The Great Wall was never on my radar since the trailer failed to interest me, and because the inclusion of a white main character came across as a blatant example of whitewashing. Matt Damon’s character is a European mercenary, but it begs the question of why this character had to be introduced instead of focusing on an Asian one.
I have repeatedly discussed whitewashing on this blog and on YouTube, which is why I grow tired of repeating the same arguments, to defend the same arguments in support of whitewashing.
I came across a tweet from a user who I have previously had respectful disagreement with.
It's not whitewashing, I agree. Damon is a box office pull in China, moviegoers over there don't want to see a Chinese star. https://t.co/HN9hrY6vP0
— 4StarMovies (@4StarMovies) February 19, 2017
I didn’t bother getting into an argument with this user.
Firstly, there is a huge double standard in terms of race-change in comics. People will defend The Great Wall, Ghost in the Shell and Death Note blindly since white actors are more “relatable” or “marketable”. Or people will simply say that they are colour-blind and that we shouldn’t focus on race so much.
If a person of colour plays a white character there is a firestorm of criticism, ranging from Rue in The Hunger Games (2012), to Johnny Storm in Fantastic Four (2015). People suddenly aren’t colour blind. They want actors who look like the characters, who fit the demographics etc. If people complained about non-speaking black extras who were in The Hobbit (2012) for ten minutes, they are obviously not colour-blind. They just don’t care as long as more white people are on screen.
The Great Wall isn’t an adaptation. The source material for this historical fantasy is the setting. It makes sense for the main character to be an Asian one, and now we have some people arguing that Chinese people don’t want to see themselves on screen. Don’t get me wrong, Chinese audiences shell out a lot of money for white American and European actors. I just don’t think they would be repelled by a Chinese actor. How are minority actors ever supposed to get bigger roles if they are always denied because they are not a big enough star?
Death Note cast Nat Wolff, an actor best known for YA flicks, as Light Yagami. Wolff is not a highly marketable actor but is a fact that Hollywood is willing to take bigger risks with unknown white actors.
Let’s also debunk the marketability argument by looking at two recent Hercules films. Kellan Lutz, best known for a supporting role in the Twilight series, starred in The Legend of Hercules (2014). Meanwhile, Dwayne “The Rock” Johnson starred in The Hercules (2014). If all people cared about were how marketable the actors are, no one should have complained about The Rock’s race with the casting. The Rock is arguably the most marketable actor in Hollywood and people’s complaints about his skin colour on sites like YouTube and IMDB are not the comments of colour-blind people.
Likewise, I have always ignored the argument about people of colour not being “relatable” enough. Of course, being able to relate to a character can be crucial to enjoying a film. However, there are many great characters that are not necessarily relatable. How relatable is Optimus Prime? There is the assumption that a main character has to be relatable in order for people to see a film. If people will pay to see aliens and robots, why is seeing a a person of colour such a stretch?
Additionally, looks should not dictate how relatable someone is. I can relate to white Peter Parker, for his struggles with money and girls. Even when I can’t relate to a character, I can still enjoy a film. I can’t relate to Batman, with his level of personal loss, wealth, fitness etc. Yet I love watching (some versions) of him on screen.
Now let’s move on the crux of this twitter user’s argument. Free-market economics. Like many people, he argues people simply wouldn’t pay to watch the film without big American stars. He also conflates American with white, which many people continue to do.
I am sure that many people probably thought that a film like Straight Outta Comptom (2015) would never be a box-office success, even with a relatively modest budget of $50 million. Many people pointed to Red Tails (2012) as the definitive example of what would happen if enough white people weren’t involved. “All the white viewers in America and worldwide won’t pay to see a film with so many black people”. Yet Straight Outta Compton was a success and introduced audiences to new, talented and non-white actors. Straight Outta Compton marketed it’s story well, making people acknowledge the race of the actors but also put aside any prejudice or hesitance in order to see the story. If you are interested in a film’s story, setting etc, but decide not to watch it because the main character isn’t white, there is something wrong with your head and Hollywood needs to stop pandering to this mentality.
How are minorities ever supposed to get bigger roles and become “marketable” leading men if they are never given the opportunity? Do they all have to settle for supporting roles with white leads and hope that is enough to someday make a name for themselves? Even if a film takes place in China, Hollywood makes sure a white man is there to lead the way.
Season 7 was of The Walking Dead was originally one of my most anticipated since it would focus on Negan, one of my favourite comic book villains and the best villain that The Walking Dead comics have had to date. Season 6 introduced Negan and ended with a money-grubbing tease that left a bad taste in my mouth and made me skeptical of what season 7 would offer.
The season 7 premiere featured a drawn out encounter with Negan that was obviously done to pad screen time, but I was willing to overlook it for the first episode. Then the second and third episode focused on The Hilltop and The Saviours respectively. It has always bothered me when The Walking Dead does this, instead of cutting between the different stories. Shows like Game of Thrones have far more characters and locations to deal with and do a better job of giving each party their necessary time. I have no problems with Tara and Heath as characters, but giving them an entire episode was ridiculous.
Some may argue that focusing on one location gives more opportunity for character development and builds anticipation for other story arcs. In this case, I beg to differ. Cutting between different stories during an episode forces writers to be more concise with their storytelling, so that an entire episode doesn’t end up serving as filler. Instead of 40 minutes (without commercials), writers are forced to use tighter writing to express the same story in 20. Or they can possibly stretch the different stories over multiple episodes.
The way it stands, the eventual conflict with Negan gets dragged out to episode 9 since three episodes didn’t show Rick and Alexandria at all. Since The Walking Dead is sticking to longer seasons (the past few have been 16) it seems the desire to reach a certain amount of episodes, instead of just telling a story naturally, interferes with the storytelling. The Marvel Netflix shows have a similar issue, since Marvel makes them all thirteen episodes. I felt like Luke Cage, in particular, could have been shortened. The midseason break also seems like a move designed to keep The Walking Dead on air as long as possible, especially now that other AMC hits like Breaking Bad and Mad Men have completed their runs.
I never considered The Walking Dead one of the best shows out there, especially since the acting is inconsistent at best. It ranges from great (Lincoln), mediocre (Serratos) to awful (Riggs). With all that said, I was not that excited for the mid-season premiere.
Firstly, I am sure that Gabriel didn’t actually betray Rick since it would derail his entire arc as a more committed member of Alexandria. When he is driving away in the car, I thought I was seeing things, but online articles have confirmed that someone else emerges in the passenger seat. Earlier in the season, we saw someone spying on Gabriel at the wall and on Rick and Aaron at the boat. It appears that person reached out to Gabriel, and is probably aligned with the community that confronts Rick’s group at the end of the episode. I loved Rick’s smile; the look of a man who has found his army.
I thought the group might be Oceanside, but Oceanside was previously introduced as a female-only group. In the comics, the group is co-ed and Michonne joins them for a while. Unless they’ve added men since their last appearance in the show, this appears to be a brand new group that was never shown in the comics. If they are a new group, it almost comes across as a deus-ex machina, but I’ll reserve judgment until the next episode. The show better not focus on another group for the entirety of the next episode.
Some fans have had a hard time grasping why Rick’s group didn’t want to fight back earlier. Hopefully this episode makes it clear they were worried about their lack of numbers, relative to The Saviours. Additionally, Negan has made sure to consistently put Rick in a bind by making the lives of others tied to his. Yes, Rick could have beaten Negan to death with Lucille when Negan visited Alexandria, but then The Saviours would slaughter everyone.
Like the comics, Gregory is content to stick his head in the sand and submit to Negan’s rule. Xander Berkeley chewed some scenery in this episode, and hopefully we won’t see too much of that in the rest of the season. If his arc follows the arc from the comics, we’ll be seeing him around more and this show doesn’t need more weak acting.
While Ezekiel is happy to join Rick’s alliance in the comics, he is hesitant here due to the risk of losing everything they’ve built. It is a fear that Rick had as well, and it is likely Ezekiel will change his mind. Ezekiel’s refusal also brings up another issue. In the comics, Dwight is actually a double agent who is working with Ezekiel to take Negan out. The show has already hinted at Dwight’s animosity towards Negan, for taking his wife and burning his face. We know that his motives for wanting Negan gone are there, but it looks like he may not be a double agent in the show. This doesn’t bother me too much, since his reveal seemed like a last minute decision in the comics. If Dwight was a double agent the whole time, why did he kill Abraham if he didn’t really have to?
Morgan reunites with Rick for the first time since Carol’s disappearance from Alexandria, and his own hesitation to go to war seems to have impacted Ezekiel’s decision. Although Morgan is willing to kill in self-defence, it seems the fear of all the lives that will be lost in the war makes him hesitate to join an all out war. The only positive thing to come out the meeting with Ezekiel is his offer of asylum for Daryl. This episode also made me wonder if Daryl will find Carol and convince her and Ezekiel to join the war.
While Rick doesn’t get what he wants from Ezekiel, he does came across explosives that he plans to put to good use against The Saviours. Rosita appears to have learned some valuable things from Eugene, and this appears to be the start of an arc that is meant to make us root for her character more. However, I still despise her character. Her sheer stupidity in trying to kill Negan with only one bullet got someone else killed and got Eugene taken away. Her attitude to Sasha also fails to make her endearing. Also, there’s the fact that she was in a relationship with Spencer of all people. The girl’s got poor taste.
Have to say I am more excited for issue #165 of The Walking Dead comic, than the next episode of this show.
I am happy to announce that I completed a rough draft of Alive on thursday. I will be returning to the story to add, cut, delete, edit etc and have a polished version ready by July at the latest. Once I have an edited version, I will then look into editing services that can give me impartial advice on the book. Then I will pursue an agent. However, I wish to take a break from it for a week so I can return to it with fresh eyes.
Alive follows Mason, a young black man in a medieval society who is bitten by a werewolf. After surviving an attempt on his life, Mason meets Ayda, the woman who bit him. Ayda offers him a sanctuary in a society that rejects their kind, but informs him that she plans to use their power to eliminate the people who discriminate against them. Torn between his conscience and a desire for vengeance, Mason must confront a society that wants him dead and a woman who wants to use him to wage war.
I am especially proud of this book since it began with one poem that I posted to this blog. I built on that on poem with others and was able to craft a full novel from it. It has demonstrated the value of blogging and the creative benefits that it can bring. I am also debating doing a second part, since the ending to this first book is open ended.
Once Alive is completed, I want to begin working on a novel for Hazard.
The idea for my second novel started with a poem from December 2015. I am currently 70,000 words into my werewolf tale. Alive revolves around a recently bitten human who becomes part of a black supremacist plot led by Ayda, the woman who bit him. The book is not an endorsement of black supremacy, it is only a tale using that vehicle to ask questions about identity and belonging.
The protagonist, Mason, is a man who has always felt like an outsider among his own people or others. Although he harbours resentment for the lighter-skinned people who hamper his rights, he is hesitant to take part in violence against them. His choice is taken from him when the other werewolves on his island, initiate a war with the island’s army. The first book focuses on their conflict with the island, while also exploring Mason’s conflict with the new black community that becomes his home. The second book will focus on the power struggle within the community and Mason’s attempt to prevent Ayda’s planned genocide.
As the story progresses, I now realize that this tale will need at least two parts. I am hoping to have part one wrapped up by March. The book begins with an origin story, but I will either be deleting those sections, changing them to flashbacks, or saving them for part II.
Another Super Bowl has come and gone, this time we got to see the Falcons choke and give away a pretty substantial lead so that Tom Brady could get a record- tying 5 Super Bowl Rings.
Anyway, us film geeks were also treated to new footage of this year’s upcoming films and tv shows. There are three main ones I will focus on here. I completely lost interest in the Transformers series after the third film. I should have given up after the second but I’m a glutton for punishment I guess. Guardians of the Galaxy is one of my favourite MCU films but I am not that excited about the second. The teaser pushed the film near the top of my most anticipated list, but the subsequent trailer, with its focus on Baby Groot, made me lose interest. Yes, he’s cute. Can we move on from selling toys?
I know Logan had some new footage but I don’t want to spoil anymore of the film before I see it. The first two trailers were more than enough for me. With that said, let me begin with my most anticipated.
I did not realize that season 2 was so far off, with a Halloween release. However, this teaser does the perfect job of building excitement for the second season without giving too much away. Starting off with the old eggo add was genius, and leads to a great reveal of Eleven. Many fans and outlets speculated that she would return, especially since the end of the last season showed Jim Hopper delivering eggoes to a location in the woods. Nevertheless, it is still great to see it confirmed. Not only is Eleven a great character, but Millie Bobby Brown’s performance is one of the best on the show. We also get to see the shot of the kids in their ghostbuster costumes.
Some people see this as anachronistic, but the first season was set in 1983, and Ghostbusters was released one year after. If some time has passed between the first season and this one, then it makes sense for Will and the gang to dress up as the main characters for Halloween or some other occasion.
The teaser also ends on an exciting note, revealing a glimpse of a new creature from another dimension. The teaser makes reference to the upside down, so it appears something else has made its way through. Perhaps it was freed the same way Eleven returned.
This brings up more questions about the plot but I am happy to have that revealed to me gradually, and finally get the answers for myself with the finished product on Halloween. I haven’t truly binge-watched a show in a while so I think this will be an appropriate occasion.
Pirates of the Caribbean: Dead Men Tell No Tales
I loved the first two POTC films, but was underwhelmed by 3 and 4. The first trailer didn’t excite me much, and not because Jack Sparrow wasn’t in it. The special effects looked poorly rendered, and they don’t look that much better in this new footage. A great ending to the first trailer was ruined by the need to add “fun”, taking away the new villain’s menace.
However, Bardem’s involvement still made me curious about the film, especially after his performance in Skyfall. His crew looks like they will make interesting villains, and I loved the shot of them running over water as they pursue a woman on the beach.
However, Johnny Cash did help to add to the excitement for this one. The music obviously might not be in the film, but it did help to build excitement as I watched. I’ve already heard people complaining about Johnny Cash being “everywhere” now but two trailers over the past 6 months doesn’t count as everywhere.
We see Barbossa again, and it looks like he may die (again) in this film.
There are brief flashes of new characters but not much is revealed about them so far. I have also avoided looking into the plot more online since I don’t want to spoil too much of it for myself.
We get a brief glimpse of Will, who we can see is starting to become part of the sea. The second film stated that the crew of the Flying Dutchmen only begin to mutate if they fail their duty to ferry lost souls to the underworld, so it appears Will as been slacking on his duties somehow.
We don’t know if we’ll see Kiera Knightley again but I can live without seeing her face again. I was happy to see that this footage didn’t rely on Jack Sparrow too much. The first trailer made it clear he has angered yet another pirate, and this footage makes it clear they are looking for him. We already know the story revolves around Sparrow so there is no need to spread him all over the promotional material. With that being said, it was great to get a brief shot of a mud-covered Sparrow.
Stranger Things was one of my favourite shows of 2016 and I was happy to hear that it received a Screen Actors Guild (SAG) award for “Outstanding Performance By An Ensemble Cast”. Of course, the award was overshadowed online by memes targeting Winona Ryder’s facial expressions.
It appears that Ryder actually stole attention away from David Harbour’s speech, which is also one of the most discussed events from the SAG Awards. Firstly, the speech is generally about fighting injustice and accepting “outcasts and freaks”. The speech can refer to the events of Stranger Things but is of course a parallel to Trump and his presidency.
Like any political comment, it has attracted a wave of support and plenty of criticism. I previously discussed how people forget that freedom of speech is a double-edged sword in my Patton Oswalt article.
“I also find that people often forget that freedom of speech is a double-edged sword. For example, President Trump said the Hamilton cast was out of line for criticizing Vice President Pence, but he also supported the unfounded allegations that Obama is a foreign-born Muslim. Trump had no problem using his freedom of speech to assert that a President’s birth certificate isn’t valid, but he was also insulted that the Hamilton cast would have go off-script to address his VP. People invoke freedom of speech as an excuse when people express views they do not agree with.”
I’m not bringing this up again as shameless self-promotion. I bring it up again because I believe that it captures an issue that is central to the criticism directed towards Harbour and Stranger Things as a whole. I first came across the criticism of Harbour’s speech due to an announcement about season 2. While I was just excited to see some new pictures, a few of the users (who use Facebook to comment) were quick to comment on how much Harbour’s speech turned them off the show.
Bill Michael writes: “I love the first season but after the SAG award political rant/meltdown on stage by the cast I doubt my family or I will watch season 2 now”
And Jim Culver follows up with: “I was right in the middle of binge-watching season one when they did that, and it totally soured the experience for me. All I could think about was what a pretentious jerk the guy who played Hopper is, and what a ditz Winona Ryder is.”
So maybe Culver has a point about Ryder, but what bothered me was the animosity generated about Harbour daring to express an opinion.
I have come across some people who believe that celebrities shouldn’t make political statements of any kind, since they have so much influence and can sway people negatively. However, we have to remember that celebrities are human beings. They have a stake in the world just as much as we do.
If an actor or actress I respect makes political statements I disagree with, I don’t chastise them for having an opinion, I criticize them for the views themselves. I like my bigots out in the open, and I want to know what is going on in the minds of people who I am indirectly giving money to. The people criticizing Harbour, for criticizing Trump, come across as Trump supporters who don’t want to hear their hero denigrated by what they view as “libtards,” or “commies” judging by the comments on the Youtube video. I have to wonder if they would be as upset if Harbour made a speech talking about the need to support Trump.
As expected, plenty of the comments criticize the left for being intolerant. After all, Harbour does advise that people should be punched in the face. When Trump said he wanted to build a wall between the US and Mexico, and establish a Muslim ban, people said it was only a metaphor. I’ll use the same excuse here, Harbour was just referring to what his character would do, not what he is seriously condoning others to do.
So, the same right-wing that is convinced most Muslims are terrorists, that Obama is a foreign born Muslim etc. are now upset that the left dares to make a speech about accepting outsiders. Does anyone else see the problem with this mindset? While one side continues to defend whatever they say as the politically incorrect truth, or “telling it like is”, any comment that does not support Trump is viewed as proof that liberals aren’t tolerant. Liberals don’t tolerate bigots, it’s as simple as that.
I have always been interested in the debate concerning social media and its effects on people’s lives. There have been numerous cases of someone receiving offline harassment, threats, employment loss or even violence due to something that originated online. Since 2014 we have had movements like Gamergate come into the woodwork, attacking the supposed corrupting influence of feminism in video games and defending death threats as a manifestation of their free speech. This becomes the crux of the argument about social media and its real world effects. If we have freedom of speech, why should people care what we say about people online or in a video?
Earlier this week, comedian Patton Oswalt criticized Trump in one of his tweets. Real estate agent Tony Brust then responded, “”Oh (bleep), the little troll has an opinion again”. This first comment is insulting and unimaginative, but it is not the tweet that resulted in Brust losing his job. Instead of quitting while he was ahead, Brust decided to bring Oswalt’s deceased wife into the argument: “I’m a psychic and I am channeling his wife’s opinions.”
Once Oswalt’s twitter followers saw this tweet, they also noticed that Brust was using his professional social media to tweet. Users immediately found the link to Jim Maloof realtor’s and began calling the company and posting complaints about Brust’s behaviour. Brust is now out of a job.
People may disagree with me for this, but I see this as a form of poetic justice. Many will be quick to use the free speech excuse, but I find that many people misunderstand what free speech means. Brust did not go to jail for his tweet. That is the crux of freedom of speech, freedom to criticize the government and law enforcement without legal consequences. Freedom of speech does not mean that someone is immune to criticism and consequences from their peers. The government didn’t demand Brust’s resignation, Oswalt’s twitter followers did. Maloof Realty had to distance themselves from the bad press and did so in the most logical way. It is their freedom to choose to protect their reputation and their earnings by cutting off the cancerous tumour.
I also find that people often forget that freedom of speech is a double-edged sword. For example, President Trump said the Hamilton cast was out of line for criticizing Vice President Pence, but he also supported the unfounded allegations that Obama is a foreign-born Muslim. Trump had no problem using his freedom of speech to assert that a President’s birth certificate isn’t valid, but he was also insulted that the Hamilton cast would have go off-script to address his VP. People invoke freedom of speech as an excuse when people express views they do not agree with.
An ‘extremely credible source’ has called my office and told me that @BarackObama‘s birth certificate is a fraud.
— Donald J. Trump (@realDonaldTrump) August 6, 2012
I make it clear that I don’t agree with bigoted comments, and I don’t criticize someone simply for having the audacity to say something bigoted. I pick apart their argument for inaccuracies and bias. I always thought this argument of freedom of speech vs social media was isolated to teenagers and young adults who were still mentally maturing. If my time as a teaching assistant served as any indication, the next generation has a long way to go. Anyways, debate about this online from the Chicago Tribune to Cracked demonstrates that people of all ages are divided about Brust’s fate. Aside from the freedom of speech argument, some argue that “lynch mobs” don’t help anyone. This complaint also comes across as hypocritical since lynch mobs like Gamer-gate are often supported or defended (usually with the excuse of free speech as well). It is alright to send death threats to women for their involvement in video games, but it is not okay to get someone fired for cruel comments they publicly made to someone else. I honestly suspect that the people jumping to Brust’s defence either support what he said, or are sympathetic because they often make similar comments online.
Employment is partly based on skill, but should also factor in someone’s character. I wouldn’t want someone like Brust to sell me a house or an apartment. Some may think it is cruel that he lost his job over something so foolish, but that is his problem. Brust is the one who didn’t have enough restraint and foresight to see the consequences of his actions. As the Cracked article explains, studies have found that people with more empathy have a better understanding of actions and consequences. Brust clearly lacks the necessary empathy, and maturity, to realize that his short-sighted tweet took things too far. Why is he worthy of our empathy? Social media is not private. You can make some profile’s visible only to a limited circle of people, but once you engage in an argument or conversation with someone else, the conversation becomes public. If you can apply for a job online, don’t be surprised that you can also lose one online. Public actions, have consequences.
It would be an understatement to say that BatmanvSuperman got mixed reviews from professional critics and fans upon its release. Some argued it was one of the best comic book films ever made, others regarded it as a cinematic travesty. Personally, I found the film to be average. Jesse Eisenberg’s performance as Lex Luthor and the film’s third act were its greatest weaknesses in my opinion. The film asked interesting questions and had some amazing scenes, which made it even more frustrating that the entire film couldn’t be as powerful.
One thing that many people agreed on, whether they liked the film or not, is that Ben Affleck’s performance as Batman was amazing. Of course, there are some haters but many negative and positive reviews single out Affleck as a redeeming factor.
After Affleck’s portrayal many fans were excited to hear that he would be behind the camera and in front of it for the Batman solo film. Unfortunately, that dream will not come true. Perhaps we should have seen this coming. There was meme after meme making fun of Affleck’s apparent irritation with being asked about Batman, and even Affleck’s own statement that constant questions about the film are a “pain in the ass”.
Affleck says he is still committed to the film as an actor and producer, but feels like he would be unable to handle all three aspects well. Some may think this decision is tied to the recent box office and critical disappointment of Live By Night, but I believe that the attention this film received may have made Affleck hesitant to take on all the key responsibilities.
Now the question is who will direct this film. I feel that if Snyder were to direct, it would get a poor reception from the film geeks simply due to his name being attached. If IMDB is any indication, many people consider him one of the weakest cogs of the entire DC Extended Universe. It’s true that he is mainly a visual director, but I think he can do a great job if he also has a great script.
Earlier reports indicated Affleck and DC Comics Geoff Johns were writing the script for the film. While Live By Night may have faced less critical adoration that Gone Baby Gone, The Town or Argo I still like the odds of getting a good script from Affleck. Geoff Johns’s work with the New 52 has faced some mixed reviews but I am willing to give him the benefit of the doubt for this script as well.
Off the top of my head, I would love to see what Denis Villeneuve would do with a Batman film. This is pretty much a pipe dream but I had to share it. I have not see Arrival yet, but Sicario and Prisoners, and love how he handles morally grey characters. Not to mention that his cinematography is amazing and is what made me think of him directing a Batman film.
Many of the best films I have seen relatively recently have not been from directors I knew or expected much from, with Deadpool and Ex-Machina being the best examples. Maybe Affleck’s decision is a blessing in disguise. Some new blood could be exactly what the DCEU needs.
We have officially entered the era of President Trump. There were many people who thought this would never happen. They discounted all of the apparent support for Trump as a the work of a loud minority and had faith that the American people would let reason prevail. I wanted to believe this too but I couldn’t ignore all of the support that Trump received for one prejudiced comment after one another, and the climate of hate that he happily nourished. No one is racist anymore. They all have black friends or they are not racist, but… No one is sexist, they’re just not a white knight and they don’t like feminazis. They also don’t like political correctness, liberal agendas or social justice warriors. All this talk of the need to fight inequality is just the work of people who get offended by “everything”. Then along comes Trump, who isn’t afraid to “tell it like it is”.
Trump didn’t lay out many specific policy plans, because he didn’t need to. His comments on Hispanics, Muslims and women got him all the support he needed. Trump did lay out two bold plans, which some people disregarded as words that were only meant to get votes and media coverage. Trump repeatedly stated the need to ban Muslims from entering the US until “we can figure out what the heck is going on” and the need to build a wall along the U.S Mexico border. I have heard family, co-workers and friends say that there was no way Trump would even try to enact these policies.
Yet here we are. To be fair to Trump, his executive order is not a definitive one.
It prevents the citizens of seven Muslim-Majority countries from entering the US and also suspends the US refugee program for 120 days. However, there is the possibility of a reinstatement or an extension on the order if Trump deems it necessary.
Some of the defense for the act stems from the idea that all Muslims are a threat. I won’t give those arguments much time since radical Islamic terrorists statistically make up a small portion of the 1.5 billion Muslims in the world.
Many people are also defending the ban since they have the idea that America already had lax security protocols for refugees and immigrants coming from Muslim majority countries, which isn’t true.
Some are arguing Trump will be impeached, but the point is that he genuinely tried to enact the policies he discussed.
Trump wasn’t just treating the race like a marketing opportunity and appealing to hate because it would get him airtime. At this point, it seems as if he genuinely believes all of the bigoted comments he made during his campaign. It wasn’t all a publicity stunt.
We now have a man who’s senior White House Advisor refers to easily debunked lies as alternative facts. It isn’t a coincidence that sales of 1984 spiked after these comments were made. Trump’s campaign and his presidency is fueled by bigotry, and hate is the enemy of fact. Anyone who was willing to vote for Trump after he said Mexico “doesn’t send its best” will obviously continue to support him. They will embrace alternative facts and use any of the right wing buzzwords, “social justice warrior, political correctness etc.” to shut down any reasoned discussion they don’t want to hear.
Voter turnout was relatively low for this past election, at 60% of the eligible voters. However, that means that over 30% of the eligible voting population still voted for Trump. We are talking about 66 million people who wholeheartedly embrace bigotry and represent a regression in the ideals of racial and religious equality. Maybe we only have to deal with Trump a few more months. Or maybe we have to deal with a whole term, and maybe another.
Hopefully this election motivates people to vote in the next one, and pick the lesser of two evils if need be.
With Iron Fist and The Defenders coming out later this year it can be easy to forget about the Netflix series that follows.
After seeing him in The Walking Dead and Fury (2014) I thought Bernthal’s casting as Frank Castle a.k.a. The Punisher was perfect. He went on to become the best thing about Daredevil’s second season, providing a deadly foil to Matt Murdock. After watching the season and reading The Punisher Max and War Journal, the Punisher quickly became one of my favourite comic book characters.
While the Marvel Cinematic Universe is (MCU) is sometimes hampered by the desire to remain family-friendly, the Netflix shows capture a more adult world that is also not afraid to embrace the more fantastical elements of the comics. Many people didn’t like the mystical aspects of Daredevil’s second season, probably due to the contrast with the gritty first season. However, I didn’t mind these additions. My biggest gripe was the love story between Matt and Karen, which wasn’t foreshadowed at all with the previous season. This season began and they were suddenly in love.
With that said, The Punisher is a series that might work better (at least for the first season) with more grounded villains. Most of the villains in the aforementioned comics were figures involved in crime syndicates such as the mafia or IRA. While The Punisher obviously lives in the same universe as Thor and The Hulk, and has fought some of these figures in the comics, I hope the solo series starts with his work on the streets. Daredevil ended with Castle donning his costume as he continued his personal war on crime. I want to see that story expanded, as Castle continues to target criminal enterprises.
While Daredevil emphasized Castle’s pursuit by law enforcement, the Max comics frequently imply that the police tolerate his presence. There is a story arc where corrupt policemen frame him for the murder of one of their own, but for the most part the police realize he makes their jobs easier and scares some people off the streets. It would be interesting to see this dynamic in the series as well. I have heard the series will be inspired by the Max run, and I am especially hoping that the “Slavers” arc is adapted.
Set pictures have revealed that Karen Page will appear in the series. She tried to act as Castle’s voice of reason in Daredevil, creating a character dynamic that had far more chemistry than her and Murdock’s. It is likely she will be trying to steer him away from vigilantism, or a less violent alternative. If the character’s written properly he won’t be changing his mind, but their conversations could lead to more interesting insights about how Castle views the world e.g. the rooftop conversation in Daredevil.
One of my main worries is the length of the seasons. Every Marvel Netflix show is thirteen episodes, which feels like too much at times. Luke Cage was a good show, but I feel like it was hampered by the length. Shortening the series by an episode or two could have led to some more concise storytelling. Since the series needed to be padded to 13 episodes I feel like all of the legal wrangling in the last few episodes was added to get the series to the necessary length. Since The Punisher kills his enemies there will be definitely be less police and courtroom proceedings to worry about. However, some other plot twists could be utilized to pad the series unnecessarily. Until the thirteen episode rule changes we’ll have to hope the writers adapt to give us 13 episodes that don’t feel bloated or stretched out.
Besides that concern, this series has a lot to offer. The few comics I’ve read present a swath of interesting supporting characters and villains that will help to support one of my favourite anti-heroes as he makes his solo tv debut. What is your most anticipated Marvel Netflix show of 2017?