler: I was happy when Blue Beetle nearly killed him.

In TJC Damian is still a loner who is adjusting to working well with a team, just like his dad. He still has an attitude problem but he also looks out for his team and isn’t the petulant child we last saw in JL vs Teen Titans.

Damian, along with Beast Boy are the highlights among the Titans, with their dialogue and voice actors bringing the most life to their roles. Nightwing, one of my favourite characters, also gets to shine. We get to learn more about Starfire’s background, although she still just comes across as a two-dimension princess kindness for the most part.

The newest member, Terra, plays a pivotal role in the story and her story arc demonstrates how seemingly unsympathetic characters can still gain our sympathy. However, there is a birthday scene that was truly cringeworthy and reminded me of the DDR scene in JL vs Teen Titans.

I have to say that Deathstroke was the biggest highlight of the film. Aside from being one of my favourite DC villains, Miguel Ferrer does an amazing job as the villain. Deathstroke doesn’t have that many lines compared to some of the other characters, and his character mainly relies on charisma for the role. Ferrer brings that in spades and makes me overlook some of the weaker dialogue and relatively little screen time.

The other villians were somewhat forgettable in my opinion, and the final fight actually proves to be one of the duller ones. Bigger is not always better.

Overall, The Judas Contract was a decent way to pass the time, but still makes me miss the older DC films even more.

Thor: Ragnarok Thoughts

I have previously discussed my refusal to see Thor: Ragnarok due to Marvel’s insistence on bringing a comedy writer onboard to rework the film only because they worried the film was too dark.

Of course, I wouldn’t want a film to be dark if the tone doesn’t fit the characters or story. This argument can be a can of worms since many characters have stories that are uncharacteristically dark or light (e.g. The Flash with Flashpoint Paradox). The Barry Allen version of The Flash isn’t all sunshine and rainbows, but Flashpoint Paradox still took the darkness to a whole other level.

But I digress.

The previous Thor films had plenty of comic relief, or attempts at it. These included one painful line after another from the likes of Kat Dennings and Natalie Portman. One of the few good things to come out of the Thor series has been Loki. Ragnarok refers to Asgardian doomsday, so a dark tone seemed appropriate. Even if the film wasn’t going to adapt the mythical Ragnarok events, a title referencing doomsday still implies some level of darkness. Darkness would fit the story, and it could therefore fit the character. If a film is overhauled only to lighten the tone, regardless of whether the tone fits the character or story, that is a travesty. People complain about film’s being “dark” for no reason, but very few people have a problem with more “fun”.

What bothers me the most about the decision to change the film is that this demonstrates how the need for “fun” overrides other artistic considerations. The previous Thor films have other issues, such as a love story lacking chemistry,  and some weak villains (looking at you dark elves). All those issues were overlooked previously, but bring on some darkness, and it’s all hands on deck to make another film.

I still refuse to see the film in theatres but I must say that this first trailer has some great moments. More Loki is always a good thing, and I love the new look, which is partially inspired by his look in the Young Avengers.

Hela looks like she might give us another good villain. Her helmet has drawn a lot of comparisons to Aku, but since the helmet originates from the older comics, seems like Aku was inspired by Hela.

As Jeremy Jahns said sometimes I would prefer an epic moment, to a funny one. Likewise, sometimes I would prefer an epic movie to a “fun” one.

 

 

 

 

 

 

 

 

 

The Hulk doesn’t look as convincing (CGI wise) as he did in The Avengers film but the film still has more post-production to go. I actually didn’t mind the “he’s a friend from work” line since it actually seems in character for Thor. However, it still sucks that just about every epic moment is likely to be undercut by a one-liner that the fun-addled masses will eat up.

I’ve been told my writing is quite depressing, so perhaps I hate the Marvel “fun mania” since it clashes with my own creative proclivities. As Jeremy Jahns said sometimes I would prefer an epic moment, to a funny one. Likewise, sometimes I would prefer an epic movie to a “fun” one.

Superman and The Old School

As I was scrolling through Twitter this morning and came across this gem:

I knew I had to talk about it, even if only briefly, because it captures an argument I have made time and time again. So @CaptainMarvelTalk hates the art on the right (which is just fan art if I’m not mistaken) because it makes Superman too “dark”, “gritty”, “intimidating”.

I have previously noticed that people tend to have very static fews of certain characters. Superman does typically have a boy scout persona, the typical nice guy. Does that mean every single piece of art has to depict him smiling and happy? He can’t look intimidating in a single art piece?

When I raised this point to @CaptainMarvelTalk he said that intimidation is out of character for Superman.

I then responded with this:

An iconic scene from Mark Waid’s Kingdom Come where Superman angrily bursts into a political meeting. Of course, he doesn’t kill anyone, but he is undoubtedly intimidating here. Then @CaptainMarvelTalk argues that Superman is “angry” here, not intimidating. The two can obviously overlap, and are clearly affected by audience interpretation. In the original fan art, and in Kingdom Come, Superman is floating with his eyes glowing red. If the fan art counts as intimidating, the Kingdom Come piece undoubtedly does too.

Clearly, @CaptainMarvelTalk just hates newer artistic interpretations of Superman, in favour of the old school. Instead of saying that, he nitpicks and shuts out common sense and reasoning, contradicting himself time after time during our debate. I think this is a solid example of the bias that also fuels the Marvel v DC debate and the never-ending debate about how DC is “too dark” and doesn’t have enough “fun”.

 

Spider-Man Homecoming Trailer Thoughts

I initially avoided watching this trailer because I was worried it would give too much away. Overall, my wariness appears to be justified.

Tom Holland was a highlight of Captain America: Civil War, even though the character was clearly rushed into the film after Marvel obtained the rights (or technically leased them from Sony). Although I have previously ranted about the MCU obsession with light-heartedness and fun, I wasn’t as worried about that obsession ruining a Spider-Man film. Peter Parker’s wisecracking is a key part of the character and Holland mastered that element, as well as capturing a more serious moment when he referenced Uncle Ben’s death with Tony Stark.

Although plenty of people saw The Amazing Spider-Man series as being too dark, the tone wasn’t an issue for me. With that said, the second films as bogged down with two many villains and some pretty hammy performances from the likes of Paul Giamatti and Dane Dehaan.

Since Spider-Man is one of my favourite comic book characters, probably just behind Batman, Wolverine and The Punisher, I was excited for Homecoming.

Now…this trailer. The YouTube comments make it clear a lot of people disagree, but I think I have Tony Stark fatigue.  However, there is a silver lining. It looks like Stark steps back from supporting Peter after the incident on the ship, leaving the film to hopefully focus on our favourite wall crawler.

I am just worried the film might reach this point halfway through, which is too late in my opinion. The character of Peter Parker got anchored to Stark due to his rushed introduction in Civil War, and now the writers are doing their best to keep that thread alive and also find a coherent reason to cut it. Meanwhile, marketers are also pimping Tony Stark out to the audience.

The high school setting for Spider-Man worked surprisingly well in The Spectacular Spider-Man, since the show avoided becoming 90210 featuring Spider-Man. I am hoping this film has a good balance as well. Zendaya’s one line in this trailer already leaves me worried about her acting skills. She says “my friends are up there” with the same enthusiasm she would say “I broke a nail”.

On a positive note, the trailer doesn’t spoil too much of Michael Keaton as The Vulture. So far, he seems the best kept secret and also seems like he may be a highlight of the film. The new costume is awesome and I have renewed faith in Keaton after watching Birdman and Spotlight.

Additionally, a lot of the humour in this trailer was actually good. My favourite parts were the interactions between Peter and his friend. My least favourite ones, you guessed it, anything with Tony Stark.

What are your thoughts on the new Spider-Man Homecoming trailer?

Justice League Trailer Thoughts

Geoff Johns was kind enough to share the new Justice League trailer with twitter this morning.

So let’s get this out of the way. I am not a Marvel v DC person. Obviously I realize there is competition between the two brand and their related movie studios. However,  I do not condone the childish mindset that I can only like the movies from one group. My favourite comic book films include DC and Marvel properties, ranging from The Dark Knight, X:Men DOFP to Captain America: The Winter Soldier.

With that said, I am cautiously optimistic about Justice League. I love the characters, especially Batman, but BatmanvSuperman and Suicide Squad have left a bad taste in my mouth. Don’t get me wrong, both films had great pieces and great moments. Overall. they felt short. Both had weak villians and weak third acts, along with some other issues.

As I watched this trailer I forgot about that for a moment. There is still no sign of Superman but I’m sure we’ll see him in the film. I am glad this film didn’t reveal too much about the plot or reveal the villain yet. We know it will be Darkseid’s uncle, Steppenwolf, and we get some glimpses of parademons (presumably) in this trailer.

From what I understand, Cyborg’s armour is derived from alien technology in the newer comics. It looks like his armour comes from a motherbox, a teleportation device Darkseid’s forces use. This motherbox appears to be the gateway that allows the parademons to reach earth. If this is the case, Cyborg could have a central role in the film and I am hoping the script and the actor can deliver.

To start, there is a lot of CGI in this trailer. Obviously that has to be the case for the visuals this story needs. The Flash looks amazing so far and his scenes are some of my favourites from the trailer. However, this trailer reminds me of 300 with the amount of computer generated backgrounds and surroundings. The scene with Batman fighting a parademon sticks out in my mind as one of the worst offenders. Maybe I wouldn’t notice as much if some of the effects looked better. Hopefully the effects are cleaned up by the time the film begins. Cyborg looks better than he did in the comic-con footage so I am hoping there is still time to improve the visuals.

With that being said, the visuals weren’t my greatest concern going into the film. Steppenwolf will hopefully provide a better villain than Doomsday, Luthor or Enchantress. This should help to strengthen the third act but won’t necessarily be enough. If the third act is just a fight filled with poor special effects, that can also cause the audience to lose interest, like I did with the last fight in BvS.

I am also hoping the desire to add more “fun” doesn’t ruin the script entirely. Obviously some characters are more light-hearted than others. However, Barry Allen has pretty much been turned into Wally West in terms of their personalities. Meanwhile it looks like they are trying to turn Bruce Wayne into Tony Stark. Obviously Bruce Wayne has the carefree, obnoxious playboy persona but the real Bruce Wayne has a drier sense of humour than the one we’ve seen so far.

Okay, time to be more positive.

Aquaman is one of my favourite superheroes, and is severely underrated by the general audience and even some comic book readers. Jason Momoa, as well as the writers, look like they’ll remedy that. I am sure that Aquaman or Flash will end up being the breakout stars of this film and possibly even the franchise. My only worry is Momoa’s acting skill, which isn’t that great from what I have seen so far. That doesn’t detract from my man crush, but it does bring up a possible issue with the film. We’ll see how he does.

In general, the action looks pretty awesome. Looking past the issue of the CGI, it looks like we’ll see some creative and memorable action sequences. It was great to see our first glimpse of J.K Simmons as Commissioner Gordon, and hear a reference to Robin since Batman is “playing well with others” again.

I can’t deny my excitement at seeing my favourite superheroes on screen together and I hope Zack Snyder delivers a film that lives up to the hype.

 

Iron Fist Thoughts

Hello everyone,

I know I haven’t been too active on the blog over this past week but I’m back to it now, and plan to keep uploading new content at least three times a week. Warning: Spoilers Ahead.

I finished watching Iron Fist earlier in the week and while it isn’t as bad as some of the critics make out, it is definitely one of the weaker Marvel Netflix shows. Overall, the acting is some of the weakest we’ve seen. Luke Cage was also hampered by Mike Colter’s abilities, but fortunately he was the only real weak link in terms of the acting. Shades was a cheesy character but I believe Theo Rossi did the best he could with the role. With Iron Fist, we get some weak or inconsistent performances from the main character, and supporting cast such as David Wenham and Sacha Dhawan.

There is one issue that is the elephant in the room, so I guess I’ll get into that issue too. When the first promotional material aired many people complained about Danny Rand being white, even though he is also white in the comics. Rand was seen as another example of cultural appropriation or the white savour dynamic that we see in The Great Wall and earlier works like The Forbidden Kingdom (2008). I was quick to defend Rand’s race since the show was being true to the comics but I’ve also tried to be open-minded and see where detractors are coming from.

Some may view it as a stereotype if we get another martial artist who is Asian or Asian-American, but some people have pointed out that Rand could be different. He could have been a three-dimensional, wealthy, main character with martial art prowess. Instead we get another story where the white lead takes on scores of foreign Asian enemies. Of course we have Colleen as well, but she can basically be the one “Asian friend” that detracts from all the other problematic issues in the show. I am not saying you all have to buy this narrative, but it is something to think about. Of course, you can also feel free to just throw out right-wing buzzwords like “social justice warrior’ instead, talking about how you’re colour-blind and then support the whitewashing of movies like Ghost in the Shell.

Speaking of martial arts, the fight scenes in this show were underwhelming to say the least. I started watching Into The Badlands and I immediately saw that Iron Fist should have given us.

After Daredevil I was hoping to see amazing choreography and fluid action. Especially since Iron Fist, like Daredevil, is supposed to be one of the best fighters in the Marvel universe. Instead we get actors awkwardly working their way through their choreographed steps, giving no impression of real experience and training (for the most part). The Into The Badlands stars underwent three months of training prior to filming. In comparison, Finn Jones underwent three weeks. Then he only got to practice the choreography for specific fight scenes 15 minutes before they were filmed. Since the show’s writing is weaker, I was at least hoping to see some of the best action to date.

The “White Saviour” argument did pop back in my head after seeing Zhou Cheng (Lewis Tan) fight Danny. Tan, a martial artist in his own right, is also able to give us an interesting character with his few minutes of screen time. I can’t fault people for saying he should have received the role of Iron Fist instead.

Another issue with the show is that the most interesting parts of Danny’s backstory are only shown in very brief flashbacks, or are recited to us. I suspect that the show’s budget is the main culprit for this. Instead of a few more minutes of Danny’s training in K’un-Lun, we get more corporate espionage.

I thought the show was strongest mid-season, building up the mystique of the Hand and Madame Goa, demonstrating their hold over Harold Meachum. Speaking of Harold Meachum, Wenham’s performance went from great to hammy scene by scene. Don’t even get me started on his return from the dead (after Ward murders him), where he’s apparently brain-damaged and stumbles around New York like a crackhead. I blame that one on the writers though.

There is another issue I blame on the writers as well. It seems like a small one but almost ends up causing a plot hole. We see Gao use some sort of power on Danny when he confronts her after completing his challenges in the warehouse. Then she never uses this power again. It is never explained why she can’t use it again either. 

I love Claire Temple but I felt like this show could have used less of her. Obviously she is the bridge between all four Defenders characters, but did she really have to go to China with Danny and Colleen? Actually, I can understand her going to China. Did she have to specifically go to Gao’s hideout? She is the weakest fighter and if the writing was consistent, probably would have been killed. Finn Jones filmed Iron Fist back to back with The Defenders so that answers the question of why Jones got less time to prepare for his fights and why Claire was in most of the episodes. 

Aside from Claire, references to other characters were handled more smoothly. Claire is still reading Luke Cage’s letters from prison. Hogarth’s involvement makes more sense and her introduction into the show doesn’t rely on coincidence (like Claire training at Colleen’s dojo). Joy Meachum references hiring Jessica Jones as a private investigator; at least that is who I assume she referred to when talking about PI who’s good “when they’re sober”. As always, there are also references to “the incident”, which is the name used to refer to Loki’s attack on Manhattan and the Avengers subsequent defence of the city.

Jones and Colter are definitely the weaker actors from the Defenders troupe, with Charlie Cox and Krysten Ritter providing strong performances as Daredevil and Jessica Jones. I am excited to see the characters together and am hoping that their collective strength can make up for the deficiencies that each actor and show had.

Logan Thoughts (Spoilers)

Click here for a spoiler-free review of the film.

After seeing Logan and having some more time to think about it, I wanted to share more thoughts on it without having to worry about spoiling any plot details.

First I have to address one of my biggest gripes. This is my first time seeing Boyd Holbrook in anything and I have to say I am more motivated to check out Narcos after seeing his performance. Do I have a man-crush? Maybe. From the first line of his first scene, I was enthralled. His performance initially hid the fact that the character, and the villains as a whole, were poorly developed. We know Transigen experiments on children and wants to weaponize mutant genes. It is obvious that an army of mutant children would be a terrifying weapon for their enemies, but the head figure (Zander Rice) also explains they created a virus that resulted in the lack of mutant births for the past 25 years. This is one of the most interesting machinations and is glossed over with a few lines of dialogue. It would have been interesting to see more of Rice’s role in this, and Pierce’s role in the curation of X-23 as the chief of security.

This brings up the issue of screen time. The film is 137 minutes, but didn’t feel that long to me, despite a late show time. I think an extra 15 minutes could have done wonders for fleshing out Transigen, Rice and Pierce. We wouldn’t need one solid chunk of exposition that drags the film down. I thought it would have been interesting to see X-23’s flashbacks, the same way we saw Logan’s in the original X-Men trilogy. These could have served the same purpose as the videos from X-23’s adoptive mother, and could have been more interesting.

Next, I just have to reiterate that Stephen Merchant is the man. Caliban had relatively little screen time compared to the main trio of Wolverine, Professor X and X-23, but he still held his own. Fear the light.

The death of the family during the farm scene came as a surprise. I had a feeling that something bad would happen once Professor X decided to stay the night. It came across as a careless move on his part but makes more sense analyzing the move from his character’s perspective. Westchester is where the X-Mansion is located and it is implied that he killed most of the X-Men in the “Westchester incident”. This also adds more reason why Charles says he “doesn’t deserve” a happy day like the one they had. He believes he deserves to be punished but he also wants to enjoy the company of other people before his death. He had years of isolation and is now somewhat carefree in his desire to enjoy life. Although it comes across as selfish, it is somewhat understandable.

However, the death of the family does make Charles’s decision tougher to cope with. Of course, he pays for the mistake as well when X-24 shows up. At first I thought Charles was having a flashback and was thinking they were adapting the X-Mansion incident from Old Man Logan, where Wolverine is tricked by Mysterio into killing the X-Men.

Instead, Charles dies, possibly thinking Wolverine killed him. Then the son, wife and dead get slaughtered. I was thinking that they would be saved at the last second, like most Hollywood films. Although their deaths were brutal, it was also good to see that the film truly wasn’t pulling any punches.

Some members of my audience audibly gasped when X-24 descends the stairs to meet Logan for the first time. For many people, it was a genuine “oh s***” moment. We know X-23 is a clone, now we see one that is Logan at his physical prime. These shots make use of digital faces but the effects are much more seamless than the version of **spoilers for Rogue One– Princess Leia in Rogue One of Clu in Tron: Legacy.

Although X-24 was an amazing physical threat, I feel as if his inclusion hampered the development and threat that could have come from Pierce. Like Zander, Pierce is mainly an overseer, managing the work of people underneath him. There is nothing wrong with villains like that, but maybe it comes across as more jarring, since he and The Reavers were marketed as the main, direct threat. Obviously X-24 would have been too big a reveal for the trailers and commercials, but it still brings up the issue of what audiences expected from Pierce.

Seeing Logan go near-berserk in the forest was an absolute treat. The roar after he takes the serum, followed by his sprint through the forest was cinematic gold.

 

Some people didn’t understand why an R-Rating was a big deal for this final film. Hopefully Logan shows why. Wolverine’s main weapon are metal claws he sinks into people, an R-rating works perfectly, for a solo film especially.  We don’t see stuntmen fall to the ground as Jackman swings his arms. For once, we get to see unadulterated carnage that truly immerses us in the experience. The casino scene, where Logan pushes his slaws, in semi slow-motion, through one man’s head after another is something we couldn’t have in a PG-13 film. The camera would have had to cut away with each stab.

The forest scene is something I’ve been wanting to see for a while and was delivered beautifully. Yet again. I have to comment on X-23. Many films are guilty of showing a woman with Angelina Jolie proportions knocking out 250 pound guys with one punch (looking at you Colombiana). X-23’s claws avoid that issue. We don’t see her overpower men for the most part. The flip she performs on the gas station attendant is the only example I can think of. Otherwise, she uses her size to her advantage, relying on stealth and agility to kill her enemies.

One thing that bothered me was that her transition from a borderline-feral mute to a more well-adjusted human seemed a little too fast. She nearly kills the gas station attendant because he tried to take her goods from her. At first I tried to rationalize that by saying that she interpreted his hands on her as a deadly threat, but her relationship with the Eden children contradicts that. Although the children were collectively treated as products by Transigen it is implied they had a pretty strong relationship with one another before they escaped. Since X-23, or Laura, is able to socialize with them normally when she arrives her reaction to the gas station attendant seems out of character. Then again, we didn’t get to see her interact with the group much. Most of the film from that point on focused on her interacting with Logan and their fight with Transigen. It would have been interesting to see how they all reacted to being together again.

P.S- Some people might laugh at the fat kid running, but that kid was hauling ass.

 

Deadpool 2 Teaser

 

Deadpool is the highest grossing R-rated film of all time and a sequel was inevitable. The plot wasn’t complex, but Ryan Reynold’s was amazing and many people were happy to see a more faithful adaptation of The Merc with a Mouth after the horrible first attempt in X:Men Origins.

The second film has been slightly hampered by some directorial issues, with Tim Miller leaving to be replaced by David Leitch (John Wick). Leitch seemed like a perfect candidate but since John Wick was co-directed by Chad Stahelski we’ll have to hope that the most memorable things about that film’s direction came from Leitch: Especially the distinctive gunfights. Meanwhile Drew Goddard’s (Cabin in the Woods, The Martian)  involvement as a writer also gives me hope that the film will bring more of what we liked from the first film, while also offering an improvement.

Cable is confirmed to be in Deadpool 2 but has not yet been cast, which is why I initially thought the teaser (also referred to as No Good Deed) was a fan-made video. However, No Good Deed is a legitimate teaser of sorts. It depicts Wade coming across a mugging and not-quite rushing to help. After fumbling around in a phone booth to change, he emerges only to find that the old man is already dead. The scene depicted will likely not even be in the film, but it does whet my appetite for another Deadpool film.

Like the “superhero landing” gag from the first film, this teaser is quick to mock old and new superhero tropes. Superman can change in a phone booth just fine because he has super speed, but Wade isn’t as fast or graceful. As Wade says later, “Didn’t those disappear in ’98?”

Stan Lee makes a cameo, and Deadpool is quick to break the fourth wall as he acknowledges him. After apologizing to the corpse of the man he was supposed to save, Wade also eats his ice cream in true anti-hero fashion, after running past a Logan poster. Wade then references Logan again, making sure to throw in an awful Australian accent in his attempt to mimic Hugh Jackman. Although the clip does come across as a bit dragged out I appreciated how it managed to combine all the essential aspects of the character into three minutes.

What were your thoughts on No Good Deed?