As I continue writing Alive, I get closer to approaching the most controversial part of the story. When I started writing the novel, I knew I wanted to create a werewolf set in a medieval fictional society with a black protagonist. I knew I wanted him to live on an island with warring villages, where one village was systematically annexing all the others.
More brainstorming led to a more fleshed out story, and I realized I wanted the protagonist to meet another werewolf on the island; a black woman who wanted to use their gift to eliminate the people who oppressed them. Like Elseworld, a story of interplanetary slavery, the book doesn’t shy away from exploring discrimination.
I remember presenting Elseworld year to a literary agent at the Writer’s Digest Conference in New York. I was able to successfully pitch the book to four agents, although this ultimately didn’t get me anywhere. One agent honestly didn’t seem that intrigued by the idea after I described it, but she also said she didn’t want to represent a terrorism story. At the time, I was interning a few blocks away from The World Trade Center and it clicked to me that maybe my subject matter could be one of the reasons I am having a harder time getting an agent. I never truly considered this since there are so many recent films and books that explore the topic. However, being a nobody always makes it tougher to sell something.
As I get ready to explore black supremacy in Alive, I start to wonder if those two words might scare any agent away from my work. My problem is that I am writing the story I want, not just a story I want to sell. Maybe it will come at a cost, but a part of me believes that I will still be able to see my work published someday.