Alive began with one poem I posted to the site. That poem then grew into a series of poems as I fleshed out the concept and began brainstorming for a novel.
After completing Alive: Part V I committed to writing a novel. The time period changed, and many details of the plot were altered, but the basic premise remained. I have always loved werewolf stories and I was excited about writing my own.
Like the poems, I originally began the book with my character as a captive. Although I brainstorm when I write, I usually only do a general one to generate basic plot elements e.g.
- Mason will be in prison
- Mason will be transported to second prison
- Mason will escape from the second prison
I find that I can fall victim to procrastination if I spend too much time thinking about where the story will go, instead of writing. I am not saying this is the correct process for writing. After all, it did lead to numerous rewrites of my first book, Elseworld. I learned from that process and made sure to take some more time flesh out my character’s general arc prior to typing the first word.
I began writing, using the poems as a springboard for the other ideas and concepts I wanted to explore in the book. The first fifty pages originally focused on Mason as a captive in prison, where he spent his days discovering and honing the abilities that his curse bestowed on him. These pages helped me to flesh out my own werewolf mythos and develop my character’s backstory, but I also realized that they would create a slow start for the reader. One of the few pieces of advice any literary agent gave me about Elseworld is that it opens slowly.
To remedy my slow opening, I cut some parts completely, and re-inserted some as flashbacks. As a result, the word count is a relatively short 75,00 words. I know that a second part will follow, and I was tempted to try to cram both parts into one book. However, I know the word count would then take the book closer to the 150,000 range, which will make it a very tough sell as a first time author. I am hoping a word count that is short of the 80,000-100,000 range doesn’t hinder me too much. I could add more to the story simply to pad it out, then I could end up with parts that are clunky and add nothing to the story. As I edited Alive, I came across paragraphs or sentences that I cut, sacrificing length for fluidity.
If an agent advises that they want something fleshed out, I am more than willing to take criticism and adjust the work. However, this assumes I will get an agent. Numerous edits and resubmissions of Elseworld got me nowhere, which is why I am now committed to championing Alive, with the hope that I can get it published and then use that success to also retry with Elseworld.
I have been advised to get professional editing for my work and after my continuous rejections with Elseworld, I am eager to get impartial feedback. I have been caught in the trap of thinking of the feedback family or friends give as being truly impartial. My only issue now is that professional editing will cost thousands of dollars and I can’t afford to do it now. However, I don’t want to get impatient and send my work to one agent after another, quickly getting rejected by all of them and being back to square one.
For the moment, I wish to try and try with a few agents; less than ten. If one is interested, I will work with them to make Alive better. One of my favourite YouTubers said he doesn’t have dreams, because the word “dream” implies the task isn’t possible. A “goal” is tangible, actionable. If not, I wait until I can get professional editing. There is still a lot of uncertainty ahead but I want to keep trying to pursue my biggest goal. As one of my former teachers said, “There is no rush in this game.”